I wanted to but couldn't!

How sad is this?

A lot of fun.

An old-fashioned movie made with new-fashioned finesse.

It is such a delight to watch a gay-themed film which is not over-indulged in melodramatic sentiment and what's more precious is that it innovates an authentic and positive gay community within to encourage more people to look on the brighter side of the world.Ozpetek's self-imposed gay identity opens a gate for us to see more scrupulously into contemporary gay communities, without the thwart of the religion, the social prejudice, the indoctrinated moral standards from family and friends. It manifests that sexual orientation is much of a choice rather than any mammoth title being forcefully added upon this minority group.The film is epidemic to all kinds of demographic classes, gay/straight/bi-sexual, man/woman/transsexual, everyone could dip into it and acquire different nutrition which he/she needs.The acting is generally agreeable, Margherita Buy as the female protagonist, manages an amiable appearance to elevate the inner intricate complexion of her character. Stefano Accorsi, on the other hand, is more an unsubdued opposed image to underline the other facade of Margherita's role, a quirky chemistry could emerge between this two friend and foe (demonstrated by an explicit kiss scene where both try to find the scent of her husband/his lover), as a matter of fact, it is individual nuance matters here, anything else could not be exerted as a criterion anymore.The Turkey-born director Ferzan Ozpetek's skill hones to a new state after his debut STEAM: THE Turkish BATH (1997) and LAST HAREM (1999), the milieu and the myriad of different characters develop an affluent emotional touch eventually (although most of them are underwritten as a sacrifice of the main storyline).Anyhow, Ozpetek has established his fame and poise as the most promising contemporary Italian directors, his latest work LOOSE CANNONS (2010) will be my next object.

My first introduction to Ferzan Ozpetek, and a wonderful way to enter his world. The story unfolds as if it is rolling out before the viewer, and we learn about her husband's secret life just as Antonia does. What we find is lovely, and takes us and Antonia into a world full of despair and joy, fear and passion... and ultimately, love. These people at first glance might look like outcasts who have banded together for lack of a better place, but we soon realize that they are exactly where they want to be... and it is a wonderful life.Something worth mentioning -- without dwelling or preaching, Ozpetek shows us the tragedy of AIDS and shows us too that it is not without hope.Similar movies with the same feel include "KM 0" and "Second Skin" (both from Spain).Highly recommend.tlc

I found Le Fate Ignoranti to be superbly fascinating. It is a bittersweet tale of love, betrayal and friendship. Antonia is a doctor,specializing in HIV and Aids. She loses her husband, Massimo, in a tragic accident. A chance discovery of a love note from her husband's gay lover leads her on an emotional journey of realization and intrigue. Michele is the lover Massimo hid for seven years; he is equally devastated by Massimo's death. Michele lives in an exhilarating homosexual world among a group of misfits, including a transvestite, a man ill with HIV and a Turkish immigrant with a terrible secret.Together Antonia and Michele explore the ups and downs their newfound friendship, and eventually realize that they have more in common than just shared lover.I could not find one single fault with this film.Ordinarily I tend to avoid foreign films, as the message is usually lost in translation. However the true meaning of Le Fate Ignoranti is loud and clear, no matter what language you speak. The outstanding acting, flawless cinematography and charming setting make for magnificent cinematic experience. Above all the true beauty of this film lies in the way; it manages to capture its audience. It allows us to interpret the meaning to fit ourselves personally and to take something special away with us each and every time.

At first, I figured I'd hang in just because I enjoy watching different cultures on film. It had a mood blasted on the screen; gloomy, depressed, all the right moods for which I was in at the moment. (Need I say it was 3:00 in the morning, couldn't sleep, and there it was, playing on Sundance)...The movie did have enough of a mystique to keep my interest at hand. I believe the husbands' love and even his interest of not losing her, for fear he was (perhaps)intellectually below her,( remember the conversation between his lover and her, how the husband and he met)may have felt she could've done better, or would be falling out of love with him. As you remember, the scenes before his death were pretty non-talkative, just 2x2-his and hers. I believe, therefore, just maybe this may have been a love-conscious effort to be nearer to her, then, as time wore on (7 years, mind you) he fell in love with the guy, who wouldn't? Personalities are personalities, man or woman!