one of my absolute favorites!

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

ANTHONY HOPKINS is the mentally agile lawyer who is continually thinking up ways to get rid of his wife, the fashionable and elegant BLYTHE DANNER. Evidently, their stormy marriage is at a breaking point and he decides he must plot her demise rather than go through with a messy divorce.But what follows has enough plot turns to hold your interest, although the device of having Hopkins weigh all considerations against a trial lawyer (Hopkins in a dual role) gets a little tiresome after awhile. Not that he isn't a compelling actor whether playing the lawyer or the prosecutor, and he does create sympathy for a very detestable man.The plot takes quite a surprising turn when SWOOSIE KURTZ shows up as his mistress, another very calculating character who has some surprises of her own to throw into the mix.It all has the feel of a poor man's DIAL M FOR MURDER, showing its TV origins within some narrow settings. But you have to give credit to the writers who keep the tale spinning right until the sudden finish.The cat-and-mouse byplay between husband and wife is reminiscent of the sort of banter between Laurence Olivier and Michael Caine in SLEUTH, but the overall result is not quite as clever.

Not having a clue as to what to expect with this movie, we took a chance when it showed on cable recently. From the start, the film had a look that said "Movie of the Week". The only thing missing was: "Inspired on a true story". Frankly, while the film is not horrible, we don't share the same enthusiasm expressed by some of the contributors to this page.The story has possibilities. The strong cast assembled for the movie is the best thing it has going for itself. The direction by David Greene with its many twists and plots, doesn't quite make it, but we realize there will be viewers that might enjoy "Guilty Conscience".Anthony Hopkins makes a sly Arthur Jamison, the man who wants to do away with his wife. Blythe Danner makes an elegant Louise Jamison, the woman who had a scheme of her own. The fabulous Swoozie Kurtz makes a valuable contribution as Jackie, Arthur's mistress.

Fans of Anthony Hopkins will delight in this carefully staged teleplay. Fans of Blythe Danner will also be pleased to see a favorite character actress given more screen time than usual.Although the plot is fairly standard and the events mostly predictable, it comes off much better than say your average Perry Mason or Columbo Movie. Hopkins, as a high-priced, high-power attorney, is delightful as he comically and and viciously destroys his own plans for his wife's murder. The play succeeds in its own ability to recognize its weaknesses. Unlike most television mysteries where the audience is asked to ignore the plot holes and revel in the detective's brilliance at spotting the clue and solving the crime, this play takes pride in pointing out its own holes as it goes along. As an audience participation spectacle, it is fun to play along, spotting the holes before the characters do. Overall, it's a bit static, with the vast majority of the action never leaving the main house, and cynics will find fault or boredom with the events leading up to the conclusion. But fans of the genre, or of Hopkins, will no doubt remain intrigued and find the ending quite satisfying. The whole play comes off much like the great Olivier and Caine character study, "Sleuth" and those who have seen that longish masterpiece know what kind of a compliment that is, and will also appreciate that this is 34 minutes shorter.Mystery fans can do much worse for an evenings entertainment.

For a TV movie, this is awfully good. Hopkins spends much of the movie playing out scenarios of how his murder trial would play out if he killed his wife, with a portrait of his father playing the judge. He goes through different methods of killing her, and plays out the trial until he finds the mistake in his plan. These one-man scenes are very funny, and Hopkins delivers them expertly, as one would expect.