Very well executed

A different way of telling a story

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

to define this film is only a problem of choice. to select the historical accuracy or the artistic virtues. because are two different aspects. and this is not real surprising. to give a good show, the sacrifice of truth, with its not comfortable aspects about earl years of Hussein regime must be ignored. for give a seductive story, the perfect model is the historical plays of Shakespeare. to impose a great show, to use the white and black impose to ignore the nuances. result - a film about power and about corruption, crimes and comfortable personal life - with few small storms - of a dictator. a chronicle of family who could be more a parable than a docudrama.

a movie who desires be testimony. not as documentary or accusation to a regime. not as dramatization of a dictatorship. but as picture of its roots and its soul. as puzzle of a deep tragedy out of words. it suggests, describes, show. in honest and direct way. using the subtle precise power of image. recreating shadows of past and remember not only the steps of Hussein dictatorship but the silhouettes of Stalin or Ghadafi ascension to power. more than a series, it is instrument to reflection about terrible forms of pain. about steps of absolute power. maybe it is not exactly the truth. the details are pieces of darkness but the basic lines are enough to understand the circle of this regime and for not consider the war against Iraq from 2003 only fruit of American propaganda. because evil is not propriety of definitions.

If viewers are expecting a factual summary of Saddam Hussein's life, they will be disappointed. I'm sure there are better documentaries on the subject. But for pure casting pleasure, I would heartily recommend HoS. Director Jim O'Hanlon has assembled a truly international cast, including celebrated Iranian actress Shohreh Aghdashloo (so marvelous in "House of Sand & Fog"), Indian actress Shivani Ghai, and Palestinian actor Makram Khoury (great as Tariq Aziz).Most impressive is celebrated actor Yigal Naor as Saddam. He exudes the perfect combination of ruthlessness and charm that propelled the tyrant into power. That Hussein is portrayed by a Jew-- and Israeli-born Jew-- is probably sending the old goat into cartwheels. Pure poetic justice!

The rise and fall of the Iraq dictator Saddam Hussein.What a big project this must have been. Trying to distil the best bits of Saddam's twenty four years in power in to four hours and not losing those not steeped in Middle Eat politics would appear impossible to some - but my word, they have pulled it off! Here you have it all: Power, sex, family, violence, politics, war, madness, you name it. The complete drama play box. Yet this is a personal drama that is more interested in family and politics than needless bloodshed. Not that it isn't very gory at times. This is not for children.You also have a fantastic lead performance from Yigal Naor. Utterly mesmerising: Deluded, multi-faced, sometimes charming and yet ruling by fear. Trusting nobody - and certainly not his friends or family. Hitler meets Idi Amin in a country with rich oil fields and - therefore - "important" to the West.Pick of the highly convincing support cast is Philip Arditti as "first son" Uday. The mad-as-a-hatter "heir". The camera lingers/glaces on him for no reason at council and cabinet meetings, sneering or (inappropriately) looking unconcerned. He even makes Saddam look straight!Yes, it had loads of things to crib and copy from: The Sopranos and the Godfather Trilogy among them, but it is amazing how the format fits around a story that is almost entirely true. In its major facts at least.If there is a better mini-series played on TV this year I would be very surprised. You'll want to watch it more than once - I know I did.