This movie is the proof that the world is becoming a sick and dumb place

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I saw this "picture" (you look like a picture) and experienced it as horror or must I say "ghast"? I wrote to the BBC that there seems nothing more fascinating then to witness insanity. I never got an answer. The problem is: Why must this kind of amusement be made public? Is it disdain? Regards.

Ironic that it doesn't do it so well. A very interesting story, themes and characters, but it was dealt with in far too episodic a fashion. You end up feeling you're dipping in and out of something that's happening, rather than experiencing it and travelling with it. Although the cinematography was good, it wasn't anything astounding either - it was nicely thought out but not groundbreaking or anything , so I don't understand why people are raving about that facet of the film here. All in all an enjoyable film, but a little self defeating as well. Apparently that's not a long enough review - so what else is there? The acting was great, the costumes were good - it didn't really feel like the early 80's to me, but then I wasn't in England at the time so what would I know! It could have been a pretty unique film if we travelled the journey more closely with the characters - connecting huge amounts of time in narrative drama is a challenge - but having black outs and characters remeeting and saying "i haven't spoken to you for 4 years" isn't the best way to do it! Of course you have to connect the story line dots, which is kind if fun, but you get too distant from the characters emotional journey.

I'd heard a lot of hype about Stephen Poliakoff and the trailer looked great, so I was anticipating something special. The first twenty minutes or so provide a brilliant set-up, and huge credit must go to the set-designers and costume people for incredible visuals.However, the film commits the cardinal sin of not bothering to give you any reason to like the characters. The two leads are stiff and monotonous (how can a man who has a threesome with two nubile blonds and hires thugs to gatecrash his own party be so ditch-water dull as Paul?) whilst the minor characters are given only the briefest of set-up scenes for us to get to know them before being referred to nostalgically for the rest of the film. What are we meant to think - oh yes, the boy we saw for two seconds holding a sparkler, how poignant to think he is now 40 and sitting in a café! Who cares!? Furthermore, there has been a definite decision to avoid the obvious path (I don't want to put a spoiler, but when you see it you'll know what I mean). This path would indeed have been obvious, yes, but it would have given some substance to the film, which is otherwise totally bland.A lack of consistency also pervades the characterisation, and rather than making the characters elusive and mysterious, it just makes them unbelievable. Would a man who has built a huge fortune from nothing be genuinely content to lose it all and live in squalor? Would a brilliant businessman really accept a huge salary to work as a consultant and then, 5 months later, simply utter a one-word plan and be confused as to why anyone thought this was insufficient? If so, why? If we aren't given an insight into his thinking process, all we can assume is that there is no real plan behind his character: he is just a mishmash of whatever dialogue the writer thinks is clever at the time...And if I haven't put you off yet, the final conversation between the two lead characters is about the stupidest thing I have ever heard in a "serious" movie.Friends and Crocodiles scrapes 3 points for the brilliant first 20 minutes and for the sets and costumes throughout, but unless you want a lesson in how not to do it, I really wouldn't bother.

I too had seen the many trailers the BBC had put out for this drama and being a fan of Robert Lindsay and Damien Lewis (and Jodhi May in Last of the Mohicans) i was expecting something quite special from auntie.What i got was a story that lacked substance (and much of a plot) and was told using huge jumps into the future followed by or preceded by lines like "i haven't spoken to Paul in 6 years..." and a deep and meaningful look.There was no real character development and i was confused as to how Poliakoff, Jodhi May and Damian Lewis had managed to make the leads so successfully unlikeable.As I mentioned above I like both of them in other projects but in this I thought they were unforgivable. Even the normally sublime Robert Lindsay shuffled about looking out of place - which just emphasises how badly written his part was.I really wanted to like this and had been quite excited - planning an evening in with a friend to enjoy the rarity of drama in a world of Big Brother and Strictly Dance on Ice (or whatever). The sad thing is that Big Brother might have been better entertainment...Verdict: Easily missable - I should have gone to the pub instead.