High Lonesome: The Story of Bluegrass Music
High Lonesome: The Story of Bluegrass Music
NR | 01 January 1991 (USA)
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Longtime fans of bluegrass music and those only recently discovering it will appreciate this documentary on the genre, which was born of a combination of African and Celtic sounds and is the base of American country music. This film traces the musical form from its Appalachian roots to the present. The rise, fall, and consistent revival of bluegrass chronicled through oral history and visual record, resulting in a priceless film that even casual fans are sure to enjoy.

Reviews
Brightlyme

i know i wasted 90 mins of my life.

Stoutor

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Phillida

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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bezdecheck

Now another viewer said this documentary was one to love even if you didn't care for bluegrass. I love bluegrass but the way this film was edited left me cold. Throughout the entire picture voices are speaking and singing over video of people speaking and singing - but one has nothing to do with another. I actually wanted to know what was going on in the concerts and interviews I saw and I found the structure of this film very irritating. I restarted the film twice to see if that made a difference. I guess I would have rather have listened to this on the radio. Looks like IMDG is forcing me to stretch this into ten lines because that's their rule. Stupid rule.

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Buddybaba

Rachel Liebling, a student of Ken Burns, has created a classic of Americana. The editing and cinematic styling are obviously a Burns spin off but an old nitrated photo of a small country church and great locomotive imagery bring her into new documentary dimensions. The music is perfectly synced with its images as in Bill Monroe's seamless walk from concert stage to his old front porch. Ralph Stanley singing "Man of Constant Sorrow". A young Alison Krause at about the time she won the national fiddling contest. This is not a complete compendium, a chronological survey, or a definitive look at Bill Monroe or any of the individual artists but an impassioned portrait of a true American musical art form. I recommend it highly, 10 out of 10.

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