Grand Slam
Grand Slam
| 20 February 1968 (USA)
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Professor James Anders is a seemingly mild-mannered teacher, an American working in Rio De Janeiro. Anders, bored with years of teaching, decides to put together a team to pull off a diamond heist during the Rio Carnival. Four international experts are brought together to carry out the robbery: a safe cracking expert, a master thief, a mechanical genius, and a playboy.

Reviews
Intcatinfo

A Masterpiece!

Abbigail Bush

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Ezmae Chang

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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afkeegan

An all too familiar story in our world: A professor with too much time on his hands plots a diamond heist and enlists the help of a New York mobster and a team of nefarious experts who's specialties run the spectrum of various prerequisites for daring jewel capers, such as safe-cracking, etc. No surprises here- although one member of the team is a professional playboy- and are there really such things? How does one earn the title of playboy?- who's only job is to seduce the icy secretary with the key to the vault! You'll probably see the twist coming but they keep their cards close to the vest so there's still a tinge of surprise at the end. Fans of Kinski will not find a heck of a lot to snicker about as they watch their favorite crazy-friend-of- Herzog plod through another flick he probably just did for money. While Kinski isn't quite plausible as a hardened military man, he does a pretty fine, straight job in this role. Good times, all around.

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sborges

Been spreading the word around the neighborhood about this forgotten cultural curiosity like a virus! The amount of clichés and stereotypes in this piece make the entire thing hilarious and a good deal of fun to watch. Rio becomes this absolutely exotic venue, with non-stop carnivals and pageants, strange folk a galore and people who go by the name of "Stetuaka" (?!?!) - believe me, I have been born, raised and lived a good part of my life in Rio and have never, ever known anyone by the name of Stetuaka (played simply by one "Jussara" - may the Almighty bless her whoever she is!). But, and this is the main point of interest and solely for this I give it a ten, there are some exceptional external takes that give us a very good glimpse of Rio de Janeiro when it was still a breathtaking city and an incredible place to live (and not the violent, crime-infested & decadent urban disaster it is today) - excellent shots from the pre-expansion Copacabana Beach, Downtown, the Pavãozinho Slum and, most amazingly, a still pristine Barra da Tijuca, a very far cry from the horrendous scenario it has now become. For those of us, who live here or know Rio, a very nostalgic piece, not to be missed. Oh, yes, almost forgot...there's also some sort of a loosely built plot, about a heist around a handful of diamonds, but that's really secondary, of nil interest.

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movieman_kev

An elderly school teacher (the late great Edward G. Robinson) employs an electrotech (Riccardo Cucciolla) , a playboy (Robert Hoffmann), a safe cracker (Georges Rigaud), and a military man(Klaus Kinskey) to complete a daring heist of 10 million in diamonds from a vault in Rio De Janeiro. This crime caper has a good buildup, the heist suitably engrossing. I could see the end coming (mostly), but that didn't detract much from my overall enjoyment of the movie. It still remains among the top caper movies that I've seen.My Grade: B+ Blue Underground DVD Extras: Poster and Stills Gallery; and Theatrical Trailer Eye Candy: blink and you'll miss tiny boobies courtesy of Jussara

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andybarss

I rented the movie based on several recommendations that it was a superb (perhaps the best) heist movie, including Roger Ebert's remarks in his review of The Score. I found the movie pace lagged a lot in the middle, and I found the events after the in-bank theft scene unpleasant (the movie as a whole was darker than I had expected). The main theft scene was well-done, and the technical wizardry of the thieves quite impressive (particularly given the 1967 production date). I liked a few of the characters, the heist scene, and that was about it. Several of the characters were eminently dislikable, the Rio culture scenes were irritating, and the movie lacked two things vital to a heist caper: a very tight plot, and a likable cast of characters who make you root for them to succeed. Without giving too much away, there was one plot element in the last third of the movie that I found too deus-ex-machina for my liking. Rent *Sneakers* instead, or read any of Donald Westlake's superb Dortmunder heist novels, for the good stuff.

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