The first must-see film of the year.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

While it doesn't offer any answers, it both thrills and makes you think.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Yes, big, big french names.Dialogues - worst than your regular soap opera.Acting - trained dogs would act better. You read right, among the most recognized french actors not only have no clue, not only it looks like improvisation, but in this movie they act like I did when I had for the first time a role on a theater scene.Directing - see above. Either there was no directing in this movie, either the director had diarrhea and felt no relief during the filming.Plot - where is it? Maybe the director was reading it while waiting on a toilet for mentioned issue.You know, I had a thought. It's nice to bring (old) big names on the screen, to get people driven by nostalgia to visit the theater. But when you ruin a movie in such way, that also ruins the memories.

Excellent duet of two the best French actors (Belmondo & Delon) who never played together before. And normal Russian language (pronunciation) and Russian people (not rough Hollywood stamp, but french humour). It is real light French cinema.

A downright oddity, in fact two movies in one. The first being a comedy about two possible fathers coming to terms with the idea of being a parent. The second a tough as nails russian-mafia-flic, harsh, brutal and not for the faint of heart. Logically the two don´t melt into one and the cross cutting of the two story lines in the film´s early stages only stresses the fact.But, on the other hand, who cares about a story or its coherence or its lack of respectively? This is a reunion movie and since it´s Alain Delon who is reunited with Jean-Paul Belmondo ("Borsalino" anyone?)all you can ask for is nonchalant banter in between casual shootouts. And that´s what you get. That´s in fact all you get. And that´s why the film well overstays its welcome.The only reason for distinguished director Patrice Leconte to do this may have been to share a credit with not one but two living legends of the French cinema. And though Belmondo and Delon may having had fun they´re way to old for this kind of physical exercise. We will be giving standing ovations in case any of the three (stars and director) would decide to do a serious crime flic or a "serious" comedy. As for "Une chance pour deux", it isn´t neither.

Pitiful. Desperately boring. I've seen this movie the same day I watched the 5th Element. The story is just unbelievable. Example : Delon and Belmondo do not know each other, but when they take their weapons for the gunfight (in an arsenal worthy of Saddam Hussein in his best days), they joke about an hypothetic "good old time" when they obviously have met... Another example : everyone knows that a latex ball (you know, the kind your dog likes to bite) is the perfect tool to steal a Mercedes or a BMW : just push it hardly, it's magic, forget the keys !!! I could have talked about the "hidden daughter" that comes back after years, but it has been used and reused so many times... I was even surprised to learn that Leconte had been unimaginative enough to use it again ! As an advertiser, he knows his job. But this movie convinces me he should stop spoiling film... Turning to Belmondo and Delon, they are lost for action movies. And Paradis... well, she was a rebellious teenager in "Noces blanches". And she looks quite the same in "1 chance sur 2". Perhaps she'll dare to act as something else one day... who knows, maybe as an actress !