FTA
FTA
R | 21 July 1972 (USA)
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A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows called "F.T.A.", which stood for "F**k the Army", and was aimed at convincing soldiers to voice their opposition to the Vietnam War, which was raging at the time. Various singers, actors and other entertainers performed antiwar songs and skits during the show.

Reviews
Comwayon

A Disappointing Continuation

TrueHello

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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Juana

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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admelfo

When did they stop making period pieces? Judging by this little gem, they were still making them well into the 70's. It's not terrible, but it's not a movie (there is no plot), and it's not really a documentary -- more like an assemblage of footage taken during the tour of "F.T.A." -- a traveling stage show of vaudeville-esque anti-war songs and skits. You get to watch the rag-tag bunch of inspired then-hippies/now celebs (Michael Alaimo, Peter Boyle, Len Chandler, Pamela Donegan, Jane Fonda, Steve Jaffe, Rita Martinson, Paul Mooney, Holly Near, Donald Sutherland) as they travel around the war-torn regions entertaining the troops. Historically of some interest, as you see our then fighting boys and girls pretty much dissing the whole war effort (ie., they were over it at that point), yo get to see your Fearless Cavaliers shamelessly spin their anti-war message, and you get to see a bunch of then young people doing what young people do best -- including overacting, screwing around in-the-name-of-art and wearing their hearts on their sleeves, looking sloppy because they're too cool to care, and generally doing things more for effect than with any genuine intention of effecting change. Just my two cents.

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kalital

The point of viewing this film is not only to see the theatrical skits performed by young stars like Jane Fonda and Donald Sutherland, but to see those skits in context, filmed as they were performed on and near military bases around the world, to audiences of American troops, as the U.S. was in the midst of the Viet Nam war. Like most vaudeville, the skits were an excuse for political and social commentary, though some of them were funny and others were quite moving. The music was also excellent. What is most remarkable in the film, though, are the interviews with soldiers on active duty in wartime, and the camera pans of vast crowds of soldiers watching the stage performance avidly. It brings home the support that the peace movement had even with active duty troops in wartime. It's exceptionally difficult to get a copy of this film in the U.S., though there are some copies still in circulation in Europe. If you ever get a chance to see it, don't miss it--it's an important slice of U.S. history, long buried and forgotten. Today we remember (falsely) that peaceniks spat upon veterans. This gives the lie to that urban myth. In fact, the peace movement and veterans were often strongly aligned, as both groups were dedicated to "supporting the troops" by bringing them home.

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anteye

unfortunately, in other reviews made about this film there is a lack ofunderstanding. The time and place of this movie are the two things that are of utmost importance to comprehend, only with the comforting feeling of ignorance can the point of this material be avoided. Being the residual of a post-Vietnam society that resides in the same state on this day of November 1st, 2004 as it did when this film was made, can we still be so blinded by the pure'ed peas of pride. I would hope, all attention deficits and outside influences aside that you would be capable of seeing this film with an open mind.i applaud your effort. HL

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jaiken007

This film doesn't seem to be in the official filmographies for either Jane Fonda or Donald Sutherland. It is easy to cast stones at the youthful excesses of the cast of this awful movie but I am glad that some of the theatre I was responsible for in college was not filmed. The ensemble filmed a series of sketches performed outside of army bases in the Pacific Rim and although I agree with the leftie politics espoused, there is nothing of interest here. I would rather watch Congress perform "Oh, Calcutta" WITH the nude scenes than sit through this mess again.

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