Absolutely the worst movie.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

is it fair to criticize a film for lacking a plot?probably not. (1) dependence on plot, the idea that every experience is part of some greater story which has a clear moral content, is a misnomer...and probably the underlying disease which is americanization of art. everything cannot be succinctly categorized. there is not just one perspective. (2) i might have missed the plot anyhow. after all, i was combating a poor knowledge of german, austrian accents, inaccurate subtitles, a less than stellar video copy, and, of course, my own limited sensibilities. but i can say, that i do like a plot. and there did not seem to be one here. that said, i was completely impressed by this film. the low-budget aesthetic was wonderful. from the chunky city-scape models, to the hermes-like metallic scrunchies, to the exploding possums, the futuristic car in a sheet, the red vinyl body suit, the fold-up character, and the alligator stir-fry. all very intriguing. add in poetic monologues and cryptic conversations. i was very happy, because it was so pretty.