Let's be realistic.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Close shines in drama with strong language, adult themes.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

A United Artists picture, released on 31 January 1947, directed by George Archainbaud.CAST: William Boyd, Andy Clyde, Rand Brooks, Jane Randolph, Robert Emmett Keane, Stephen Barclay, Harry Cording, Earle Hodgins, Forbes Murray, William Davis, Benny Corbett, Fred (Snowflake) Toones, Bob Bentley, Glen B. Gallagher. Running time: 63 minutes. (Available on an excellent Platinum Disc DVD). Comment: Not a bad entry in the series which pleasingly focuses attention on Boyd himself rather than the garrulous Clyde or the colorless Brooks. It's also a pleasure to see Jane Randolph as the reluctant innkeeper and Robert Emmett Keane as the villainous spider man. The plot doesn't make much sense, but for all that, it's mildly intriguing and director Archainbaud has handled it with a bit of welcome atmosphere and even - dare we say it? - style!

In Fool's Gold Hopalong Cassidy gets a request from a friend who's an army colonel to fetch the colonel's son Steve Barclay away from an outlaw band he's planning to join before he gets in real trouble. Barclay is a lieutenant in the army and he's going to be part of an intricate scheme in a gold robbery.Sad to say Fool's Gold has to go down as one of the lesser features in the long Hopalong Cassidy film series. In fact the series would shortly come to an end only to regain life on television in the early Fifties.The screenplay was strangely actionless and had they concentrated on the caper aspects of the plot it might have been better. It was in fact an interesting idea for a robbery and could have worked better with better writers.Even Andy Clyde's oafishness and yarn spinning was not as entertaining as normal Clyde's California character comes off as more stupid than amusing here.For devoted Hoppy fans only.

Hoppy goes under-cover to rescue friend's son from clutches of outlaw gang.Cluttered screenplay short on both action and focus. Best thing is clever idea of "bug- ologist" professor who collects poisonous spiders. Naturally, he heads up the gang. Unfortunately, he's not around for the climax, plus the script doesn't really know what to do with him. Notable too that the cast includes that fine B-movie actress Jane Randolph as the tough-talking saloon girl. Too bad her role sort of fades away. Anyway, I agree with others that this is not Hoppy at its best.It may be worth noting that Bill Boyd was the uncredited executive producer here, which means he had taken over production from Harry Sherman. That may account for lesser amount of action since Boyd could now make executive decisions, and he was pushing 50, a time maybe to slow down. Note, for example, how he lassos the buckboard guy instead of jumping and wrestling him off the speeding wagon. Fortunately, the actor could fall back on one of the most likable personalities on the cowboy screen, plus here he really looks good in that big hat and long waistcoat. Then too, next to Gene Autry, Boyd was probably the shrewdest businessman riding the matinée range. So, let the younger guys take the falls, which, I think, is what he was in the process of learning here.

Peace and quiet is what Hoppy is after on his ranch until an old friend turns up wanting his help. But it's us viewers who get the 'peace and quiet,' as this is a very dull entry in the long running series of film and TV episodes.Far too much talking and little action in this story as Hoppy goes undercover to get his friend's son back on the straight and narrow. To disagree with my esteemed fellow reviewer, Hoppy does fire his pistol in this but only to kill a deadly spider left in his bed by the villain! The evil Prof Dixon and his collection of spiders are the stars of this, sadly, we see very little of them except as incidental background until the finale.Lots of horse riding here and there and the plot is padded out somewhat before we reach the fairly predictable ending. Still, Hoppy and his pals are there usual carefree selves, so, it's pretty amiable viewing if nothing else.