It is a performances centric movie

Your blood may run cold, but you now find yourself pinioned to the story.

A story that's too fascinating to pass by...

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

This is an Italian release version about S. Francis(1182-1226)life by Liliana Cavani . Set in 13th century and depicting the existence of St Francis , son of a wealthy merchant. Story begins after his death when his friends and disciples remember his life. It starts with starvation, famine,war, pest, caused for confronting between Italian cities: Perugia, Assis and Venice. Francesco is taken prisoner, he's freed by his parents(Paolo Bonacelli, Andrea Ferreol) and he becomes into prodigal son. He's judged and condemned, then he's naked himself and begins a miserable life caring poor, hapless and lepers. After his religious awakening he founds the Franciscan order of monks, approved by Pope Innocence III(1210). He's followed by St Clare(Helena Bonham Carter)as devote disciple and fine support, founding the Clarisan order of nuns(1212). Francesco establishes a rigid rules of life and his thoughts were included into 'Flowers of St. Francis' and 'Singing to brother Sun or the creatures' where he praises the mirth, poverty,and love for nature. He receives blessing from cardinals(Mario Adorf) and later from Pope Innocencio III(Zinschler).Finally, he got the stigmata or wounds of Jesuschrist suffered in the holy cross.The motion picture is a good portrayal about known Saint played by Rourke in a definitive change of role. However the movie is slow-moving at times and some pedestrian, resulting to be a little boring and dull. The developing movie is made by means of several flashbacks creating confusion and tiring. Evocative and metaphysical musical score by always excellent Vangelis. Atmospheric though dark cinematography by the cameramen Ennio Guarneri and Giuseppe Lanci. The picture is professionally directed By Liliana Cavani who previously directed another one about this religious character played by Lou Castel.Furthermore, the Hollywood version titled Francis of Assisi(60) directed by Michael Curtiz with Stuart Withman and Dolores Hart. And Italian adaptations such as, 'Flowers of St. Francis(1950)'directed by Roberto Rosselini with Aldo Fabrizi and 'Brother sun, Brother moon(1973)'by Franco Zeffirelli with William Faulkner and Judi Bowker.

That will tell us what we might expect to gain from this movie. For fans of either Mickey Rourke or Helena Bonham Carter, its another chance to see them stretch their acting muscles to grasp and conquer characters previously untouched. The casual viewer might not suffer any distraction whatsoever.For the viewer who has experienced other portrayals of St Francis, or one who is looking for a deeper understanding of the saint, it may be difficult to get past the casting choices for these 2 main characters. An awareness of Mickey Rourke's other prominent roles may taint our perception of his ability or suitability for this task. Innocence is not something we expect from the actor, and I had difficulty recognizing it. I cringed at times when his performance seemed almost "sexy", not a word I would ever want to use to describe a saint. Is it unreasonable to expect Francesco to seem somehow super-spiritual? Maybe.Remembering Helen Bonham Carter's cinematic history further crippled my ability to "suspend disbelief". While both are accomplished actors, and able to draw an audience, it seemed counterproductive to cast such readily identifiable stars for this venture. It was like watching Tom Cruise portray Lincoln.I'm sorry to say that while the script was good and there was so much more to glean from the film in general, I found myself unable to ignore "the 800 lb gorilla in the room".

I thought Mickey Rourke did a wonderful job portraying Francesco. I did not realize the historical surrounding of what was going on in Francesoco's time. It is so important to understand the context of what makes a person into what they are. His experiences and what he witnessed in the prison and the lavish lifestyle that he and his friends were a part of and his experience in reading the "word" in his own language affected him deeply.I also want to mention the portrayal of Chiara "St. Clare". What a truly beautiful and generous person. I believe that the way the movie portrayed his journey in faith gave a lot of insight to a truly great man. It has helped me in my own faith as a Christian and as a person in general. The movie really moved me.

I'd seen the Zefirelli version of St. Francis, and in contrast, I have to say this presented a somewhat different perspective -more realistic if anything. Not knowing much about Mickey Rourke, I was pleasantly surprised. Of course he had a modern hair cut throughout, and his tatoos could be seen in some scenes. . . .but when put to the test he passed in my estimation. His training at the Strasberg School paid off. In the beginning he was a little stiff, but as the film developed, so did his character, and the emotional scenes were very believable. Condensing the life of St. Francis of Assisi into a 2 hr. film is a challenge, but I think the important events were covered including his early life as a man of the world, his life-altering crisis of finding God, the creation of the little band of followers and the conflicts, the stigmata, etc. And, OK, Mickey Rourke has gorgeous eyes!!!