Very Cool!!!

Lack of good storyline.

Fresh and Exciting

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Daryl Hannah's character complains about her ex-boyfriend idolizing her: "He thinks I'm an angel. (pause) It got to be a f-cking bore." If that didn't make you laugh, avoid this film. If it did make you laugh, there are certainly other films that would be funnier to you.

I loved the fact that the producers of Hi-Life used real Upper West Side locations in this film, including the Hi-Life itself. It tugged at the heartstrings of this former UWS resident, now exiled to Atlanta. The movie itself was tolerable -- mainly because Peter Riegert was in it. Can't have enough Peter Riegert in a movie, as far as I'm concerned. The rest of the cast was amiable, if not very energetic. The story -- which could have been quite clever, with various folks chasing the same $900 for a variety of unethical reasons -- floundered in the face of lackadaisical pacing and cramped, dark cinematography.

I kind of liked this flic'. It's one of those movies that you catch whilst flicking through the movie channels and you see and actor you like and say, I'll give this a chance.This is a movie that involves lies, gambling debt, abortion, gunpoint muggings and heartbreak, but not at one point will you become exited, mainly because the film is flat. Every shot is one dimensional and maybe the writer, who is also the director should stick to just writing.I am sure that this is a really good screenplay to read because I enjoyed the dialogue very much. I would also think that this is the reason that there was such a well known cast. It would have made a great piece for radio. Out of ten I would have to go with a five.

This has to be, to my knowledge, the only christmas/abortion comedy ever made. Featuring splendid performances by Charles Durning as a hen-pecked love lorn bar owner, Eric Stoltz as the self-absorbed actor, and Campbell Scott as the bitter ex of Daryl Hannah, this film continually surprised and delighted me. Filmed in New York City by John Thomas (of Whit Stillman and "Sex in the City" fame) the city has never looked crisper or more inviting. The plot is wacky- a subplot involving two wacky ambulance drivers is particularly silly- but also has a wandering tone that careers from touching to bizarre, in the way that all good independent films do. Featuring the angriest Jewish santa clause ever filmed, rousingly played by Dean Cameron of "Ski School" fame. Worth a look!