Happy Here and Now
Happy Here and Now
| 08 June 2002 (USA)
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When her sister suddenly vanishes, a young girl sets out to find her, desperately searching the internet for clues. Joining her is an ex-CIA agent, who uncovers fragments of online chats the missing girl had with a softcore pornographer.

Reviews
Linbeymusol

Wonderful character development!

Listonixio

Fresh and Exciting

Limerculer

A waste of 90 minutes of my life

BallWubba

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

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lazur-2

The scenes of New Orleans have taken on a greater importance since the Katrina disaster. Some people will only know N.O. from this movie. (Unfortunately, most people will never see the movie, either.) Real-life characters, clubs, and music make this worthwhile for anyone's viewing at least once. Dialog on esoteric matters resembles 'Slackers'. I enjoyed that a science fiction perspective was required for the relationships to exist, while the vibe of the film is otherwise very neighborhood-low-tech. The problem is that I was fooled into thinking that the accompanying plot mattered, only to be left hanging at the end. Very enjoyable , piece by piece. This would have been a much better film if they had either 1/ tightened up the plot a little, or 2/loosened it enough so that lack of a real resolution wasn't required. .

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talltale-1

HAPPY HERE AND NOW is one strange film. I wish it were on DVD because I very much want to see it again. Encountering it a couple of years back at a festival of the Film Society of Lincoln Center "picks," I was thoroughly mystified even as, moment-by-moment, I enjoyed the movie. The ensemble cast is a really interesting grab-bag of performers (from Karl Geary to Ally Sheedy, Shalom Harlow, David Arquette, even Larry Fessenden), and the writing and direction is by Michael Almereyda, a moviemaker who keeps growing as he matures. What really knocked my socks off, however, is the ending: a phenomenal feat of film editing by Kristina Boden (and, one presumes, Almereyda) that, in a single continuous succession of splices, brings together the entire movie--theme, ideas, feelings, visuals--so beautifully and fully that I found myself in tears. It's the first and only time that film editing has ever had THIS effect on me! Please, someone, bring "Happy Here and Now" to DVD.

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ConallP

Mysterious, elliptical film that at first I didn't know what to make of, but I found it really lingered in the mind afterwards and was ultimately one of the most memorable films I saw at the 2002 Toronto International film festival; a really unique play between the real and the imiation of the real and the blurring between them. Funny, strange, affecting; I didn't understand all of it, but I liked it.

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openalias

Now let me clarify that I love art films. I love abstract ideas. I love seeing and hearing things on screen that make me go,"Wha????, and then go "oohhhh...i get it." But this is no Godard. This film, well, I just don't know. Is it in art film? Is it an excuse to display the gritty, third-world beauty of New Orleans, and the array of characters that lie within? Or is it a low-budget independent film that juggles from one concept to the other, never bothering to connect the dots because, well hell, there wasn't really a solid script in the first place, and never a real purpose to the story(how's that for a run-on sentence)? i guess my problem with this film is that, though it may have been low-budget, they still spent a a good deal on its production and actors, but didn't bother making an actual story with what they had. I was intrigued by the film and the ideas it was portraying. And if the whole film would have been as beautifully-abstract as the final dream sequence, or even the beginning (the music score, by David Julyan is great!), I would have wept--in a good way--like a child. I saw this at the New Orleans film fest in a packed house of audience members happy enough to see people and places they recognized: Ernie K. Doe, Bud's Broiler, etc. But perhaps they loved it...who knows?The ideas, talent, and potential are there for a good film. But as a whole, the film makes you go, "hmmmmm....interesting....NEXT PLEASE!"

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