Please don't spend money on this.

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

I didn't get all the way through this one. There may be some big ideas and it is possible they are even good ones... BUT. The incredible cheapness, the lousy acting and dialog, the occasionally goofy editing... It was all too much for me.

The quality in this movie is unbelievable for the budget! The photography, storyline and acting are superb. The locations are believable and well planned out. There were no details overlooked. His use of lighting and sound gave the movie the feeling you were there and part of the action. I hope this is not the last we see in a long line of features we see from this group of talented people. Richard Chandler is well on his way after putting this movie together. I look forward to seeing more from Boston Film Family. This will be a definite winner on the festival circuit and should be picked up for distribution as well. Congratulations!

Gilgamesh, the latest product to come from the mind of Richard Chandler and his crew at Boston Film Family, is a refreshing change from the never ending crap that has been called Indie Film over the last few years. Jousha Davies and the lovely Melantha Blackthorne shine in this sci-fi thriller set in the not to distant future. Joseph Ganniscoli (the Sopranos) brings his years and talent to a small but powerful role and helps narrate the film. Oselito Joseph, stands tall, as the title character Gilgamesh. An ancient being that has come to help us in our darkest hours. He is pitted against Inanna(Emily Coleman), an ancient evil unwittingly set free from her ancient prison. Richard Chandler not only wrote, directed and produced the film, he also brings to life the character Lars. Chandler is as comfortable on screen as he is behind the scenes. Rounding off the cast are a plethora of local new england talent that make this film their own. All in all this film is a breakthrough for the BFF franchise. Their largest endeavor to date has proved to be their best work yet. Be on the lookout for more from this great lil group! I could only imagine what they could do with a real budget!

What a movie! From start to finish compelling and well made.Summary as follows. We begin with Russian archive footage of tanks and streets. This sets the tone for the entire movie, it's a bit fourth wall breaking but also shows how much the director loves the world he's created and bringing the audience into it. He would fit right in with '50s William Castle cinema.We're treated to a Vietnam war scene that sets up the entire movie without giving everything away (watch out for the eyeball!). Then there's a proper introduction and credit roll set against beautiful scenery and music. Along with fourth wall breaks narration is also a recurring thing. The director reached big with the concepts involved. That was accomplished from the opening.Next we cut to a modern day scene. I don't want to give it away but it was darkly colorful. These type of scenes are my favorite. They show off the world. The movie overall had a distinct look and feel to it. The Lars character is wonderfully absurd if mad. There's something strange about him you won't find anywhere else.From there we're brought on a journey with David and Kristen, and the military's quest to find an "artifact" in the wilderness. Let's just say it doesn't go to plan, David barely survives and inadvertently unleashes hell. The plot moves along at a nice pace and makes good use of Gilgamesh throughout. Fans of gore and nudity will enjoy it.The ending builds up to a fetish club party where all the main characters meet for a final showdown.*Big spoiler* The fight between the Gilgamesh and Innana characters is not shown. I can only guess because of budget. We do get to see them in action against soldiers.Now before you cry disappointment, stick around because the movie continues on to satisfyingly wrap up some plot points and leave us with a bit of hope. It's tough to tell whether it was shot this way strictly because of budget or if the director wanted to shadow the Gilgamesh and Innana battle in a bigger narrative.As for the narrative it makes good use of voice over, montages and music. Maybe the director had to use these methods to tell his story where he didn't have money to shoot big budget scenes. Unlike Hollywood which has resources yet falls on exposition out of laziness, Gilgamesh uses the montages and exposition in a creative way.The voice overs are by Sopranos actor Joseph Gannascoli. These scenes made the movie feel larger than life. It gets into themes of order and chaos, good and evil. It has a political subplot that makes you think and reflects real world corruption. You wonder who the good guys are because even the good guys are hell bent on pursuing the ultimate weapon and destroying themselves. It's great metaphor for the madness in our world. There's gore, there's nudity, there's cool scenes but also intelligent themes.The director did a wonderful job conveying his imagination. This is a gem in independent film. It's not perfect but it's good for what it set out to do. The story is interesting and the acting is well done. There are a few awkward moments but nothing that took me out of the experience. The two protagonists played by Joshua Davis and Melantha Blackthorne handled their emotional dialogue well. Anyone who's acted knows that it's not easy to convincingly cry on screen. Emily Coleman and Oselito Joseph also bring presence to their roles as the god-like figures Innana and Gilgamesh.Gilgamesh is an enjoyable movie going experience. Don't judge its budget. Judge it for its imagination and the risks it takes. Sit back and enjoy the creative world and characters.