Absolutely the worst movie.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

One of the worst ways to make a cult movie is to set out to make a cult movie.

This movie feels like it was made purely to piss off people who want good shows

Gomeda is a type of movie that you observe deep in thought and you want to see it again in order not to miss any little bit that may bring new ideas to ardent conversations about it. The set design was spellbinding, the acting had some flows but nevertheless was successful. The creativity that had crossed the director's mind during the stage of screenplay amazes me.The movie was enhanced with the secrets of subconsciousness and numerous surreal meanings. Although it has never been advertised as a horror movie, it's unjustly criticised for not being scary at all. As far as I could see the director and the actors have talked about this surrealist fantastic movie on the TV many times. Negative criticisms from many people are only expressed with at most 4 words consisting at least one F word. If there is negative criticism, the reasons of the negativity should be explained, otherwise these ideas will never be taken seriously and in the end these people not being able to write a complete sentence will have to be ignored.. I very much liked the movie all in all and I can say that this movie deserves to take its place in cinema books.

FIrst of all, Gomeda is NOT a horror film. It is a film made by a writer/director who has followed horror and surrealist cinema very closely. He is the author of a book titled "The Psychoanalysis of Horror Cinema". He has created a work of art that expresses his surrealist ideas and pays tribute to some of the greatest of the genre of surrealist and horror film, particularly 80's horror. This tribute is done at times seriously, and at times with tongue-in- cheek. Almost all negative comments about this film are because of people who were expecting "the next big horror film" and instead were exposed to writer/director Tan Tolga Demirci's subconscious. Of course, having seen the film, his subconscious is indeed a very unique place to be in so the experience of seeing GOMEDA is NOT pure entertainment. Instead, it is a roller-coaster ride through symbols, images and vignettes that are part of the style of Tan Tolga Demirci. Turkey has had its share of "horror" films coming out in the recent years. These films have relied heavily on ads and press releases that have pushed the "horror" concept so far that some filmmakers have obnoxiously claimed their film will make history, as we saw with the film "Araf", which, by the way, is now on IMDb's worst 10 list of all time. Naturally, public in Turkey has been through repeated insults of expecting "the next great Turkish horror film" but experiencing only Rip-offs of J-horror. In a culture that wants to befriend its local film industry and cinematic heritage, people get excited to discover "the next great Turkish horror film". Naturally, those expecting GOMEDA to be the saviour of their expectations, instead saw the vision of a filmmaker inspired by Bunuel, Svankmajer, Jean Vigo, and, of course, 80's horror films. Gomeda was Number 1 at the box office on its opening weekend. Online forums are flooded with praises for this film, and already discussions have ensued where people have started to breakdown the film, scene-by-scene, and analyze its contents and subtle nuances. Gomeda flows with the love for cinema and the love for the greatest artisans of this craft. Tan Tolga Demirci is sharing this love with us, as well as his psyche, and is breaking the 4th wall of Turkish cinema, where the audience is no longer a bystander, but an active participant in a young genius' mind. So is Tan Tolga Demirci.

An amazing experience for the Turkish cinema. Some hates and condemns it some loves it. After Gomeda, Turkish audience will be a little more open minded about new ideas in cinema, since the recent movies mostly were the same in terms of the storyline, actors and the low quality with cheap belly dancing involved music. I guess these factors are somehow entertaining for some people and nobody criticizes them. But Gomeda increased the future expectations from Turkish cinema. The movie is not trying to create a sympathy with the audience to get appreciated, just like an artist doing his art for the sake of art, not according to the people's needs. Gomeda has nothing to do with anything cliché and it enhances its audiences' imagination limits. Very well done.

I was waiting for this movie to open for a long time and I finally saw it this weekend. I was absolutely amazed at how intelligent and inspiring this film is. The story takes us on a surreal journey and it's full of pleasant but extraordinary vignettes. This film will challenge its audience because it treats its audience with respect, unlike other recent Turkish thrillers that rely on cheap scares and superficial stories. The director is Tan Tolga Demirci, the set design is by Kaan Guresci, cinematography is by Ilker Berke and music is by Semih Tareen. These four people did an amazing job, all these elements, direction, images, music seemed to be in perfect harmony. They were the best I've seen from Turkish cinema, since 'Distant" by Nuri Bilge Ceylan. Already this film has created quite a controversy, people either hate it and shun it or love it and talk about it and discuss it for hours. I absolutely loved it!! GOMEDA is fresh blood for Turkish cinema.