People are voting emotionally.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

One of the best movies of the year! Incredible from the beginning to the end.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

A competent, routine late 60s' Hollywood sex comedy based very loosely on Ben Hecht's memoirs of his youth as a newpaper reporter. Young Ben (Beau Bridges), a horny and painfully naive small town boy, comes to the wicked city of Chicago and gets a job as a cub reporter. There he learns the rudiments of the newspaper business and, not incidentally, finds true love and gets relieved of his virginity. The girl (Margot Kidder), is a teenaged prostitute with the proverbial heart of gold who helps Ben break a big political corruption story by stealing the notebook listing the bribes from the coat pocket of a sleeping John. They live happily ever after.It's memorable only for one line. The ferocious city editor (Brian Keith) assigns the kid to go out and find a picture of an accused "sex maniac." As Ben is on his way out through the city room, the editor calls out, "Boy, do you even know what a sex maniac does?" Ben, who has no clue, stammers and blushes. The editor bellows, "A good sex maniac -- SELLS NEWSPAPERS!" True then; true now.

The first 15 minutes or so are wonderful, a rose-colored reminiscence of small-town America at the turn of the last century that suggests "Ah, Wilderness!" Then the Ben Hecht prototype, played by Beau Bridges with such innocence as to border on retardation, lights out for Chicago, and the narrative loses traction. It's quite a gorgeous, expensive production, and Melina Mercouri helps out as the madam who takes him under her wing (this was right toward the end of the movie era when prostitutes and bordellos were considered automatically titillating and hilarious, hence neither Mercouri nor any of her girls are fleshed out as characters). The always-good Brian Keith is Ben's alcoholic newspaper mentor, and other good actors mill about (Hume Cronyn, George Kennedy), but it's all color and very little forward thrust. Chicago 1910 had to be more interesting than this, and there must be more compelling stories to tell about it.

It is a colorful movie, full of wonderful characters. This movie shows the life of a young boy, named Ben Harvey -maybe young Ben Hecht-who tries to succeed as a reporter in Chicago. It features in the cast the beautiful and mercurial Melina Mercouri, who as Madame Lily-owner of a brothel- 'adopts' Ben when he runs to Chicago to prove himself. Melina Mercouri provides the film with one stellar performance, but you can not stop the thought that she is restrained in some scenes, especially in the beginning with an unflattering piece of hair. She even sings a song of Henry Mancini that as far as I know has never been recorded. (Mercouri although never a professional singer, had a wonderful voice that helped here to record some classic songs like 'Never on Sunday'. Keith and Kennedy are good in their but easily forgotten. Bridges provides some somewhat stupid expressions, but his part is never developed, as N.Jewison never gave him directions.

I originally saw this atmospheric turn-of-the-century comedy in the theaters in 1969, and recently saw it during the wee hours on a cable station. It still is charming and a lot of fun. Hume Cronyn is a standout in a key supporting role as a crooked politician. George Kennedy supplies a marvelous counterpoint to Bridges' wide-eyed male inguenue. And Margot Kidder nearly steals the film in her film debut as the prostitute who guides Bridges on his journey to manhood.FYI -- another reviewer mistakenly referred to this as Beau Bridges' first movie, but he was only 20 years off. As a juvenile Bridges appeaed in 3 films -- most notably The Red Pony. As a teen, he was marvelous in the Explosive Generation as high school sex-ed teacher William Shatner's classroom nemesis. In 1967, he was riveting as the crippled hero in Larry Peerce's classic, The Incident.