A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

One of the most extraordinary films you will see this year. Take that as you want.

FOLLOWING THE TRADITION and almost obligatory foraying into the realm of the Detective Story, THE BOWERY BOYS made their contribution to the comic parody of the genre. To be sure, this sort of a send-up had been done before. Its history dates back to the days of the Silents with the likes of Buster Keaton, Harold Lloyd and Laurel & Hardy. It continued with the advent of the "Talkies" with people like both the Brothers Ritz & Marx, the Stooges, Red Skelton and even Bob Hope.IN TAKING THIS foray into these heretofore uncharted waters for the Bowery Boys series, all stops were pulled out. The story had the office of the gumshoe that would have doubled for that of either Sam Spade or Phillip Marlowe. A weeping and partially veiled, weepy female victim brings a sad story which is obviously not wholly the truth.THE NOTION OF having Leo Gorcey's "Slip" Mahoney becoming the tough was not such a stretch. Anyone who's seen Leo's dramatic abilities as "Spit" in the film version of DEAD END certainly would not have been surprised. He possessed an intensity that was both totally believable and natural.HOWEVER, WE DIGRESS, as we are supposed to be putting the comic aspects of the movie under a sort of microscope, OF COURSE, WE have rounding out the action sleuth spoofing from the boys (Bobby Jordan, Gabriel Dell, David Gorcey). Proper and atmospheric characters provided by the likes of Pierre Watkin, Dan Seymour, Byron Folger and Noble Johnson provide the necessary mysterious and menacing characters befitting a Dashell Hammitt or Raymond Chandler story.OH, DEAR ME! How could we forget the 'subtle' performance of Huntz Hall, comic relief supreme. In this outing he sports a calabash pipe and a deerstalker hat. Now, Schultz, who do you suppose that he was lampooning here? No Schultz, Basil Rathbone is incorrect!

Hard Boiled Mahoney (1947)* 1/2 (out of 4) Weak sixth entry in the Bowery Boys series has Slip (Leo Gorcey) pretending to be a detective and getting hired to locate a missing girl. Soon him and the gang are in over their heads as they must go up against a psychic who holds a lot more secrets than the boys realize. This here is (so far) the weakest of the series as we get very few laughs and enough bad plot for three different movies. There's no question that this here is a take off on the film noir genre that was big at the time but the screenplay is so lazy that we don't get any good jokes aimed at the genre and even the main cast members seem to be overlooked. The biggest problem here is the screenplay because there aren't very many good jokes written. The type of humor they go for here is incredibly lazy and the perfect example of this is a scene where Sach is told to "hold onto your hat" until the boys can meet up with him. The joke? Sach holds onto his hat until they arrive. The film is all over the place and there's way too much attempted plot. There are a few twist and turns but everything is so muddy that you really won't care about the actual mystery going on. The film actually runs out of steam around the thirty-minute mark and it's pretty bad when it's hard to get through 63-minutes. It seems even the actors are bored here as Gorcey doesn't have any energy and even his line-delivery seems to be slow as if he was wishing to be somewhere else. Huntz Hall is also pretty quiet here and the rest of the boys are so far in the background that they might not have even been in the picture (especially the wasted Bobby Jordan). In the end, the lack of laughs really kill this one and the sluggish running time doesn't help matters.

Slip (Leo Gorcey), Sach (Huntz Hall), Bobby (Bobby Jordan), Gabe (Gabriel Dell), Whitey (Billy Benedicy) and Chuck (David Gorcey)---the gang's all here---accidentally enter the detective business with the disappearance of a beautiful girl, Eleanor Williams (Teala Loring), as their first case to solve.They are retained by Selena (Betty Compson), who says she is the missing girl's sister but, at this stage in her career, Betty Compson characters were sometimes less than truthful. The disappearance is doubly puzzling because Eleanor has just learned that her long-lost husband, Tom Williams (Bob Faust), is returning from South America. Slip and Company trace Eleanor to the apartment of Dr. Rolfe Carter (Pierre Watkin), to whom she first went when Tom was reported missing three years earlier. Slip witnesses the doctor's murder, but does not know who fired the fatal shot.Slip and his friends learn that Dr. Carter (no relation to the Little Liver Pills guy)was a pseudo-psychic (there are real ones?), who was into blackmailing his clients. He is linked with syndicate-chief Armand (Dan Seymour).The latter, and his henchies, knowing that Slip has information regarding Carter's murder, set out to kill the boys.Patti Brill, as Slip's girl friend, doesn't hurt this one any, either. Monogram was very good at rounding up lovely little de-icers to populate their films.

"In order to be a detective ya gotta have a deductible mind. Ya gotta have the power of treason."Not one of the more agreeable Bowery Boys movies for me. The plot is bungled as Leo Gorcey (as Slip Mahoney) takes it upon himself to become a self-made private eye attempting to find a missing woman. Not much humor to howl about in the mix. Interesting note: Gabriel Dell, who as far as I've known up till this viewing had usually played the straight man against all the insanity, actually dons a pair of geeky glasses as one of the zanies in the group this time around. He looks completely forced and out of his element.