Best movie ever!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Theo Robertson's review of this title suggests that this film is worth a watch if you liked the nature of HBO show Oz, but didn't like the outlandish plots and events as it went on and this claim is a very valid one because this film really focuses very much on mood over narrative. What this produces is a film that is slow and oppressive and in this regard it is very convincing as a setting because as you watch you do feel the time passing slowly and with little to fill it apart from petty drama and violence, and you do feel the constant heat and tension of the cells where the threat of violence is constant.In terms of plot we are basically put back before a massive lockdown occurred and shown what occurred that caused it. This essentially means acts of cruelty and violence between guards and inmates with a building tension within scenes. In regard to this aspect of the film it is really well done because it is hard to watch and difficult to really be part of what is happening. The downside of this is that the film is technically very light on plot and as such the slow movement is something you will feel. It also isn't very rewarding as a story or a film – it does give you a sense of immersion in the created world, but this is a tough sell and ultimately although it is building towards something, that "something" isn't really as strong as I would have liked.The delivery supports the aim of the film and as such the direction and sets are convincingly real while the cast never feel like anything other than guards and inmates – even the presence of Nick Cave doesn't break the illusion. All of this side works and it does produce a memorably cruel and tough experience, but I really felt like I got through it rather than being rewarded with an engaging experience or a takeaway learning. This is the paradox I guess – the film is so good at producing an endlessly grim, pointless and depressing world that it turns watching the film itself into such an experience.

Re-watching this again, goes onto consolidate how confronting, humiliating, intense and haunting John Hillcoat's nightmarish prison drama is. The unsparing atmosphere is so clinically cold and you really do feel imprisoned in this confined maximum security prison, as we watch the numbing existence of these prisoners through daily routines (where rules are virtually non-existent) and eventually the mental breakdown that occurs when what they hold close to keeping them sane is taken away by the prison administration. Then you have the prison guards (who are no better themselves) fearing for their own lives, because they sense its only time when the frustration boils over and its taken out on them.The controversially cerebral material (penned by Gene Conkie, Evan English, John Hillcoat and Nick Cave) is well-developed and profound, holding an unforgettable and gripping edge. It's a frightening, primal and brutal portrait, without over doing it or reverting to bad taste. It's a wicked look at the use of violence, despite those being inside are there for committing it. Even the ending leaves it opened to the true state of the criminal. Healed or not... do we really care? The central industrial prison is located in the middle of nowhere and has been locked down due to the spate of uncontrollable acts of aggressive violence. Soon it flashes back to open up the events that have caused this violent outbreak, and show the truth behind the system's polices and unusual acts to provoke it's prisoners and guards.The guerrilla style camera-work can become alienating, and Nick Cave's simmering score is sparsely used to put you off balance. Hillcoat's consistently slick direction is visually piercing and tightly constructed, invoking many dark and violent passages. The performances are mainly adapt with a solid central turn by David Field, but it's a blindingly compulsive performance by Nick Cave (who explosively hit's the screen almost a good hour in) as a downright maniac brought in to cause a ruckus.A powerfully nail-biting, ambitious and uncompromising slice of prison life.

As others have said, this is a disturbing and frightening film. For me, it raised questions about exactly who are the barbarians in our "civil" society and at what point can it be said that we are no better than "them". Some with no knowledge of conditions in modern prisons dismiss this as a brutal movie out for shock value and nothing else, but it is based on a true story. One previous comment says it was filmed in NT (Australia) and based on events that happened in an outback prison. However it was based on the testimony of David Hale, a warder at USP Marion, Illinois, USA, who spoke out about the management tactics and treatment meted out to both prisoners and staff at the prison - tactics which culminated in a lockdown after two people were murdered in one day. When Hale spoke out he was branded a drunk, a drug user and mentally unstable in order to discredit him. (If the soundtrack is still available, it is worth a listen. It features an extensive interview with Hale.)The cast features four professional actors and two musicians (Cave and The Reels' Dave Mason). The rest are predominantly ex-cons with about a dozen ex-cops, ex-warders and tough types found hanging around in local Melbourne gyms thrown in. It was workshopped for several months before filming began. You will not see a more realistic picture of life in prison - unless you are unfortunate enough to find yourself in one.

This film was screened on Australian TV when I was about 15. It's extremelly violent and psychological, a study in deprivation and pain. I mainly remember Nick Cave's performance (he co-wrote it). He plays a lunatic that get's moved to an already tense prison. His ranting and self-mutilation escalate the other prisoners sense of panic and chaos. Incredible acting and a very realistically frightening film. It's not fun, exciting or most things people look for as a distraction in modern day cinema, but if you're looking for something challenging and thought provoking it's well worth trying to find.