I don't have all the words right now but this film is a work of art.

Good movie but grossly overrated

An Exercise In Nonsense

It really made me laugh, but for some moments I was tearing up because I could relate so much.

I saw this on a VHS release here in the 1980's and was one of those films years later I could not forget. How could one forget this memorable title with a equally interesting and unusual combination of love, comedy, drama and disaster that in many other circumstances would simply not work! Boyer and Arthur's romantic moments...pure magic as is Boyer and Leo Carillo's comedic turns. Produced to the tune of over a million dollars (a very generous budget for 1937) independently by Walter Wagner the look of this "A" production certainly reflects this. The deft hand of Borzage could only keep the goings on fluent with the seemingly challenging narrative in a film that easily keeps the viewers attention. To my mind one of the highlights of 30's cinema. I urge anyone interested in this era - see this film!! Available on DVD (mine is a South American copy and OK print quality).

I'm not a romantic at heart-but this movies pulls the romance from every scene so beautifully that I found myself really feeling romantic while watching it!!! Boyer and Arthur are well cast as star crossed lovers. She has an abusive and controlling husband who'll do anything to keep her from getting a divorce,including setting up a fake tryst with the chauffeur to keep her from getting it. This starts the interesting plot that sweeps you right along as we find Arthur being rescued from the nefarious plot by the handsome and romantic Boyer. In the process of rescuing her he puts himself in a position where he and Arthur's character can be thwarted in their attempts to be together. Arthurs' characters' husband uses the rescue which involves Boyer's character hitting the chauffeur to commit a heinous act whereby he can bribe Irene his wife (Arthur) into staying with him and cause Paul (Boyer) to be put in a situation where he's in danger of being charged with a horrible crime he didn't commit. Don't want to give too much away but suffice it to say that the two lovers manage to get together in America after running away from Paris where Paul lives. But Paul wants to confront his this unjust accusation set up by Irene's husband (effectively played by Colin Clive) so they set off to return to Paris. They board a ship that hits an iceberg as it races back to Paris (Clive maneuvers this too). This leads to one of the most thrilling scenes in the movie, where we find a Titanic like sinking that is well translated to the screen. This movie has humor, romance, suspense and beautiful people (Boyer and Arthur) What more could a romantic at heart want???

Film critic Andrew Sarris once said that HISTORY IS MADE A NIGHT is the most romantic title in all of film history, and I'm happy to report that this movie lives up to its reputation. An independent production made by former MGM producer Walter Wanger, the film reputedly cost nearly a million dollars - a huge sum in 1937 - and the money really shows on the screen. Leads Charles Boyar and Jean Arthur have such a wonderful screen chemistry between them that it's surprising that they never made another film together. Director Frank Borzage was a specialist in romantic films and here he adroitly blends romantic drama, comedy and even tragedy into a seemless garment.The plot is surprisingly complex but unfolds in a logical manner. A theme running throughout the story is mistaken identity and characters relying on mistaken information. Boyar thinks he's killed a man, but we know he didn't. Jean Arthur thinks he's thief, but we know he isn't. Arthur's husband thinks she's cheating on him, but we know she isn't. If you wonder how these and other plot points make any sense, you just have to see this film.Composer Alfred Newman provided a charming theme for the film and I am surprised that it has never been issued in a modern recording of movie mood music. Leo Carrillo supplied hilarious support as Boyar's friend and the ill-fated Colin Clive gave a haunted, tormented performance as the villain. Clive is remembered today as the first Dr. Frankenstein in the first two of Universal's series, FRANKENSTEIN (1931) and BRIDE OF FRANKENSTEIN (1935). By the time he made this film, a frail-looking Clive was only months away from his own death in June 1937 caused by alcoholism. His performance is all the more poignant as a result.The film is climaxed by a Titanic-like shipwreck (huge ocean liner on its maiden voyage collides with an iceberg) leading to a final misunderstanding that results in an ironic but satisfying conclusion. The special effects work by James Basevi, while primitive by today's computer graphics standards, is nonetheless impressive. My only complaint is the relatively poor quality of the film print that is available on video today. Considering the fine restoration work that has been done on other films such as HIS GIRL FRIDAY, a restored HISTORY IS MADE AT NIGHT should be on some company's priority list.

Fairly sharp mixture of comedy, romance and melodrama has an American woman in Paris falling for the charming head-waiter in a posh French restaurant; later, after returning to the States (and to her abusive husband), she chances to meet the dashing Frenchman again. Sparkling first-half is either enhanced or destroyed by heavy drama in the second-act, depending on your viewpoint. However the film affects you, the finale aboard a sinking cruise ship certainly boasts showmanship! I caught this in a romantic mood, so I enjoyed it; any other day of the week, I might've taken a glimpse and passed. *** from ****