Brilliant and touching

A Disappointing Continuation

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Story: It's very simple but honestly that is fine.

Besides being a serviceable Hopalong Cassidy Western, this film is a bonanza for old time classic movie fans with the appearance of Victor Jory, Robert Mitchum, George Reeves, Byron Foulger and Earl Hodgins. Mitchum and Hodgins both appeared in a fair share of Hoppy's films; for Mitchum, this was his first credited screen role. You might not recognize him right off, with the stubble of beard and sideburns it's almost as if he's disguised, but he does get to speak a line and if you're familiar with the actor you'll recognize him well enough.This might be Andy Clyde's most painful outing as Hoppy's sidekick and partner. When the bad guys get hold of him in the latter part of the story he really gets a working over. But he's not the only one. Check out that scene when Johnny (Jay Kirby) rushes to save Jean Hollister (Jan Christy) on her runaway horse. As Johnny catches up, she takes a nasty spill to the ground and it actually looked pretty painful to me. It might go a long way to explain why she never made another movie - this was her only one! You know, you have to admit William Boyd is pretty good as Hopalong Cassidy, but in this flick he does the miraculous. In that scene where he's crossing the river on his horse, his lower body is completely submerged in the water, but upon arriving at the cabin where he meets Jean and Steve Jordan (Reeves), his clothes are completely dry! That is some kind of cowboy hero! Well this story deals with cattle rustlers and counterfeit money, and if anyone's going to solve the case it's Hoppy and his pals. A bit of intrigue is thrown into the story because there's the issue of crossing the state line between Texas and Oklahoma, but that doesn't stop Cassidy from coming up with a plan. And when all is said and done, Hoppy never did wind up serving a writ, he just used his trusty lasso!

This traditional "Hoppy" adventure was never meant to be any kind of classic, but mainly functions as Saturday Matinée fare, a pitting of the good guys against the bad guys with plenty of horse chases and gun-play to keep the kids in their seats and wanting to come back for more. Having grown up in the 1940's, I watch the old Westerns today for reasons other than a gripping plot about which the outcome is clearly foretold. The photography in this one, for example, is exceptional, with cinematographer Russell Harlan going beyond the usual camera set-ups to capture the beauty of location shooting in Lone Pine, California-- the desert-like conditions shot against mountain vistas, the beauty of rustling sycamores framing the action, and exceptional long shots giving us such keen perspectives as robbing of the Well's Fargo Stage from several angles (Harlan, incidentally, went on to film the indelible images of To Kill A Mockingbird). FYI, an unsolicited commercial: Platinum Productions (though Echo Bridge) has released the Cassidy adventures in multiples for very little money, and the transfers are remarkable!Another incidental pleasure of Hoppy Serves A Writ is Hoppy himself, of course, a cool character who always seems a little above the chaos around him: William Boyd, a leading man from the 1930's found his niche in these Westerns--and we don't have to listen to him sing! Frequently pointed out is Robert Mitchum's first major appearance in a film: a performance at the edge of narcolepsy, but Mitchum actually saddles up a few times and rides; future Superman George Reeves has a meatier role as a dude with attitude, attempting to romance the sole female on the film, but losing her to Hoppy's cute, mild-mannered assistant. And for those with an eye for familiar character actors, the laconic Byron Foulger serves as a shopkeeper; Victor Jory, so often a villain in both Westerns and crime films, sports a nasty scar on his cheek that marks him as the one to hiss. In all, this is 64 minutes of matinée fun, perfect for a Saturday afternoon with a bowl of popcorn and all your memories of time well spent with your Hollywood pals.

I find this an excellent departure from the usual Hoppy routine. The dialog when Hoppy is checking into the hotel is worth the price of admission. Maybe it's just me but I find it side splitting, and a tad more adult than you'd expect from either a Hoppy movie or any movie made in 1943. William Boyd's personality is as winning as ever. Seeing Robert Mitchum's first film appearance is a hoot and George Reeves inclusion is welcome, as always. Both Mitchum and Reeves would be regulars in the Hoppy films for several years, alternating between the bad guy and the good guy. That's all I've got to say on this subject. I have to add some lines to get this to be accepted by IMDb.

Unlike the later Hoppy films, this one doesn't follow a mystery outline. We know who the baddie is from pretty near the beginning, & it's just a matter of catching him. Victor Jory (who had already starred in "The Shadow" & "The Green Archer" serials), is featured in this film. George Reeves (later TV's "Superman") has a small part. And Robert Mitchum has a short line. Jan Christy (the heroine) is prettier than most of the Hoppy heroines. Andy Clyde (as "California") gets a serious beating, & "Johnny" (Jay Kirby) doesn't act as silly as other Johnnies in this series. Sounds like it has a lot going for it, doesn't it? Not so, because there's little action aside from a couple of good fight scenes & about three gunfights. The plot is weak, & it's not helped by the fact that there's no mystery involved. Hoppy wears all black at the beginning & end of the film, & wears his rancher's outfit in the middle. It doesn't even have the usual dose of humor for a Hoppy film. I rate it only 5/10.