Gabi on the Roof in July
Gabi on the Roof in July
| 27 February 2010 (USA)
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Gabi on the Roof in July Trailers

An ambitious painter on the verge of a big break confronts his moral decay when his idealist, hell-raising, younger sister comes to stay with him in New York City for the summer.

Reviews
Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Ella-May O'Brien

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Kinley

This movie feels like it was made purely to piss off people who want good shows

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Scarlet

The film never slows down or bores, plunging from one harrowing sequence to the next.

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zif ofoz

Gabi is a horny little chick that shows up in NYC and stays with her brother while he's doing something called 'art'. She tumbles in bed with - well - her brother's friends. There's the usual drinking, drugs, partying, sex, etc. Nothing of any substance seems to happen in this story. Brother & sister have usual love/hate relationship.Gabi puts everyone on edge. There are money problems. All the characters eat, chat, drink, sex, drink. Nothing happens. Gabi gets ticked-off. Her brother Sam gets ticked-off. Everybody gets ticked-off. Then all is well at end.If you like a non-story brief look into the lives of people who like to party, drop their clothes, drink, and talk about mostly nothing, then I guess this is your flick. Frankly I found the whole thing a bit circular and wrapped in a big 'so what'.Good luck if you choose to watch it. I only watched it because the title caught my eye.

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cinemasaver

I got to see this film at my college with a Q&A session with the directors. They seem to be very nice people. Much of the audience was laughing and enjoying the film, but i was not. The problem I had with Gabi on the Roof in July was the direction of the story. The film floats around setting up plenty of different routes to take narratively, but it decides to instead backtrack and go in circles. I'm all for realism and lots of dialogue, but at some point in time you gotta use those words to progress the story. Nothing happens in this movie. People talk, people complain, and people talk some more. That's all that happens, along with relationship problems. Nothing is resolved, nothing is accomplished. Sam tries to sell his art, Gabbi is having sex, Sam complains about not having enough money for rent, Gabbi is having sex. It's just a continuous cycle of minor grievances that really aren't compelling nor interesting to keep my attention. And it ends on the same note it started with. On the positive side, Lawrence Lavine, Sophia Tokal and others are very good actors. 4/10

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Judy

I caught the screening for this film at the Chesapeake Film Festival in Easton, Maryland. It was about a 20 year old girl, Gabi, who goes to visit her brother on summer break. She is free-spirited and loves flashing her brother Sam to make him uncomfortable. Both her and Sam get into love complications that shake things up.I am a 26 year old lady and found this movie hilarious. It had me loudly laughing through the entire film. Even though the characters are right around my age, I think many people could relate to the breaking down of innocence as we come of age. We were all idiots who made stupid mistakes.This movie was vulgar with lots of nudity and sex humor - so if you can handle that, it is fantastic. It made me reflect on all the horrible Hollywood romantic comedies I've wasted my time watching - like Marley and Me or Couples Retreat. This film was real people being themselves, the naked truth. If you have the chance, I highly recommend this film. Watch it through Gabi's eyes, free and joyful.

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kelly-dresden

This was definitely the strongest independent film I've seen in a while. The performances, particularly Gabi and Sam, were amazing, incredibly natural and dynamic. What was really fresh and exciting about this film was how well it balanced a sense of authenticity with masterful storytelling. What I find problematic about much of the current trend of post-collegiate naturalism is that the plots often drag. That's definitely NOT the case with this film, which has an intricate, but unforced, plot. I highly recommend seeing this film to anybody with an interest in independent, literate cinema. Certainly, fans of Cassavetes, Eric Rohmer, or Woody Allen would find something to enjoy in this thoroughly engaging, thought provoking, incredible little film!

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