the audience applauded

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

Howard is a mother's boy who still lives at home, has a hobby of making model vehicles and works as a delivery driver for a laundry company. He picks up hitchhikers in his large red van, most of whom are runaways and as soon as they bad mouth their mothers they end up getting raped and murdered! Appeasr to be a lot of them in this small town. I found myself laughing several times throughout but I am not sure if this movie was meant to be intentionally humorous or if it was a case of being so bad that it's funny. Very cheap with some incredibly wooden acting. In the UK this was released on the Hard Gore label yet the only blood that I spotted was a trickle coming out of one of Howard's victims. A bit of topless nudity, the tops of some of Howard's victims appear to open rather easily revealing bra-less bosoms. If you're in the mood for a bad movie then this is OK. But on a serious note is does provide an important lesson - beware of mother's boys if you find yourself hitchhiking!

Well, no doubt about it that the fans of '70's exploitation will still really enjoy this movie. I know I did but I of course still can't call this a very good movie really.Everyhing about this movie is making it obvious that it had a very low budget. It's one of those movies that seemed to be shoot with only one camera, who every now and then switched positions to capture the other character's responses. The movie also being filled with some needlessly overlong sequences which just drag on. It also has some simple editing, simple directing and some simple acting. It's fair to say that this movie is not really very surprising in any way. Of course besides the movie has a pretty simple story in it, that relies purely on it's principal concept.It's a movie about a killer who picks up hitchhiking runaways and then goes completely berserk once he discovers that they had run away from home and do not love their mother. This is something that happened as well to the movie it's poor main characters. His sister had run away from home and his poor old mother, which he loves very much, has never got over this. As a sort of revenge for his mother this man kills these runaways.The concept itself isn't too bad really and I guess this is the only reason why the movie still works out within its genre. The movie is being pretty silly and lame at times, which also gets really due to its dialog and the actors performing. Most actors had very little experience before appearing in this movie and most actors had not appeared in very much ever since.Really for the genre fans only.4/10http://bobafett1138.blogspot.com/

I absolutely love this delectably cheap'n'cheesy late 60's exploitation trash psycho howler. Hopelessly geeky bespectacled dweeb Howard (a hilariously histrionic performance by Robert Gribbin, who overemotes to the point where you swear he's going to give himself a nosebleed) drives a delivery van for the local laundromat service. Howard has gone murderously around the bend ever since his beloved sister ran away from home six years ago. While making his daily rounds Howard picks up stray runaway teenage lady hitch-hikers and brutally butchers them. Among Howard's victims are a token gay guy, a little girl whose bloodied corpse Howard leaves in a dumpster, and one luckless lass Howard strangles in the back of his van with a wire coat hanger (I'm sure Joan Crawford would have approved of this last one). Earnest, but ineffectual police captain Shaw (well essayed by Russell Johnson; the Professor on "Gilligan's Island"!) tries to catch Howard, but thanks to indifferent and negligent parents finds this to be a most difficult task to accomplish (nice pointed social commentary here). Not released for ten years until it was picked up by legendary soft-core flick king Harry Novak's Box Office International Pictures for theatrical distribution in the 70's, sporting suitably shoddy production values, largely atrocious acting (the scenes where Howard either experiences painful seizures or erupts into a wildly raving psychotic frenzy while killing folks are especially sidesplitting), and a gloriously ghastly country-and-western theme song ("Danger on the road/Danger on the road/There's no way you can tell/When you hitch-hike to hell/Danger on the road tonight"), this grubby grindhouse gem is well worth picking up if you're a fan of deliciously down'n'dirty drive-in dreck.

*May Contain Spoilers*Nerdy Howard lives with his mother, drinks A&W Root Beer (blatant product placement here!), assembles model autos, drives a laundry van for a living--and rapes and kills hitch-hiking runaways he picks up along his route. Seems his sister was a runaway who broke Mommy's heart when she took off, which has turned Howard into a maniac. (Come to think of it, using model glue in a closed room probably didn't do his brain any good, either.) Howard slaps his victims around (with his hands visibly some distance from his victims' faces) and strangles them; the chokings, as in most movies, take about twenty seconds. The slayings are shown but the rapes aren't, making for an uncomfortable suggestion of necrophilia. Most of his victims are female but another of them is the sort of swishy, light-in-the-loafers man you won't see in movies today. Russell Johnson, dear to GILLIGAN'S ISLAND'S two dozen fans, appears as a police captain who tries to steer hitch-hikers out of harm's way and makes reference to The Zodiac Killer. The ending is another imitation of PSYCHO. Nancy Adams sings the not-too-bad theme song and the background score also turned up in Cronenberg's RABID. The director's son Wayne served as sound man and "harmonicist" on the theme. The film overall is no masterpiece but it's above average for a Harry Novak release and was made more professionally than I'd been led to expect. Now available on DVD along with KIDNAPPED (sic) CO-ED and a number of incredible short features, including a grand tour of Novak's headquarters.