I like the storyline of this show,it attract me so much

It is a performances centric movie

Good , But It Is Overrated By Some

This movie feels like it was made purely to piss off people who want good shows

I have no idea how to explain this movie to you. There are moments that are pure ridiculousness. There are scenes filled with amateur hour acting and effects. And then there's an ending that is powerful and shocking. It's really a rough one to figure out. I loved it - but it's another in a long line of movies that I don't recommend to anyone but the people I know who will get it.The old VHS box explains it like this: "A group of college students on holiday become prey for a killer and his two sadistic and demented sons. One son, an unlicensed doctor, is mentally unhinged by destructive brain parasites. The other son, a shy and lonely psychopath, falls in love with a dead girl. While the insane boys are blundering through their destructive rampage, the father stalks the night with random violence. Though he is shot, beaten, and run over by a car, the maniac cannot be defeated.One by one the students enter the horror house, where they must face the malignant forces left behind by unnatural scientific experimentations. They are hunted down, tortured and eliminated until only one girl is left to fight for her life against the trio of murderers.Directed by the notorious rock video maker, Richard Casey, Horror House on Highway 5 is filled with strange humor and wild action."We go from a typical slasher murder right to a classroom, where he assigns three of his students to go to Littletown and investigate Bartholomew, a dead Nazi rocket scientist and make model rockets.The most studious of the kids, Louise, goes to interview Dr. Mabuser, who is the one with bugs in his head. His brother (or partner) Gary falls in love with her, but they still use an iron to sear her breast in some Nazi black magic rite. While that's going on, Sally and Mike go to the quarry to smoke weed and make model rockets. And then there's the whole matter of the guy in the Richard Nixon mask who can't be killed (and who is listed as Ronald Reagan in the credits).Obviously, no one paid for the music used in this film, as it has everything from "Rumble" by Link Wray to acid rock to violins to surf rock like The Safaris to The Dictators and The Count Five playing "Psychotic Reaction."And then the ending! Seriously, the last two minutes of this film, where one of the victims thinks that she has escaped, feels like the movie that Rob Zombie has always wanted to make.

Some college kids head out to the woods to do some research on the V-2 rocket developed by the Nazis during WWII and run afoul of a couple of cultists and a killer running around wearing a Richard Nixon mask, who may or may not be a resurrected Nazi. This is just such an odd film that I was transfixed by it. I can't tell if the film's quirkiness is intentional or a result of ineptitude (most likely a combination of both). Director Richard Casey will definitely confuse the viewer as one scene will be poorly staged and the next surprisingly clever (the final shot from inside the van as it pulls away from the final girl on a highway is very well done). The soundtrack is filled with popular rock songs, which I'm sure they had absolutely no license to use. Some re-releases remove them entirely. Ronald Reagan gets credited as the killer Richard Nixon. Haha.

Man, is this messed-up movie an unbearably dumb, lousy and often downright dreary piece of junk! A crazed, bloodthirsty trio kill and terrorize several luckless individuals around the titular area. The freaky threesome are actually a nice, happy dysfunctional family: a crackpot dad who likes to do the dirty murderous deed while wearing a rubbery Richard Nixon mask, a bumbling imbecile son, and another insane, sanguinary idiot male offspring with live maggots residing in his scrambled cranium (!).A clumsily sincere attempt at a perversely humorous, darkly tongue-in-cheek backroads psycho picture parody, this film's extremely forced, spiritless, grinding-its-wheels-in-the-mud slack execution completely ruins its chances at being a reasonably on-target and effective send-up: Richard Casey's wan, idle direction, mostly flat acting from a generally insipid cast (only legendary gonzo rock critic Richard Meltzer manages to deliver a lively, up to par performance as a cranky, ill-fated drunken motorist), lethargic pacing, weak stabs at grotesque warped humor (e.g., one victim steps on a rake right after having his throat cut), and a plodding, disjointed narrative all prevent this potentially fun flick from ever kicking into high gear. However, both the fairly rollicking score by Keith Grady and Suzanne McDermott and the passably professional photography by David Golia and Bill Pope neatly rise above the pervasive mediocrity. If it had been done with more polish and vigor this wash-out could have made for an amusing and enjoyably quirky little horror black comedy, but since it's really bland and slapdash it instead qualifies as a very middling and forgettable cinematic dead end.

Um...wow. I don't think anything could have possibly prepared me for this one...it couldn't have been any weirder if the actors walked backwards and talked like Popeye.A confounding amateur freak-out which sails straight through the roof of conventional exposition, HORROR HOUSE ON HIGHWAY FIVE involves two maniac brothers and their female captive, some kids stranded in the middle of nowhere with a broken-down van, and a vicious killer creeping about in a rubber Nixon mask. Additionally, the film get an injection of undefined supernatural hooey, with the matters at hand awkwardly italicized by inappropriate avant-gard musical sweeps.When a movie turns out this strange, it becomes rather difficult to criticize. Regardless of your conclusive feelings toward HORROR HOUSE, there's no denying that it's an experience entirely unlike any other. When you consider lengths to which many recognized "great" directors have gone in hopes of achieving this very distinction, the oddly wavering characteristics of this film must be called into question....well...sort of.4/10