Hemingway's Adventures of a Young Man
Hemingway's Adventures of a Young Man
NR | 25 July 1962 (USA)
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Young and restless Nick Adams, the only son of a domineering mother and a weak but noble doctor father, leaves his rural Michigan home to embark on an eventful cross-country journey. He is touched and affected by his encounters with a punch-drunk ex-boxer, a sympathetic telegrapher, and an alcoholic advanceman for a burlesque show. After failing to get a job as reporter in New York, he enlists in the Italian army during World War I as an ambulance driver. His camaraderie with fellow soldiers and a romance with a nurse he meets after being wounded propel him to manhood.

Reviews
Actuakers

One of my all time favorites.

UnowPriceless

hyped garbage

Claysaba

Excellent, Without a doubt!!

Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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jjnxn-1

Beautifully produced version of Hemingway's saga of his early journey towards manhood. Amazing supporting cast is a mix of veterans and rising talent of the time with assured direction. The entire cast does well but there are a few standouts. Paul Newman does good character work as a punch drunk has-been boxer, Eli Wallach has some fun with his conscripted soldier and Arthur Kennedy offers his usual thoughtful work as the lead's goodhearted but dominated father. Also kept an eye out for a blink and you'll miss her appearance by Sharon Tate in her screen bow.The problem lies in Richard Beymer in the lead. He's not bad but he's just sort of there lacking the charisma to anchor such a pageant over its extended running time. Someone with the ability to hold the camera's gaze is needed, either Steve McQueen or Albert Finney who were the proper age at the time would have been better casting. As it stands the film is good but missing the key element that would have made it more.

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Edgar Soberon Torchia

"Ernest Hemingway's Adventures of a Young Man" is one of the many motion pictures I saw during my adolescence in one of the cinemas in the neighborhood where I grew up, the colonial part of the city of Panamá. Somehow I completely forgot what it was about. Last night I sat to check the opening credits for nostalgia reasons. The film began and although I am not a Franz Waxman specialist, I instantly said to myself "Waxman...", and it was him!, his music, so instead I ended watching the complete film again. I was surprised to find out it is an entertaining road movie, and have no explanation why I could not remember a single scene from it. Maybe I was too young to care about the ideas being voiced, even if they were neither too profound nor developed enough. Maybe Richard Beymer (as Nick Adams), Susan Strasberg and Diane Baker (as his love interests) were neither strong nor charismatic young performers to watch a whole film with them as leads... This of course is not true considering, for examples, their contributions to "West Side Story", "Taste of Fear" and "Strait-Jacket", respectively, but I realized that it was mostly the fine performances by the rest of the cast what smoothly carry the narration along. In the first act, Arthur Kennedy as Nick's father is very good; then Paul Newman, Juano Hernández, James Dunn, Dan Dailey and Fred Clark give strong support during Nick's trip from Michigan to New York; Ricardo Montalbán and Eli Wallach follow during the third section, and Jessica Tandy does her fine act as a bitter mother (repeated a year later in "The Birds") in the resolution. Thanks to good art direction evoking the first years of the 20th century and beautiful location shooting in Italy and Wisconsin, one can overlook the carelessness of Academy Award- winning cinematographer Lee Garmes here and there, with shadows of the camera and light equipments all over the place in different scenes. But most of all it is a film dominated by good acting. Martin Ritt was an excellent director of actors and it is quite evident in this film, which also covers some of the social and political issues he would later treat at length in his filmography, mostly in "Hud", "The Spy Who Came in from the Cold", "The Front", "Norma Rae", "Sounder", "Conrack", and "Stanley and Iris".

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Longjohnbob

I saw this movie in junior high and high school on television. I loved it very much, and it actually got me interested in Hemingway's Nick Adams stories. Jessica Tandy is at her best in this film as Nick's long suffering mom. Arthur Kennedy is good , too. It may not have won any Oscar's--the simplicity and innocence of such coming of age stories are not always artsy-artsy enough for the Hollywood crowd--but in its quiet way this is a great film. Michael Pollard as George is wonderful. Most will remember him as Moss in BARNEY AND CLYDE but he plays wonderfully opposite Beymer's Nick. Paul Newman was great as the boxer. The reason I liked this movie so much was because it was not a typical Paul Newman role. Whoever guessed that Newman can really act? He proved it in this small part. I love the film. I only wish it was available on DVD--director's cut--if it is will somebody let me know. I really don't want to buy the entire HEMINGWAY COLLECTION now being sold to get a DVD of this timeless film classic

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Willard Smith (wcsa)

This film attempts to compile all or most of Hemingway's Nick Adams stories into one complete whole. The effect is a coming of age story that ends on a bitter/semi-sweet note. Along the way you see a series of stories populated by well known actors and actresses.There is a sequence that reminds one of Farewell to Arms (wounded ambulance driver falls in love with nurse, who eventually dies in his arms).There is the overbearing, controlling, religious mother and the anguished father (who eventually takes his own life).There is the hard boiled newspaper editor, who gives sound hard boiled advice.I liked the movie, but I am unsure whether I would recommend it to someone else.

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