I like the storyline of this show,it attract me so much

Perfectly adorable

The best films of this genre always show a path and provide a takeaway for being a better person.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I think I'm gonna join the mumblecore hating club. It really is only good for those who make it, watching it is too often a vain effort. This one is the worst I've suffered, not much more than an uninspired home video without a script: the ultimate waste of time. Random events and improvised dialogues, redundant and irrelevant, a bunch of friends playing to be actors. If a line or two might be interesting, it's by pure chance. Character decisions are pointless, now I like you now I don't, they could be doing just about anything else and it wouldn't matter. I can't believe I watched the whole thing. I remember a time when low budget films weren't necessarily an endless self-absorbed rambling and characters would actually do things, go places.

One of the things I always like about Swanberg's pictures ("Drinking Buddies," "Happy Christmas," et. al.) is how the characters' lives are always framed around work: however certain viewers might gripe about their dwelling unduly on the personal woes of twentysomethings, to my mind, there's something astute and Douglas Coupland-esque about their refusal to act like the people they're showing us don't have to go back to work, make sure their love lives are stabilized while on break, then patch things up during lunch or on the week-end, etc.This one's charming and unpredictable and savvy, which makes it, it would appear, a bit of a problem for the non-astute viewer used to being hit over the head: it's not "drama," it's drama. (Check out the part where the guy observes, "Office Romance: Good idea or Bad Idea? Bad Idea, but, okay ... now what?" Somehow these things don't come up in rom-coms where everyone can afford airfare easily.)Whimsical disappointment, and, I guess whimsical "spoiler" alert: the movie's got a slinky in it, but we never see it going down "the stairs"! ("What! I paid $8 to see this? Show me the slinky ... going all the way!")

Being obliged to keep company with a narcissistic airhead is just as enervating in film as it is in real life. Ample proof of this can be found in "Hannah Takes The Stairs", where the annoying affectations of the film's main character and her threadbare story-line seem expressly designed to test an audience's patience. We first meet our irritating heroine picking towel fluff off her body after taking a shower with slacker boyfriend Matt, before she heads off to work at an implausibly laid-back TV production company. Hannah soon rejects Matt in favor of nerdy office colleague Paul, and they embark on a desultory love affair until she starts to fancy yet another charisma-free work-mate. This latest prospect is a pal of Paul, so Hannah feels obliged to make an unconvincing display of inner torment over her romantic dilemma - and after she finally makes a decision, the narrative arc of Hannah's 'mumble-core' odyssey is pretty much concluded.Hannah is so self-absorbed and inarticulate that she's unable to explain her capriciousness beyond a confession of "chronic dissatisfaction" embroidered with vacuous embellishments along the lines of "like, you know . . um . . whatever". Despite the repetitive drone of the film's banal improvised dialog, the actors always appear to be 'acting' and conscious of the camera's presence, which amplifies the cast's deficiencies with its own wobbly hand-held artifice. When the TV company's manager expresses exasperation about the folly of workplace romance in the penultimate scene, it seems like a rather shallow insight after suffering 83 minutes of excruciating tedium.

Hannah Takes The Stairs has poor production values, a slow pace, boring locations, and no actors you have ever heard of, and that's what makes this film so special. This is clearly a film made by a group of friends and artists, exploring their lives and the art of film-making simultaneously. It's simplistic rawness allows for an honest, and at times voyeuristic tone that examines the simple difficulties of young people learning to make grown-up decisions. This film is certainly not for everyone, but if you can forgive the ultra-low budget blemishes it is very worthwhile. In many ways, Hannah Takes the Stairs is the future of film-making that Francis Ford Coppola predicted in Hearts of Darkness.