A Disappointing Continuation

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

When it comes to Gene Autry westerns I tend to approach them with some trepidation. Autry himself was a likable, low-key screen personality with an agreeable singing voice, a pleasant 'watch', unless the singing overwhelmed things to such an extent as to literally 'stop the show.' Happily, in "Gene Autry and the Mounties" it does not. A tightly scripted duster, "Mounties" has Gene and sidekick Pat Buttrum chasing some baddies led by Carleton Young into the Canadian rockies via the San Bernardino forest east of L.A. Along the way they assist a wounded Mountie (Richard Emory) who falls for the pretty girl who helps dress his wounds. (Elena Verdugo plays that pretty girl before moving on to be the title character of the early 50s TV sitcom "Meet Millie" and 1969/1976 reception nurse to "Marcus Welby.") Autry gets to play kindly mentor to a wayward- thinking youth (Jack Frasher) and Buttrum's sidekick silliness is mercifully kept to a sensible, almost minimalist level.With its requisite fisticuffs and gun-play, the brisk direction of John English is complimented by the San Bernardino location nicely masquerading as the Canadian rockies. An unpretentious horse opera, this one should appeal to all B western junkies even if some of us aren't necessarily on board with its interpolated, overtly neo- conservative political moment. Viewed as the lower half of a personally designed Columbia Pictures double bill headlined by the innocuous noir, "Counterspy Meets Scotland Yard", this was just the sort of film package I loved to see at the long, lost Granada Theatre, whose demise I have always lamented, along with the demise of the B picture programmer. Ah yes, those were the days!

The movie does a good job of emulating western Canada using the San Bernardino forest east of LA. Gene and Pat are US Marshals crossing into Canada on the trail of French-accented robbers. This gets them tangled up with the niece (Verdugo) and nephew (Frasher) of one of the robbers, and the shifting allegiances that result. It's a more complex plot than usual, plus Gene is not the romantic interest. Also, as a marshal, Pat's hijinks are kept at a minimum except for a hefty, amorous Indian woman. The shootout at the beginning is an eye-catcher, along with some hard riding and flying fists. Then too, that bang-up, or should I say burn-up, finale is a grabber. There's a couple low-key Autry tunes, but no big production numbers. Too bad gimlet-eyed Trevor Bardette (Duval) doesn't get more screen time since he's such a scary bad guy. Anyway, it's a trusted Autry mix, done up Canadian style.A "7" on the matinée scale.

Gene Autry takes to the north country in this tale of Northwest Royal Mounties, and this is one of those few black and white old Westerns I would like to have seen in color, not only for those great Mountie uniforms, but also the rugged, though simulated wild woods of the Canadian Rockies. Pat Buttram's along for this ride as Gene's partner Scat Russell, and together they're on the trail of a gang of robbers who've been raiding border banks in Montana. There's also a secondary story involving the Canadian outlaws, led by Pierre LaBlond (Carleton Young), who are attempting to seize a couple million acres of Hudson Bay Company land to declare a Republic of the Northwest.I was somewhat surprised to hear how frankly the picture dealt with a topic that's particularly hot in the political arena today. The unseen leader of the Canadian brigands in this picture is Louis Fontaine, and his goal is described as setting up a welfare state, with money and resources taken from the rich financial interests and 'redistributed' to the less well off. The concept doesn't get a lot of play beyond being merely mentioned, but it did catch me by surprise.The picture has some light moments provided by a hefty Indian squaw (Jody Gilbert) who takes a fancy to sidekick Russell. After he wins a game of marbles against the young boys of Silver Lake, Big Indian wants to marry the 'Great White Ram of the Mountains'. I thought Scat made an impression with the story about his wife and ten, no, twenty kids, but she was still after him at the end of the picture.Even though Gene doesn't get to wear a Mountie uniform in the story, it's cool to see him in a change of pace venue, even though when you get right down to it, this one's a Western with a French accent. I don't know how many cowboy stars wound up in Mountie stories, but one that comes immediately to mind is a Charles Starrett programmer from 1934 called "Undercover Men". It's not as lively as this one, but he does fill out the uniform nicely.

Columbia Pictures and director John English has U.S. Marshall Gene Autry on his Wonder Horse Champion with saddle buddy Scat Russell(Pat Buttram)in hot pursuit of bank robbers Pierre LaBlond(Carleton Young)and Raoul Duval(Trevor Bardette). The bad guys cross the border into Canada, where Gene and Scat find a wounded Canadian Mountie, Terry Dillon(Richard Emory), who tells of his partner being murdered by the bandits. Gene, Scat and the Canadian Mounties track down and wipe out LaBlond and his gang. The grand finale being a vicious shootout.Gene gets to croon "Blue Canadian Rockies". The beautiful Canadian scenery is not Canada at all, but mostly San Bernadino National Forest in California. Other players: Elena Verdugo, Francis McDonald, Herbert Rawlinson and Jim Frasher.