the audience applauded

Highly Overrated But Still Good

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

This documentary gives us a look at the freedom and decadence that was a big part of gay culture between the repression of the 50s and 60s pre Stonewall era and the AIDS crisis of the 80's and 90's. What we had were the crazy 70s! The documentary acts as both a celebration of this period and as a cautionary tale about how too much excess can be dangerous and how many of the men discussed in the film had to eventually "Pay the piper".There are some things to note for example. There seems to be more acceptance and tolerance of gays and lesbians in America now then there ever was even during the "sexual revolution" of the 70s. Back then if you were gay the only way you could truly live a free life was if you packed your bags and moved to a big city like New York, San Francisco, Los Angeles, or Chicago!

There are very few movies that dispense with the coyness and cleverness of a catchy title, and simply tell you flat out what you can expect to see. This is one of them.Director Joseph Lovett's documentary is kind of like one of those retrospectives you see on VH-1 or the E! Network, only with more naked men, hot explicit sex (well, explicit for a documentary), and snapshots frozen in time that show us visions of a bygone decade, where the Gay Wide World went from draconian repression, to sexual liberation of Bacchanalian proportions, to the next chapter where "the bill came due" for all that excessive indulgence.No one clucks their tongues or passes judgment, as the interviewees regale us with tales of just how things were back in those days, (although you have to consider that there was some extravagant embellishments here and there.) I was only privy to a taste of the lifestyle of which the subjects speak in this film, and I guess I should be grateful for it, because more than likely it saved my life and the lives of more than a few other people I know. Even back then, in my younger days, I only knew of the stories about Fire Island, the New York-based bars, baths and clubs and the infamous Piers and Trucks through hearsay, and it all sounded fabulous, hedonistic and legendary even as it was happening.There are touches of the ominous, though, and it certainly doesn't shy away from the dark side of all that "jazz." There were risks other than STD's, and in pursuit of ultimate bliss, there were some who still paid the ultimate price, and that was way before AIDS came to call.Funny, touching, shocking and sobering all at once, the only drawback is that it isn't the fully rounded account it could be. Maybe Lovett can find a way to extend this into a series and capture more accounts of the shock waves that spread out into other parts of the country, from the "epicenter of the gay universe" as someone in the doc describes the Big Apple. New York and San Francisco were important touchstones of gay culture, but they were not the 'Alpha and Omega' of the Seventies' sexual revolution.At the very least, it is an important historical record that a new generation can learn from, for those who think that "Stonewall" is just another place in the mall where you can buy acid-washed jeans.And on a sadder note, maybe the reason why it hasn't been possible to film a more complete history of "Gay Sex in the Seventies," is because many of the eyewitnesses to this remarkable time in history are no longer here to tell about it. I certainly hope that isn't the case.

Probably the first documentary ever done about gay sex before AIDS hit. It has interviews with various men who lived through the 1970s and some incredible film footage and photographs. It shows how Stonewall liberated gays and made them fight back. It opened the doors for gay bars, bathhouses and virtual nonstop anonymous sex. The movie doesn't pass judgment on the subjects. It just shows it how it was.I was born in 1962 so when I came out in the 1980s AIDS was in full effect. I've heard how great the 70s were and this documentary shows me a time we'll probably never see again. It doesn't shy away from the dark side--it makes it clear people were robbed or beaten (or killed) and there were plenty of STDs being passed around. Also it shows the rampant drug abuse going on. I honestly can't say that I personally agree with the nonstop sex and drugs, but it does show gay men having sex and not apologizing for it--and that's just great.This is obviously not for everybody--it's unrated but no one under 18 is admitted--and some of it may be too graphic for some (there's PLENTY of sex and nudity). Still, it chronicles an important time in gay and US history and is invaluable. I give it an 8 because it does have its slow spots.

I have seen this film, too, and I was somewhat taken back in time having seen it since it was a complete reenactment of my entire life in New York at that time, and a time capsule of gay like during the 1970s. I was fortunate enough to live through the AIDS era because I has a monogamous relationship at the time, but many of my friends are dead now, and that is the sad part of seeing the film. The scenes from the 70s in the film including the candid interviews made this film worthwhile. I was lucky enough to see it at a special private screening when in new york recently, and I would definitely recommend it to anyone interested in gay history and gay sex from 1969 onward. One aspect of the film discussed the discos and the baths. I remember a time when Manhattan had at least ten active gay bathhouses, from the ten story Man's Country to the sleazy Everard Baths. I went to all of them, and I still have my Continental Baths towel that I bought at Bloomingdales. What memories! I don't live in NYC anymore. I am in Hawaii, but according to this site (BathhouseGuide.com) there are still gay bathhouses operating in the Big Apple. Cheers, Eddie