Who payed the critics

Slow pace in the most part of the movie.

Purely Joyful Movie!

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

First, I am *not* in the least bit knowledgeable about snowboarding or any of the related sports (surfing, skateboarding, skiing). And I was myself fearful that this movie would include so much "technical" or "advanced" material that a mere mortal wouldn't be able to follow it. "Documentaries" can be very specialized, after all.I need not have feared finding myself out of my depth and neither should *you* if you're not yourself in the center of the "scene" and yet are thinking about seeing this film.Because this is really in the spirit of The Lords of Dogtown and ... and ... well, there was a Surfing quasi-documentary from last summer, I can't think of the name ... but it had the same flavor. The flavor was a special sort of humanistic excitement that for me arises from combining both (a) great footage of the Action; and (b) great narrative and interviews with the People involved.I liked the sort of back and forth from Present (a sort of Reality Movie type expedition to Alaska with 5 top boarders) and Past (History of Snowboarding).The scenery from Alaska was simply breathtaking, the descents gripping and exciting and full of vicarious adrenalin rushes.The interviews with Terje and Shaun and Hannah and Farm and Shawn were wonderfully engaging: fresh and convincing and sincere enough that I as viewer felt like I got a real sense of who these fascinating and delightful persons were.The history painted the whole Snowboarding Phenomenon with a vivid and appealing personality as well.The way that the entire film built toward what truly was a blazing, satisfying completion, was just delightful. In fact the sort of sustained baseline of excitement was modulated by a kind of rhythm back and forth from whiteknuckling action back to a little narrative or interviewing to let me catch my breath.Great job everyone ... and *thanks* for giving a viewer like me a little glimpse into a gripping and exciting and wonderfully human world.

I'm gonna be totally honest, I liked this movie a lot, but it wasn't quite what I expected - or what I hoped for. First Descent's biggest problem is that it can't decide whether or not it's a history of snowboarding, or a movie focusing on six snowboarders, including legend Shaun Farmer and current superstar Shaun White, going freeboarding in the Alaskan mountains. It's footage is spectacular, particularly that of former world champ Travis Rice as he races to outrun an avalanche he's accidentally triggered, but I guess I had hoped to learn more about the boarders and their motivations than I did. The history was truncated more than just a little bit, but was enough to whet the appetite a bit.My experience in seeing it was marred by a middle aged couple sitting across the isle from my fiancée and I, talking loudly and being generally obnoxious. They seemed either drunk or high, or both, but it was very distracting.As a huge fan of Senor Blanco (and others), I definitely enjoyed the movie enough to recommend it to other boarders or boarding fans (I fall into the latter category), and will most certainly pick up the DVD when it's released. I enjoyed the glimpse into the way White thinks, even though I would have liked more of that part of the movie and less of the "history". If you're not a snowboard fan, however, you may find yourself bored to the max. The movie slows to a crawl at times. Overall, though, it wasn't a bad little film, and I can recommend it for fans of the sport.On my Popcorn scale, it gets 3 1/2 out of five popcorn boxes, and a medium salt rating for action and language.

I thoroughly enjoyed this movie. It puts you in a great mood. There is one amazing scene after another of snowboarders doing insane freestyle and big mountain riding. The mix of the new generation riders (Shaun White, Hannah Teeter, and Travis Rice) with Terje from the 90's and Shawn Farmer from the early days of snowboarding (late 70's through 80's) gives you the full spectrum of different riding styles. The movie jumps back and forth from these 5 big names doing a trip together in Alaska searching for some back country riding to the documenting of snowboarding's history. I feel the two different focuses kept it more interesting and made the movie more enjoyable. I don't think the movie was too over the top in its effort to promote snowboarding nor do I think it exaggerated its impact on the ski resorts or the world. It seemed balanced, realistic and factual from my own knowledge of snowboarding which dates back to the early 90s. If you're a soccer mom that watches Oprah and soaps most of the time this may not be very exciting to you but if you have a love for sports, the outdoors and some excitement you should be able to enjoy this very easily like I did.

Earlier this year, "Lords of Dogtown" brought us the story of the skateboarding revolution in 1970's California. Seemingly right on cue, "First Descent" now imparts upon us the birth of the snowboard craze in documentary form, weaving together a narrative of the sport's brief history and the Alaskan backcountry adventures of five of the snowboarding's biggest and brightest. Co-directors Kemp Curly and Kevin Harrison piece together a finely-crafted exposition of snowboarding that is both informative and technically marvelous, and satisfies despite a strangely glory-centered message.The cast of real-life snowboarders creates a range of viewpoints that keep things interesting, consisting of Terje Haakonsen (the snowboarding god), Nick Peralta (the pioneer), Shawn Farmer (the 40-year-old hillbilly), Shaun White (the X-Games golden boy) and Hannah Teter (the girl). The film centers around the gang's trip to the uncharted peaks of Alaska, where they shred the sickest lines down the deadly slopes of previously-untouched mountain ranges. The setting itself rightfully takes center stage throughout the action sequences: frequent fly-bys of the snowcapped peaks against the crystal sky are breathtaking all by themselves. As the snowboarders cut through the powder, the camera captures each upswept flake from angles that intensify the majesty of each mountain, which makes pretty apparent the skill needed to survive the descent. The sound direction adds to the drama, drowning out all ambient noise and leaving only hiss of the boards on the snow. The film's most technically impressive moment is when one of the boarders touches off an avalanche - the gruesome crack of the collapsing snowdrift followed by the disintegration of an entire mountainside (in slow motion, of course) is nothing but amazing. Intertwined with the expedition is a telling of the history of snowboarding and brief bios of the five main players. Through grainy 80's footage, the film shows snowboarding's roots as an anti-authority movement, combining elements of skateboarding and surfing to form a sport that got the kids interested in hitting the slopes again. The film does a good job of tracing snowboarding through the years by means of various segments throughout the film, showing how it grew from the invention of a bunch of damn punk kids to a billion-dollar industry and an Olympic event. But, you can't help but snicker when the overly intense, deep-voiced narrator describes snowboarding as a noble movement that "fought to keep its soul" and boldly struggled for validation during its conception in the 80's. Also, aside from Shaun and Hannah learning how to dig people out of avalanches before their first Alaskan run, the film pretty much ignores the fact that snowboarding can, you know, kill you. And while we're being negative, we can talk about how the whole movie seems to be a huge action-sports commercial for Mountain Dew and Oakley eyewear. But I guess someone has to pay the bills, right?The cast bios are a mixed blessing. While they present the development of snowboarding from a personal standpoint, they make the industry out to be some fantasy world where a bunch of independent souls live by their own rules (richly, I might add). Farmer, the 40-year-old surfer dude, enjoys skeet shooting in his backyard with his father and shopping at his favorite store ("Guns, Liquor and Ammo") when he isn't getting paid to careen down the side of a mountain. The life of the 18-year-old snowboarding superstar Shaun White is strenuous, only allowing him a week off between signing autographs in L.A. and being the grand marshal at a NASCAR race in Darlington. Apparently, the documentary would have you think that the easiest thing in the world to do is become a pro snowboarder, completely bypassing any kind of training or personal injury the main subjects had to endure. Oh, and the word "gnarly" is used nine times. Take that as you will.But, despite the thematic concerns, the documentary is wholly entertaining. Even though the "do what you want" attitude toward life may be taken slightly overboard, it provides a generally effective context for the whole film. The spirit of the snowboarding culture is convincingly portrayed in a form that is, in a word, beautiful – if you're a winter sports enthusiast, pray that this one comes out in IMAX. "First Descent" is a good diversion from exam week that will get you in the mood for semester break - and if the whole "school" thing ends up not working out for you, all you have to do is strap on a board and win some X-Game gold. At least that's how this film makes it out to be.