Truly Dreadful Film

A Disappointing Continuation

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This movie which concerns the meeting of the two famous Romantic poets Shelley and Byron along with their entourages near the lake of Geneva, captures well the romantic and libertarian climate that our readings and imaginations lead us to associate with such an encounter. A true visionary company consisted by Byron and his personal physician Dr.Polidori as well as Shelley, his lover Mary Godwin, with whom she had eloped and who going latter to be his wife, and the latter's half-sister Claire are a fine team to spend something more than an hour and half with.The characters are well developed and space and time is given to Dr.Polidori and Claire even if those were the ones that unlike the others posterity has not crowned with literary fame.Byron occupies center stage sometimes overacted by the otherwise very able Philip Anglim. He tries to keep up with his demonic image of the cursed poet as well as with that of a man who embraces the life-style of a 19nth century gentleman. Shelley is more ethereal more close to the image of Matthew Arnold of "A beautiful and ineffectual angel" although an angel occasionally prone to pranks in the expense of people that take themselves too seriously.Dr. Polidori is a sidekick to Byron, meant to suffer his ironic comments but also his lover. Claire is the sexy and liberated sister while Mary is thoughtful, commanding and introspective.There is fine insertion of poetic extracts in the movie, very well crafted and not incongruous with the development of the plot. In the end the voice of Shelley is heard reading the conclusion of his poem "The Sensitive Plant" the meaning of which is very resonant with the content of the movie.Costumes and scenery are charming and one thinks that he is in company with the 19nth century gentry. A very libertarian version of it actually with a tendency of long discussions over the table on the difficult topics of social justice and liberty while being served by servants in uniforms.The personal relationships of the group are entangled to say the least but even if we allow for poetic license from the part of the director and the scenario, our sources of the real events tell us that was actually the case.The element of the supernatural is both manifested and subverted as it is linked with nightmares and opium-produced hallucinations. But I think they fail to do justice to the moral and political problematics of Mary Shelley's Frankenstein novel, to the creation of which a text in the end of the movie refers along with the fates of the characters involved. If one watches the movie he may be left with the impression that Frankenstein is a horror story inspired by hallucinations and nightmares. It is not so, it is a story with horror elements but it is about hubris, justice, prejudice and lot of topics that where the staple of the Enlightenment along with the romantic fervor and touch that Mary Shelley added.Inevitably the comparison with Ken Russell's film "Gothic" dealing with the same events and characters comes to mind. In my opinion and if different things can be graded this film is better or at least it is much nearer to the mental picture of the characters I have formed through the reading of their works and life-stories. The Romantics discussing and making verses by the lake is much more my piece of cake than the atmosphere of supernatural terror and licentious excess of Gothic. But this is a subjective opinion.

I have no idea what the other reviewer is talking about- this was a wonderful movie, and created a sense of the era that feels like time travel. The characters are truly young, Mary is a strong match for Byron, Claire is juvenile and a tad annoying, Polidori is a convincing beaten-down sycophant... all are beautiful, curious, and decadent... not the frightening wrecks they are in Gothic.Gothic works as an independent piece of shock film, and I loved it for different reasons, but this works like a Merchant and Ivory film, and was from my readings the best capture of what the summer must have felt like. Romantic, yes, but completely rekindles my interest in the lives of Shelley and Byron every time I think about the film. One of my all-time favorites.

The first time my best friend and I sat down to watch this movie, we were watching it for Alex Winter of "Bill & Ted's" fame. We didn't know what to expect other than who and what it was about.By the time the movie was over, we knew that it was love at first sight. This movie, while not completely historically accurate, was and is the best one of its genre. I have seen other movies depicting the history of this famous summer and in my opinion, none of the others can compare. It fibbed a little at certain details, but those parts did not take away from the sheer elegance and romance of the story. I have seen the other movies about this summer and I find most of them to be good, but none as captivating as this one."Haunted Summer" has the qualities of a painting. The colors and settings seem to be something one would find on a canvas, framed and hung in a museum or on the walls of an eccentric's home. The costumes were gorgeous and, despite not being the most comfortable clothes in the world, made me want to find a seamstress to create such garb for myself. The whole movie was set on the picturesque Lake Geneva (where I hope to one day go because of seeing this movie) and the serenity that these historical figures found there.This movie shows, besides the tranquility found by all the escapees of England's harsh judgements, the strangeness that surrounded this adventure as well. Yes, there were drugs. It was a fairly common practice during that time, a time when drugs were not illegal. And the taking of laudanum (the liquid form of opium) was medicinal as well as recreational. Shelley suffered from consumption. Lord Byron suffered the pains of a clubbed foot. It was not surprising that there would be prescriptions of the strong drugs that were in their possession during that summer. And they were poets during a time when experience was the key. There was no time for prudish caution. Passion and experience were a big part of the Romantic Era. And out of the thoughts and discussions of science, religion and philosophy came the creation of a legend: "Frankenstein."Yes, in this movie, we see the beautiful and liberated Mary Godwin (not married to Shelley at that time) played by beautiful and talented Alice Krige. She is the control factor to all that goes on until she, too, gives in to experience. But she stands her ground and experiences things on her own terms. As was the strength that she inherited from her mother and father.The actors and actresses in this were perfect for the parts they played. The music fitting. The direction captured the essence of the summer, as I've read about it. This movie was based on a wonderful book "Haunted Summer" by Anne Edwards. If you like this movie, read the book. The author takes the story from what she was able to put together from the actual journals of Mary Godwin Shelley and the other participants of this story.If you are a person who loves history (even the little inaccuracies from time to time) and romance and the gothic, then this is a movie for you. It shows the birth of the birth of the monster, which even today teaches us about the morals of "playing God."A definite must see movie!

I read the back of the box and it talked about Mary Shelley and Percy Shelley and Lord Byron. I thought, "wonderful! This will be great!" I was so wrong. The story was all screwed up. In fact I still don't get it. It just seems to me that all the characters did was drink, smoke (opium?) and have sex. Not that those aren't good movie qualities, but please! Where was the story? I made myself finish the movie, and yes, it did pick up towards the end, but by then the movie was almost over. Rent it if you really want to. Just don't trust the back of the box.