Good Night Good Morning
Good Night Good Morning
| 28 October 2010 (USA)
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A boy driving from New York to Philadelphia with buddies, and a mysterious girl alone in her hotel room - complete strangers - engage in an all-night phone conversation on New Year's night.

Reviews
Evengyny

Thanks for the memories!

ChanBot

i must have seen a different film!!

Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Candida

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Gyandeep Pattnayak

It all began with 'Frozen'. Then, 'That Girl In Yellow Boots' followed. Opinions were as diverse as chalk and cheese, but discussion was 'generated'. I could see the signs. Indie was taking its first baby steps, making its presence felt. Right here, in India.In the times when the majority of people are busy helping the Hindi Film Industry hurtle down the abyss into the Stone Age, here comes a movie to shut us up. Delightfully funny and bitingly perceptive, Sudhish Kamath's 'Good Night Good Morning' is a slap on the faces of those who still try searching for stories in item numbers and mindless action. Not that I am against any of those. As long as they are done well... But, I digress.The point that I am trying to emphasize on is - you can find a story anywhere. In ordinary day to day lives. In two strangers. Strangers who seem to have absolutely nothing in common. In a phone call. Kamath and co-writer Shilpa Rathnam use dialogues extremely well and it helps that Seema Rahmani and Manu Narayan turn in terrific performances. Shot almost entirely in black and white, 'Good Night Good Morning' is a game-changer with respect to the Great Indie Movement.Go watch. You'll have time for mindless entertainers. But see GNGM and tell me it wasn't worth your time. If you've seen Woody Allen's films, Linklater's movies, you'll be more than just delighted. Like I was.

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Naveen Varadarajan

It is your story. No! Its 'our' story! It is Touching, It is heart breaking and if it drives you down the memory lane - that is 'Good Night | Good Morning'Its a surprise package. Its a Lovely and a Lively conversation film. Its got Terrific writing, credits to Sudhish Kamath and Shilpa Rathnam and a Amazing Screenplay with Perfect Casting. I can easily say this is the 'Most Daring movie ever made'! Its a 'Must Watch'.I am going with 4/5!Here is the Synopsis of the film - 'Good Night Good Morning is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.Driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.An all-night phone call becomes a surreal, dream-like experience. Especially when the limited validity of the adventure gives you the freedom to be who you want to be. Anonymity could be comforting and such a situation could lead to an almost romance. Or something like it.'Manu Narayan (as Turiya Omprakash) and Seema Rahmani (as Moira) - Top Notch Acting, perfect chemistry between the leads. Oh Wait! What chemistry are you talking about when they don't see each other through out the film? Yes, Even though they don't see each other, there is this Excellent chemistry between them. After watching the movie, you will definitely agree with me.Raja Sen (as JC) was fantastic. Vasanth Santhosham (as Hussein) was good. People involved in Casting - You are one of the reason for Film's Success!Script is simple and straight and its got to be that way (as said in the film). It is well written. Dialogues are funny, touching, heartbreaking and to top it all, it is very natural and subtle. Screenplay is Brilliant and Well-etched and you become a character in the film. Credits to Writer Shilpa Rathnam and Sudhish Kamath. Direction - You got to congratulate Sudhish Kamath for choosing such a daring theme and Pulling it off in Style! Overall, Fabulous Job. When was the last time you watched a Black & White movie? Yes, Sudhish Kamath's Good Night | Good Morning is 80% Black and White and Cinematographer Nischalakrishna Vittalanathan's work stands out. Nice Lighting and Perfect Framing. He makes the movie look Rich with the Black & White tone. Editing by Vijay Venkataramanan, M. Venkatram and Murugesh Thevar works for me! It was Slick and Crisp. He is also another reason for movie's success. Music by Ray Guntrip Feat. Tina May | Manu Narayan & Darunam | Blues Conscience Feat. Sudeep is a Big Plus. Outstanding Background score takes the movie to another level. Costumes by Shilpa Rathnam are OK. Other crew members hard work is evident and they deserve a huge applause.I also see a lot of Pre-Production has gone into making this film a grand success. Job well done! Good Night | Good Morning is way(^as many) better than many mainstream Indian films! It is a Writing Masterpiece. Exceptional Writing. It is a Great moment for Indian Indie-Filmmaking Fraternity. I was So happy to see everyone glued to their seats for the Q&A. That was the impact the movie had on the New Yorkers!

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turiyaomprakash

GNGM is a film of its kind, if Woody Allen had wanted to make a conversational film based on 2 American's of Indian origin... It would look like Good Night|Good morning!(well almost)Gngm is a conversational film made in black and white and the entire movie is split screen, the film is about 2 strangers who talk to each other on the new year's eve and end up falling in love(almost again). Given the fact that the whole film has just 2 locales and is split screen dialogs are a very important thing, each word in the film is quite brilliantly written and yes they touch the chord quite easily. The screenplay(I happened to see the uncut version) is quite nice in fact it is phenomenal! If at all you are wondering what the plot of a film about 2 strangers talking to one another and that too on a phone , the answer is quite simple-the plot is in you. It is about the demons in you that curtail you from being decisive about life, romance and most importantly... relationships. Turiya Omprakash(played by Manu Narayan) and Moira(Seema Rahmani) are 2 strangers who meet up in a bar at NY and begin a telephonic conversation and end up entering into 2009 talking to each other, the plot is quite simple but the film is quite loaded! There are just 2 locations one the hotel room from which Moira speaks from and the car from which Turiya speaks from, Turiya is accompanied by 3 of his friends JC(Raja Sen), Hussein(Vasanth Santosham) and Moira is all lonely. There is just one thing in common between the 2 they are both heart broken and how this one thing brings out the monsters within them is what the film is all about.Applauds Shilpa Rathnam and Sudhish Kamath for writing such a brilliant screenplay, in the uncut version there is a mention about the past relationships performed beautifully well... I swear I laughed my ass out for the KKHH spoof. Coming to the performances Seema and Manu have done a brilliant job and special mention to Seema. Manu does a neat job as well, the only problem I find in the casting is that Raja Sen is a little wasted he could have been given more dialogs. Vasanth Santhosham does a great job too. The other problem lies with Seema's make up in the boy meets girl scene, where the hair style remotely suits her. Besides that she is perfect. Coming to the locations, there is a sequence about Moira's broken relationship, according to the film it is supposed to be taking place in the USA but the it looks obvious that they have been shot in Chennai. There is a scene where Moira attempts suicide and that too looks obvious that it has been shot in a beach near Chennai. Apart from these small issues the film is phenomenal, amazing and a standing ovation to the entire team. It is the best thing that could happen to Indian Indie cinema after Little Zizou(2008)!! Sudhish Kamath has come a long way from TFLW, he makes a perfect Woody Allenish film that stands out !!! I am just hoping that someone picks it up for theatrical release.My rating for GNGM: 9.3/10!!!!!!!!!! - Sai Prasad Narendran

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iamjinesh

I saw this film which is about all night tele-conversation between two strangers. The movie is about a general perception of romance..It's a conversational film shot in black and white mostly...It is predominantly made for a film festival audience and it carries Zilch Commercial value.There is one line story to speak of.. wonder someone has taken credit for "writing".. The strangers keep talking whole night over a phone discussing random things which made no sense to me as a viewer. While watching the film i felt i grew older and passed through countless "Bad Nightmares and even Worse mornings". The movie has been directed by some Film Critic who reviews commercial Bollywood films. After watching this film i wonder no more why does he keep trashing most films he reviews. I can only advise him to make a commercial entertainer that caters to a larger audience. Although i am confident he will make a better film than this because there is no scope left to make more boring cinema.To put in nutshell, while watching this movie alone in a theater one can instantly connect with the the protagonists of the film, in a sense the viewer, after a point, will immediately strike a random two-way conversation with a stranger sitting beside. That will be far more interesting than the watching the film. PS: I advise him to put a disclaimer before reviewing any film: I have made Good Night Good Morning and that is my type of cinema.PS II: There is a cameo from another film critic (Raja Sen) which is not worth mentioning.Bad Nightmare Worse Morning

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