Don't Believe the Hype

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The film may be flawed, but its message is not.

Naturally, there have to be changes when a book is made into a film. But traditionally most of the alterations are cuts made either by taking out minor characters or shortening a long scene or a series of scenes. But in this film they actually added a few things that make no sense at all. Whoever had the idea of making the grandfather come into the village to sell his cheese obviously does not know anything about him. This man does not wish any contact with the people who despise and malign him. And where would he get all that cheese from 2 measly goats?Another problem is Miss Rottenmeier. Of all the Heidi films I have seen, only the Shirley Temple version presented her as really bad. In most of the others as well as in the book she was just very strict and did not even try to understand the child. However, in this movie she seems quite nasty and full of hate. One of the reviewers commented on Heidi's hair, and I have to agree. No child of that day would have been allowed to have her hair hanging around so untidily. While the Alpine locations are beautiful, the fancy neighborhood in Frankfurt is definitely a poor choice. From the windows of the elegant Sesemann house one looks at several dilapidated buildings with plaster coming off the walls in huge slabs.All in all, in spite of these shortcomings, I'm giving the movie 7 stars, mostly for the writer Johanna Spyri and to the mountain scenery.

As soon as I seen this picture, I remembered an animated older version of Joanna Spryii's story of the Swiss orphan girl Heidi. Even though the 1937 Shirley Temple Version still stands out for a stellar performance, this version is very decent and adaptable when it comes to touching drama. The choice for Heidi's grandpa could of not been better portrayed by Sweedish screen legend Max Von Sydow. He brings a lot of respect to the character in difference with the portrayal Jason Robards Jr. did in the 1995 Disney version. Though Robards did fairly good, at times I laughed when others considered him a monstrous old bum. Von Sydow is too meek for that type of comment. His aura and decades of experience may have saved this film. Good thing he portrayed Christ back in 1965 in The Greatest Story Ever Told.

I loved this movie. I love old movies but seeing this remake I found I also like some remakes. The only thing I had a problem with was the accents.......Max Von Sydow was great as Grandfather and Diana Rigg, excellent as Grandmamma. Jessica Claridge, seems a little typecast after seeing her in Five Children and it but she does a good job as Clara.Peter Was brilliant, I can't remember who played him but he did the part justice. He was jealous when he should have been and yet the simple goatherd we all grew up loving. He was funny and so unspoilt, and when he kicked the wheelchair, he was all anger and jealousy. His Character is one of the most complex in the book, I feel and he was played brilliantly.It brought back some lovely memories of things in my childhood I had forgotten. I would like to see in a few years, Heidi Grows up, if possible with the same actors/actresses playing the same roles.

I wanted to take my two boys to see Madagascar but the seats all sold out, so we went to see Heidi despite a lot of grumbles! From the opening shots of the Alps we were all captured by the narrative and settings. The costumes by Mike O'Neill show great care and attention to detail, the interiors of the Alpine hut are rough and by no means fit for a chocolate box, and the acting was spot on. Max Von Sydow used his usual consummate acting skills to convey a man hurt by life and other human beings, an exile from love. Emma Bolger, with her Irish lilt was not at all cute, but was simple delight to watch. On only one occasion was I conscious she was reciting lines. Heidi brings the old man to life in a slow and quiet way that was gentle and subtle. When Heidi is taken to Frankfurt, the costumes and interiors are authentic once again. If there is anything to criticise in this film it is the slow pace, but this helps in some ways to give the atmosphere of 19th Century Alpine life. A great Christmas film, and a treat for mums and dads too!