Very disappointing...

Absolutely brilliant

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

"Guns, Girls, and Gangsters" not only has a great title, but this inexpensively made film works well for lovers of film noir. While it doesn't have all the great lighting and camera angles of some of the best noir, it does have a cold, nasty edge to it that makes it a standout picture.When the film begins, Chuck Wheeler (Gerald Mohr) boldly approaches the nightclub singer, Vi Victor (Mamie Van Doren*) and insists she introduce him to her boss...a sophisticated hood. When I say insists, I pretty much mean he forces her with threats and intimidation. Why would Chuck take his life in his hands this way? After all, this boss ALSO is sweet on Vi. Well, it seems that Chuck and his cellmate in prison came up with a great plan to steal $2,000,000 and if they keep their heads, they'll all be rich.Unfortunately, like almost all film noir movies, there is a glitch that gets in the way of this can't miss plan...that cellmate, Mike Bennett (Lee Van Cleef) escapes from prison. Mike is a sociopath and is mostly concerned with killing anyone who is involved with Vi- -even though she divorced him long ago. Without even bothering to find out what was going on, he starts killing folks! In fact, killing people is like eating potato chips with this guy...he can't stop at just one! So what is the clear-thinking and slick Chuck going to do? And, will this great plan STILL work?I appreciated a lot about the film. Despite Mamie Van Doren, Gerald Mohr and Lee Van Cleef all being B or C-list actors, they are all excellent and very convincing. Additionally, the script is very tough and gritty. An exciting little film...one not to be missed by noir nuts like me!*I have no idea HOW she's done it, but I've seen recent pictures of Miss Van Doren. Despite her age, she is incredibly sexy and not the least bit apprehensive about posing in the nude. Heck, most 30 year-olds would be thrilled to have a body like hers....and I can only assume she has some sort of Dorian Gray sort of pact with the Devil that allows her to be so timeless.

I've written a review for this movie two times and two times my computer has crashed. I'm not doing it again, so I'll be brief.I enjoy this movie much more than I should. It's got a ton of problems, the worst of which are plot holes big enough to drive the armored car in the movie through. But, it's too much fun not to like. Being a movie with Mamie Van Doren, she's quite naturally the center of attention. With two songs, platinum blond hair, quotes like the one I put in the title of this review, bullet bras, and skin-tight skirts - what's not to like? The rest of the cast, Gerald Mohr and Lee Van Cleef in particular, are also good. Van Cleef's crazed killer is an over-the-top blast. Add some real suspense toward the end of the movie, enough plot points for two movies, nice cinematography and locations, and noirish style dialogue - you've got a fun, 50s B-quickie that fans of this stuff should really check out. A 6/10 from me.

With a title like "Guns, Girls, and Gangsters", the movie could be headed in only one direction— the local drive-in. Add top-heavy van Doren to the head of the marquee, and you've got a real teenage winner. So what if the result comes off like a 3rd-rate rip-off of Kubrick's classic The Killing of two years before, replete with time-ticking narration. True, there's some imagination that went into the details of the armored car heist here; too bad, however, that the imagination didn't carry over to the lame climax. It's like they were running out of film and had to wrap right away.The movie does have two of B-movies' more underrated tough guys—Mohr and van Cleef. Between them they charge the 80-minutes with some needed authority. Too bad van Cleef makes a late arrival, because their rivalry sets off sparks and could easily have replaced the awkward van Doren's screen time, which is also taken up by two of the most forgettable songs on record. A better script and more imaginative direction minus van Doren could have turned this uneven exercise into a no-nonsense Plunder Road (1958) type, which was also a cheap, but very well executed heist film.(In passing—I wonder if someone in Sinatra's so-called Rat Pack caught this obscure production since the premise looks a lot like Sinatra's Ocean's Eleven {1960}.)

Chuck Wheeler (Gerald Mohr) gets out of prison and heads to Las Vegas to enact an elaborate heist where he plans to steal an armored car carrying over $2 million in post-New Year's gambling money. He enlists the aide of local gangster Joe Darren (Grant Richards) and his lounge singer fiancé Vi (Mamie Van Doren), who just happens to be the wife of Wheeler's old cell mate. They plan everything out and it looks like it will go smoothly until Vi's ex-husband, Mike (Lee Van Cleef), breaks out of jail. This is a quick moving B-picture and director Edward L. Cahn never lets it lag through its 70 minutes. Van Doren isn't as much of a bad girl as in the previous feature I saw, VICE RAID. Here she is more of a good girl caught in a bad situation. To show how good she is, Van Doren gets two musical numbers in this one. Surprisingly, they don't play up her curves as much as VICE, but the swelling horn section is still abused plenty on the soundtrack. The supporting cast is all good and it is funny to know that even when he was young, Van Cleef still looked old.