Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The charismatic presence of Cab Calloway one of the best entertainers is reason enough to see Hi-De-Ho. The film is chock full of numbers that Calloway sang over the years in the style that made him known as the Hi-De-Ho man. But overall the film is not the best.Hi-De-Ho is an independent production made for the black audiences of the day. I doubt too many white people saw it because it played in black neighborhood movie houses in the north and in the black theaters in the segregated south. Additionally it was done on a minuscule budget and Calloway didn't exactly have a director as talented as Spike Lee. That would come in a couple of generations.Later on Calloway showed his acting chops in such films as The Cincinnati Kid, St.Louis Blues, and The Blues Brothers. Here the plot is threadbare and it involves two rival Harlem club owners who are fighting for Cab's services and two women just fighting over Cab. The last half of the film is strictly a variety with Cab and his orchestra and other black performers.One thing very much makes this film worthwhile is it's one of the few you will find where no one is playing any kind of Stepin' Fetchit type part. For 1947 that's remarkable and I have no doubt that Calloway insisted on it. Fans of the Hi-De-Ho man will love this film.

THere are actually 3 different Cab Calloway movies made named Hi De Ho from 1934 to 1947.All black casts.It is surprising that these all black movies, depicting blacks as entertainers and professionals, not gangsters or criminals didn't provide a suitable role model to lift the black culture up.The movie has the slimmest of plots and the exposition just serves as breaks between Cab's musical numbers.Those are the only good part of the film, although it is a curious piece.The Plot.Bandleader Cab Calloway is tiring of his sexy girlfriend Minnie, who in turn is jealous of Cab's manager Nettie. When Nettie gets Cab a job at the Brass Hat Club, Minnie retaliates for his imagined infidelity by setting gangster Boss Mason, owner of a rival club, against him. Will she regret her action before it's too late? (This plot resolves halfway through the film; the rest is a series of 'soundies' featuring the Calloway band's inimitable jive). All-black cast.

The plot races by in the first 40 minutes, and after that we get a series of musical numbers. That's pretty much the formula for all early musicals with the only variation being whether the musical extravaganza comes before, after or in the middle of the story. In this case it was at the end, and I actually enjoyed that format. It was as if the filmmakers were telling us, "OK now that the silly plot is out of the way, here's what you really came here for."Call me crazy, though... I actually liked the plot! And it ended on a very profound & emotional note, where Cab sings "Minnie's a Hepcat Now" a capella.The second half brings us the musical showcase with the only link to the rest of the film being the appearance of a strange man reading a Variety newspaper. He & his newspaper also appear in almost every other scene without explanation, almost like "find Waldo", lending a surreal comedic flavour to the picture.The only real downside to this movie, the disturbing part which I mentioned in my title, is the way Cab & others repeatedly smack poor Minnie around. Sure, I realize it's just a movie, but since Cab Calloway plays himself, we can't help but wonder if he may have been violent toward his women in real life. I found myself distracted by that thought.Otherwise, I thought this was a thoroughly enjoyable flick with some great performances. Also, somebody help me out here... even though this was a "race" film, I swear I saw a white man in Cab's trombone section at the end. If so, could this be one of the earliest instances of an integrated band? Or maybe my vision sucks. Keep your eyes peeled and you be the judge.

My jaw dropped shortly after the start of the movie, when Cab Calloway sang "Minnie's a Hepcat Now" solo a cappella. This was a big band leader who actually had all the music an audience needed right inside himself. An extraordinary performer; and though the rest of the movie is packed with an abundance of band numbers, he never allows a dull musical moment. Like some of the songs Cab Calloway sang, the 1947 HI-DE-HO movie mixes pathos and joie de vivre against the background of a gritty story. In a musical performance like the "Saint James Infirmary" seen here, the mixture is funny and powerful. In the plot line of the movie, it's less successful.Unfortunately, in the European TV broadcast I caught, I didn't notice that "Dusty Fletcher does his famous 'Open the Door Richard' sketch" as in the version someone else saw. An odd thing I did notice was that in the nightclub scenes when the plot is in its long suspension near the end, the dancers seem sized wrongly for the perspective, as if they were dancing in front of a screen on which the band was projected.