Heavy
Heavy
R | 05 June 1996 (USA)
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Victor is a cook who works in a greasy roadside restaurant owned by his mother, Dolly. It's just the two of them, a waitress named Delores, and a heavy drinking regular, Leo. But things change when Callie, a beautiful college dropout, shows up as a new waitress and steals Victor's heart. But Victor is too shy to do anything about it, and too self-consciously overweight to dream of winning Callie away.

Reviews
Evengyny

Thanks for the memories!

ChicDragon

It's a mild crowd pleaser for people who are exhausted by blockbusters.

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Frances Chung

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Rosie Searle

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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SnoopyStyle

Victor Modino (Pruitt Taylor Vince) is the overweight cook working at his mother Dolly (Shelley Winters)'s bar and restaurant. Callie (Liv Tyler) is the new hire joining Delores (Deborah Harry) as waitress. Callie is a beautiful college drop-out with possessive boyfriend Jeff. She catches the painfully shy Victor's attention. Dolly lovingly keeps Victor suppressed. Leo (Joe Grifasi) is the local barfly who has feelings for Delores.Victor is painfully passive. In many ways, the passivity infects a lot of the movie's tone. Its quiet and slow pace is endearing in some aspects and also frustrating in others. The acting is well-suited. This is an indie with characters pulled from a roadside café. There is a dark side to the movie but it's never really fully realized. It goes down a darker path but goes far enough with it. It's a very nice indie.

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Matthew Kirkcaldie

Strong performances and great restraint make Heavy a deftly handled, beautiful and subtly moving piece. Despite the apparent futility of Victor's interest in Callie, they're both changed in ways which are worth seeing. Aside from Evan Dando's slight awkwardness, the acting in this film is understated and very believable - Shelley Winters is warm and careworn, even Debbie Harry manages to blend in to the low-key scenery. Beautifully shot and directed, with a superb score from Thurston Moore, "Heavy" is a piece of cinema rather than a story shoe-horned into a screenplay. This won't satisfy anyone looking for simple plot and resolution, but for the rest of us there's a lot to admire.

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neil_mc

Liv Tyler puts on her best 'little girl lost' act in this dull tale of attraction between herself and a dopey, self-pitying chef.The film attempts, and fails dismally, to construct a realistic story from this thin set-up, and amongst it's few highlights - the chef subtly trying to woo Liv Tyler with a Trebor's Extra Strong; and Tyler inexplicably getting aroused at the sight of a Boeing 747. Strange indeed.As well as this, the dopey chef tries in vain to join the CIA (that's the Culinary Institute of America for anybody thinking otherwise) - there is also a brief mention of Ice Art which isn't built upon - relevance?, Tyler, again inexplicably, actually taking a camera to the slimy diner in which she works in order to have snaps of her collection of inbred workmates, while Pruitt Vince sees a ghost of Tyler at regular intervals along the way as well - which is obviously where Peter Jackson got the idea for her character in LoTR. Anyway, that's about as good as it get's folks. And I didn't even mention the all-singing, all-guitar-playing, captain of the 'ball team' boyfriend of Tyler's.On a brighter note, James Mangold's direction is satisfactory - and it has to be, given that Pruitt Vince only has about 3 words to say throughout the entire film making any character development a touch tricky.And in a pretty absurd conclusion, (spoiler warning - run, run for your life) Pruitt Vince seemingly becomes romantically involved with the shelf-stacker from the corner shop after their brief flirtations over a set of flying glass bottles - or something like that!

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Raptor Marmalade

"Heavy" is not the type of movie I would watch when looking for action, thrills, horror, or adventure. It's not about a fat guy making goo-goo eyes at a pretty waitress where he makes pizzas, either... although that could be seen from an outsider's glance.The movie captures a period of time where our big hero, Victor, is experiencing a number of life-altering changes. From what we know, he has always led a sheltered life under the regime of his mother. When a new waitress, Callie (Liv Tyler), starts work at the bar, Victor's daily life is suddenly altered from a spark of curiosity. He's not a perverted horndog, but he is fascinated by this girl's kindness and beauty, watching her from afar and having visions of her as the drama grows. It's the quiet internal struggle Victor faces that really heightens the intensity of the movie. Those nervous eyes, the quiet voice, the big guy who won't fight back... he is a man trying to become a man. By the end of the film, we are at least given the hope that he is now on the right track.It's the subtle moments in "Heavy" that really make the film. From the airplanes soaring overhead, giving transition to new points in the lives of the characters, to the Boston Terrier noticing important details, this movie is one to sit back and ponder. The more I think about this movie, the more I like it. It's a lesson on how the quiet subtle moments in life can be the most important.

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