Charming and brutal

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Dead End kids may get the billing, but it's really Stanley Fields' (Buck) movie. A Wallace Beery look-a-like, his fractured English and Runyonesque manner hit the right notes for what is really a soft hearted gangster. Seems he's got to help out at a boy's home or he's off probation and into the slammer. Trouble is the boys' home is run by cruel supervisor Krispan (Grant Mitchell in a fine performance), who's also skimming money from donors. So Buck uses gang money to buy in and run the home in a more humane manner. But the scheming Krispan's got other ideas.The subplot here is interesting since it's the wayward boys and the soft-hearted gangster who come across as humane and just, while the politically connected, respectable guy is the real crook. It's sort of a reversal of what is usually expected, but perhaps not unusual for the restive 1930's.Anyway, Bobby Jordan (Tony) shows his chops in a nicely calibrated emotional scene, while Gorcey (Gyp) does his tough guy bit, and Halop shows leadership abilities. Surprisingly, Huntz Hall (Bingo) has a secondary, non-comedic role, unlike his later dominating role in the long- running series. Reagan fans may be disappointed since his is also a secondary role, but at least he gets the girl as played by the fetching Margaret Lindsey.All in all, the movie's an entertaining combo of serious themes seasoned with humor. However that hokey hockey game looked anything but real since there was neither officiating nor penalties for roughhousing. But that's a relatively minor point in an otherwise well executed production.

The first of two films in which Ronald Reagan was featured with the Dead End Kids was Hell's Kitchen where after one stint of time in reform school in Crime School, the boys are back in the juvenile joint. The adult players take a distinct back seat to the boys in both these films.Crime School was an out and out remake of the James Cagney classic The Mayor Of Hell and this one also has aspects of those films in it as well. We've got a self righteous warden of the school in Grant Mitchell who's once again skimming off the tops and treating the kids like dirt. His infamous cooler is an old meat locker where he locks the kids in to 'cool' them off. When one of them dies, it all hits the fan.Challenging him for control of the institution is paroled racketeer, Stanley Fields who is playing his role like a cut rate Wallace Beery. Ronald Reagan is his nephew and Margaret Lindsay is the secretary of the school under Mitchell and who is ready to quit when Caesar arrives on the scene. Jack Warner must have really been in a bind here because he even acknowledges a hit film from another studio. One of the reforms that Fields wants to bring in is a kind of self governing institution by the kids like Father Flanagan's Boys Town. In fact I'm sure that's why this film was made, to cash in on the success of Boys Town.No Oscar winning performances here though like Spencer Tracy's. Still it's entertaining enough.

The Dean End Kids are fine - Led by Billy Halop, the "kids" perform well. In fact, they are better in this "juvenile delinquent" genre than many others. Mr. Halop is strong, with Leo Gorcey, Gabe Dell and the others; they work well as a team. It looks like Bobby Jordan is directed (Lewis Seiler) to overplay, but he is endearing.The "Adults" are not so good. Stanley Fields is okay, but his performance doesn't belong in this movie. Ronald Reagan isn't very good, with a performance that may not belong in any movie. Margaret Lindsay is pretty. Some of the performances are inappropriately comic.There is a reference in this film to MGM's "Boys Town" (1938), which invites comparisons. It's direct enough for anyone who as seen the "Boys Town" films. The character played by Ms. Lindsay wants to use the techniques successfully employed by Spencer Tracy's character on the "Dead End" kids of "Hell's Kitchen".The studio took the cheaper route with the "Dead End" series, obviously. The film is not technically competent. For example, a great "West Side Story"-type moment is ruined when the chanting on the soundtrack doesn't match the marching Dead Enders. Actors don't know how to play their parts - or don't play their parts at all. Still, the Dead End Kids make it enjoyable. Their terrific "Trial" for Headmaster Grant Mitchell is a most complete summation of the American justice system. Through all the bad editing, you'll get some suspense and action, too - including a "foul" hockey game, and a fire.***** Hell's Kitchen (7/3/39) Lewis Seiler ~ Billy Halop, Bobby Jordan, Leo Gorcey

Once again RONALD REAGAN is involved with The Dead End Kids, only this time the romantic interest is supplied by MARGARET LINDSAY rather than ANN SHERIDAN. Otherwise, the plot here resembles the studio's other Dead End Kids entry, ANGELS WASH THEIR FACES produced the same year, in that the Kids put the bad man on trial and eventually put him out of business.GRANT WITHERS is the corrupt principal of a reform school who uses dirty tactics to keep his kids in line, even to the point of punishing a sick kid who fails to survive solitary confinement. It's up to Ronald Reagan, on the good side of the law with Margaret Lindsay, to urge the boys not to take vigilante justice.Warner Bros. apparently intended this to be a showcase, not for Reagan or Lindsay, but The Dead End Kids who get all the prominence in the script. It's all got a familiar ring, but is directed in brisk style by Lewis Seiler and is lively enough to hold the interest.Nevertheless, it never rises above the ordinary and the overall impression is that of a formula crime melodrama, the kind that Warners churned out pretty frequently in the late '30s and early '40s.