From my favorite movies..

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

With the 50th anniversary of the James Bond 007 film series approaching, and being a big fan of the third actor to have played the role, I decided to familiarise myself with some of his other film and television work, and I knew about this film he made just after Live and Let Die, from director Peter Hunt (On Her Majesty's Secret Service). Basically at the Sonderditch mine in South Africa a tunnel has collapsed, and underground manager Rod Slater (Sir Roger Moore) and his best friend and chief miner Big King (Simon Sabela) go to rescue those injured, the two are friends despite some of the white miners disregarding the black workers. The collapse is identified as not being an accident, there is a plot by a criminal syndicate in London to destroy the mine to profit from the share dealing, with regards to the gold supply distributed, and the mine owner's son-in-law Manfred Steyner (Bradford Dillman) is involved with the plan to flood the mine drilling through the underground dike and releasing the water from the reservoir. Killed in the collapse was the mine's original general manager, and there is a vacancy to be the new one, and Steyner interviews Slater as he knows he has the best qualifications, but he has another candidate in mind, and during the meeting Slater meets Steyner's wife Terry (Superman's Susannah York), who does not return his attraction interests. Slater and Terry meet again so that she may influence the decision for the general manager position to mine owner and her grandfather Hurry Hirschfeld (Ray Milland), and as a result she and he start an affair, Steyner is not happy he becomes general manager, but Slater only continues drilling work after placing a new safety system in the mine, that will block the tunnel in case a flood does happen. Slater has no idea of the plot by the crime syndicate, and aware that his wife is having an affair with him Steyner decides to let this go ahead so that he will be distracted while the mine is collapsed, and soon enough the dike is destroyed and a flood breaks, trapping thousands of workers below. Luckilly though the story is reported on the radio news and Slater hears it while holidaying with Terry, and she is a pilot, so agrees to fly him immediately to the mine to defuse the situation, while Steyner is watching from a hill far and above the scene watching to see the disaster unfold according to plan. Going down the mine shaft and climbing through the flooding tunnels, Slater and Big King struggle against the raging waters and slowly falling rocks, the safety charge is connected and ready to blow and stop the flooding, but Big King sacrifices himself having to detonate the charge. Steyner is murdered by his accomplice Stephen Marais (Tony Beckley) after hearing on the radio that the mine disaster has been averted and their plan has failed, but he also ends up killing himself when the car he uses goes flying off the cliff and blows up, and the end sees a badly injured Slater taken away to hospital with Terry by his side. Also starring Sir John Gielgud as Farrell, Bernard Horsfall as Dave Kowalski, Marc Smith as Tex Kiernan, Norman Coombes as Lemmer, John Hussey as Plummer and a very young Patsy Kensit as Little Girl at Christmas Party. I admit that Moore is a bit wooden in this film, but I can't imagine anyone else in his role, and he assisted by a good cast of stars, even though they don't necessarily do as much, Dillman though is a great choice for the manipulative villain, the story has unnecessary scenes, but the mine scenes just about exciting, especially towards the end, and the title song by Jimmy Helms is catchy, it may look and feel old fashioned, and you don't see much gold, LOL, but it is an alright adventure. It was nominated the Oscar for Best Song for "Wherever Love Takes Me" , and it was nominated the BAFTA for Best Sound Track. Worth watching!

The film takes us to South Africa, Sonderditch mine.Men are working there when the tunnel collapses.Soon we find out it was no accident.The crooks come up with a plan to flood the mine in order to make a killing in the international gold market.Rod Slater, the newly appinted general manager has to deal with this problem.Peter R.Hunt is the director of Gold (1974) and it was written by Wilbur Smith and Stanley Price.Roger Moore plays Rod Slater.There's that certain James Bond feel in this movie.And also Rod has some action with a beautiful woman.She's Terry Steiner, played by Susannah York.The legendary Ray Milland plays Hurry Hirschfeld.Also legendary Sir John Gielgud plays Farrell.This is not a masterpiece as a movie but it has something good in it.Those moments at the mine are somewhat claustrophobic.See this movie if you want some adventurous action.

Wilbur Smith's bestselling novels haven't been viewed by film-maker's as a good source of screen material. In spite of the fact that Smith has spent forty years writing one acclaimed novel after another, only a handful of his books have been adapted for the big screen – and of those films, none have been hugely successful. Gold is based on one of the author's shortest novels, originally entitled Gold Mine, and features a very attractive cast including the then-Bond Roger Moore, the luscious Susannah York, archetypal villainous actors Bradford Dillman and Tony Beckley, and old stalwarts Ray Milland and John Gielgud. Much of the film was shot in South Africa, amidst a volatile environment of political controversy, while the more dangerous-looking underground action sequences were done on an impressive studio stage back in the UK. On the whole the film is highly watchable and polished, though it is never quite as absorbing or exciting as it was obviously meant to be.An accident at a South African gold mine results in the mine's general manager being trapped and crippled. The underground manager Rod Slater (Roger Moore) tries his best to save his superior, but his efforts fail and the general manager dies. Later, it transpires that the managing director of the mine, Manfred Steyner (Bradford Dillman), is actually a member of a secret syndicate that is deliberately trying to destroy the mine in order to increase the value of their own gold stocks. Steyner has had his workers drilling in a highly dangerous area close to a water dyke, insisting that they are close to a precious gold strike when in reality they are metres away from flooding and destroying their own mine. Steyner is the grandson-in-law of the mega-rich gold entrepreneur Hurry Hirschfield, and is married to Hurry's grand-daughter Terry (Susannah York). However, Terry is having an affair with Slater, so Steyner's plan is to fulfil his act of sabotage for his syndicate whilst simultaneously exacting revenge on his cheating wife by ruining her family business. Eventually the dyke is breached and the mine is on the verge of catastrophic flooding, with Slater the only man brave (and foolish) enough to go underground and trigger an explosion to seal off the flooded areas before it is too late.Gold begins and ends with two very powerful and convincing underground sequences that are extremely well put together. In between, the plot unfolds rather slowly and laboriously, seeming to take a long time to reach its conclusion, though certain scenes along the way are quite well handled. Moore plays the hero fairly well, even though it is a much grittier role than his Bond persona. York is even better as the deceitful wife, while Dillman and Beckley provide thoroughly ugly baddies. Elmer Bernstein's very-70s music score adds a sense of drama to the proceedings, in spite of its dated sound. Peter Hunt (formerly a Bond editor and director) directs the film competently without doing anything out of the ordinary with his material. At 124 minutes, Gold is a pretty exhausting movie – certainly worth one, maybe even two, viewings but beyond that it doesn't particularly endear itself to repeat screenings. Still, if you like big, old-fashioned adventure flicks or are a fan of the stars, this movie is worth catching.

I saw this film while living in Geneva Switzerland in 1981, courtesy of a borrowed video cassette copy. I was a lot younger then, thirty, and less discerning, but I was utterly enchanted by actress Susannah York, and have been ever since. It had the feel of a good James Bond adventure and I thought that actor Roger Moore was at his best, and in fact was better in this film then in any of his James Bond movies. I've never visited South Africa, but had studied the history of the country, and I enjoyed viewing the on-location scenes of the country. There are great scenes workers in the mines, as well as Zulu warriors in their regalia.