Surprisingly incoherent and boring

Best movie ever!

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

At the "Elite Detective Agency" hoping to collect some much needed funds, "The Bowery Boys" leader Leo Gorcey (as Slip Mahoney) and "sidekick for years" Huntz Hall (as Sach) are mistaken for agency detectives. Mr. Gorcey accepts a $50 retainer from Betty Compson (as Selena Webster) to help find her attractive younger "sister." Bobby Jordan (as Bobby), Gabriel Dell (as Gabe), William "Billy" Benedict (as Whitey), and David Gorcey (as Chuck) are deputized as Gorcey's private dicks. After a few pratfalls, the gang locates Teala Loring (as Eleanor Williams), but she says she's not Ms. Compson's sister.This series entry is so loosely plotted, you tend to forget what is going on, exactly. The cast is obviously not being used well. Character actor and frequent TV guest star Byron Foulger (as Professor Quizard) enlivens a segment. Points of interest... prematurely nearing the end of her career, Betty Compson was a major film star for a decade, beginning with "The Miracle Man" (1919). Hall says "Sach" was named after the character's "Aunt Satchel". And, irregular regular Dell uncharacteristically appears as a nearsighted addition to the increasingly wallpaper-like, underused supporting "Bowery Boys".**** Hard Boiled Mahoney (4/26/47) William Beaudine ~ Leo Gorcey, Huntz Hall, Betty Compson, Teala Loring

Hard Boiled Mahoney (1947)* 1/2 (out of 4) Weak sixth entry in the Bowery Boys series has Slip (Leo Gorcey) pretending to be a detective and getting hired to locate a missing girl. Soon him and the gang are in over their heads as they must go up against a psychic who holds a lot more secrets than the boys realize. This here is (so far) the weakest of the series as we get very few laughs and enough bad plot for three different movies. There's no question that this here is a take off on the film noir genre that was big at the time but the screenplay is so lazy that we don't get any good jokes aimed at the genre and even the main cast members seem to be overlooked. The biggest problem here is the screenplay because there aren't very many good jokes written. The type of humor they go for here is incredibly lazy and the perfect example of this is a scene where Sach is told to "hold onto your hat" until the boys can meet up with him. The joke? Sach holds onto his hat until they arrive. The film is all over the place and there's way too much attempted plot. There are a few twist and turns but everything is so muddy that you really won't care about the actual mystery going on. The film actually runs out of steam around the thirty-minute mark and it's pretty bad when it's hard to get through 63-minutes. It seems even the actors are bored here as Gorcey doesn't have any energy and even his line-delivery seems to be slow as if he was wishing to be somewhere else. Huntz Hall is also pretty quiet here and the rest of the boys are so far in the background that they might not have even been in the picture (especially the wasted Bobby Jordan). In the end, the lack of laughs really kill this one and the sluggish running time doesn't help matters.

"In order to be a detective ya gotta have a deductible mind. Ya gotta have the power of treason."Not one of the more agreeable Bowery Boys movies for me. The plot is bungled as Leo Gorcey (as Slip Mahoney) takes it upon himself to become a self-made private eye attempting to find a missing woman. Not much humor to howl about in the mix. Interesting note: Gabriel Dell, who as far as I've known up till this viewing had usually played the straight man against all the insanity, actually dons a pair of geeky glasses as one of the zanies in the group this time around. He looks completely forced and out of his element.

This one moves along nicely and features a well thought out script. Everybody seems to have a reason for doing what they do and are not just put there at the convenience of the story. The scene at the radio show is a highlight of why these boys are so fondly remembered.