Stylish but barely mediocre overall

In truth, there is barely enough story here to make a film.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Hands of Steel (1986) ** (out of 4)Paco (Daniel Greene) is a cyborg who is sent on a mission to kill a scientist who might know too much about the future. He fails in his mission and heads out of town to hide when he meets a diner owner (Janet Agren) who lets him stay with her. Before long the men who sent the cyborg on his mission want him dead and are coming after him.This here is a rather interesting film from director Sergio Martino. It's obviously a rip-off of THE TERMINATOR done on a very low-budget and it does show that Italian cinema was losing its grip a bit. At the same time, the movie also might have influenced another American movie that would be released the next year but more on that in a bit. If you're a fan of Italian no-budget pictures then there's enough here that should keep you entertained, although there's no doubt that it should have been much better.The most interesting thing in this movie is a subplot that happens at the diner. A trucker (George Eastman) shows up and he's the champion arm wrestler and this actually ends up taking a large portion of the running time. Of course, the trucker-arm wrestling thing would be the story of OVER THE TOP, which would be released the following year and it should be noted that Greene and Stallone were friends so did he know about this picture? Did Greene tip him off about the story here? It's rather interesting to see the connections between this film and what would turn up in America the following year.With that said, HANDS OF STEEL has a lot of problems with it including the first thirty-minutes, which are downright boring. The story never makes too much sense but I guess that's to be expected. Another problem is that the action doesn't really start until the final thirty-minutes so there's a lot of dead time early on. Again, the saving grace is the craziness of the arm wrestling scenes and there's no doubt that Eastman is a lot of fun in his role. Both Greene and Agren are good for what they're asked to do and we also get John Saxon in a small bit.HANDS OF STEEL is a really silly movie that doesn't have too much going for it but if you're a fan of these low-budget Italian movies then it's worth watching.

It's impossible to hate this low-budget Italian rip-off of "The Terminator." Between the non-stop action scenes and the testosterone that permeates every frame, HANDS OF STEEL is a decidedly watchable hunk of mid '80s Eurotrash.In a near-future when pollution has created severe health and weather issues for the American people, a cyborg assassin named Paco Queruak (rhymes with "Kerouac," oddly enough) is dispatched to kill the country's leading environmental activist. However, Paco's human side prevents him from taking the blind, wheelchair-bound old man's life. Instead, he softens the killing blow so that it merely wounds the environmentalist. Paco then goes on the run, both from the FBI and from the evil industrialist Turner (John Saxon), who hired him for the hit.He hides out in a small, isolated town in his native Arizona. There, Paco befriends Linda (Janet Agren), a rugged blonde who owns a combination motel and eatery. Paco earns first the fear and disgust, but later the respect, of a local gang of arm-wrestling truck drivers, who he quite literally beats at their own game. When the bad guys begin to zero in on Paco, getting Linda seriously wounded, one of the truck-driving arm-wrestlers sacrifices his life to save hers.After much fighting and killing, it's down to Paco and Turner, who is armed with a laser that Paco slaps away from him. Paco says, "Turner, you got it wrong about controlling my mind. You only own a man when you control his heart." To drive his point home, Paco reaches into Turner's chest with his cybernetic arm and pulls out the man's heart. Now it's just Paco and Linda, who has grown to care about him. But Paco is torn between his human and robotic sides. To its credit, the film ends right there, on a refreshing note of ambiguity.OK, so Paco's car is red in its first scene but magically turns white for the rest of the film. OK, so the characters barely qualify as one-dimensional. OK, so the female cyborg sent after Paco makes fight sounds you'd have to hear to believe. OK, so the entire film has the look of an Italian backlot trying to pass itself off first as New York City, then as rural Arizona. But still and all, for what they were doing, the damned thing works! It held my interest for its full 95-minute running time. What can I say? HANDS OF STEEL is the best arm-wrestling-cyborg-assassin-with-a-heart-of-gold film ever produced.

It would only be fair to say that Hands of Steel is a film that shows the influence of James Cameron's The Terminator (1984). Moreover, in the early 80's there was a cycle of Italian low-budget sci-fi movies and this is a pretty good example of one of those. An immoral businessman has created a cyborg to kill an ecologist whose activism is at odds with his plans. At the key moment of the assassination attempt, however, the cyborg's human side takes over and he refrains from killing the man. He goes on the run to the Arizona desert and this leads to both his master's henchmen and the police chasing after him.The director of this one was Sergio Martino who is best known for a string of excellent giallo flicks he helmed in the early 70's. Like most of his fellow Italian genre directors though he had to go with the flow and make films in whatever genre happened to be popular at the time and by 1986, muscular sci-fi action flicks were in. He does a pretty good job here it has to be said and the resultant movie is pleasingly entertaining throughout, with arm wrestling competitions, professional killers, a truck chase and several punch-ups. The film is helped too by the presence of two B movie stalwarts John Saxon and George Eastman. The latter is particularly stand-out in a juicy role as a nasty trucker villain. Additionally, we have a good soundtrack from Goblin member Claudio Simonetti that adds an additional layer of class. Needless to say, this all adds up to a pretty good slice of Italian sci-fi action.

THIS is a totally awesome, adrenalin rushing, down and dirty in-your-face 80's Italian exploitation effort, but of course you have to be cautious who you may recommend it to! If you're, for example, attending a convention for people with an enormous IQ and you got a couple of hours to kill, you probably shouldn't suggest watching "Fists of Steel" because the script's intellectual value is rather questionable. Or in case you're a guest at a feminist gathering, I wouldn't advise mentioning "Fists of Steel" neither, as the film is literally stuffed with macho characters and typically male showdowns. In fact, to put it rather bluntly, "Fists of Steel" is a movie for guys, and preferably guys that like their heroes invincible, their women docile, their action & violence graphic & plentiful and their dialogs and story lines rudimentary. I'm not implying you have to be a retard in order to enjoy this film (otherwise, I'd be one myself) but it's merely a relaxing and undemanding film to watch after a hard day's work or together with a group of friends where there's loads of beer and pizza."Fists of Steel" is basically an attempt to cash in on the huge success of James Cameron's "The Terminator", but without the rather complex time-traveling structure and advanced character developments. In futuristic America, where acid rain hurtles down daily and breathing poisonous air may kill you, beefcake Cyborg Paco Querak is programmed to terminate a blind & crippled environmentalist whose movement is seriously annoying big-shot industrialist John Saxon. However, Paco's conscience prevents him from finishing the job and he flees into the Arizonan desert. He entrenches himself in a cheap & sleazy motel where he falls in love with the friendly owner, arm-wrestles against aggressive truckers and patiently awaits the army of hired killers to come after him. There isn't a single moment of dullness in this movie and I was actually sad when it finished. The arm wrestling contests are incredibly entertaining to behold (muscles all over the screen), the car/truck/helicopter chases are extremely exciting and the fistfights are so harsh you can almost feel them. Daniel Greene is more than adequate in his heroic Cyborg-role but the supportive cast is even better with the almighty John Saxon as the über-bad guy, George Eastman as the jealous lead-trucker and Claudio Cassinelli (who sadly died during shooting) as one of the relentless hit men. Cassinelli's untimely death clearly caused a scripting problem, as his character is killed off screen. As always, Sergio Martino's direction is fast-paced and competent but nothing more than that. He was one of Italy's busiest and most versatile directors during the 60's, 70's and 80's, so don't expect too much typical trademarks or personalized styles as he just wanted to finish the job quick and proper. Claudio Simonetti, the multi-talented brain behind cult band Goblin, was in charge of the music and that's another reason for avid fans of Italian exploitation film to track this puppy down. Great testosterone-driven entertainment, love it or hate it!