Hungry Wives
Hungry Wives
R | 01 May 1972 (USA)
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Joan Mitchell is an unhappy, middle-aged suburban housewife with an uncommunicative businessman husband and a distant 19 year old daughter on the verge of moving out of the house. Frustrated at her current situation, Joan seeks solace in witchcraft after visiting a local tarot reader and leader of a secret black arts wicca set, who inspires Joan to follow her own path. After dabbling in witchcraft and believing she has become a real witch, Joan withdraws into a fantasy world and sinks deeper and deeper into her new lifestyle until the line between fantasy and reality becomes blurred.

Reviews
Jeanskynebu

the audience applauded

Titreenp

SERIOUSLY. This is what the crap Hollywood still puts out?

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Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Sam Panico

This is nearly an auteur film for George Romero, acting as director, editor, cinematographer and screenwriter (with his wife producing). Inspired by the occult and feminism, two major movements of the early 70s that play nicely together, the film was shot with a small crew for $100,000 (originally budgeted for a quarter million).The film had issues finding distribution, with several of them demanding hard core scenes. Jack H. Harris (producer of The Blob, Equinox, Eyes of Laura Mars and Dark Star) finally distributed it as Hungry Wives, cutting nearly 41 minutes from the films running time (the version on the Anchor Bay DVD is still missing 26 minutes, which are presumably lost forever as the original film negative and director's cut are thought to be gone forever).The film has the feel of pornography with none of the payoff, something noticed by critics. Others consider it a film that's unsure of its approach — indeed, how do you follow up a film like Night of the Living Dead which totally nails it and reinvents the horror genre without doing more horror? Romero's efforts in this period feel like avoidance — yet knowing that the grave (slumming it in the horror genre) beckons.Joan Mitchell is Jack's wife, introduced to us as walking through the woods that look eerily similar to the Evans City gravesite that opens Night of the Living Dead. Together, they live in the Forest Hills suburb of Pittsburgh (this movie is so yinzer that it thanks Foodland in the opening credits) with Nikki, their 19-year-old daughter. Much like many of the characters of Romero, they're Catholic and find their faith ill-equipped for the changes that the end of the 20th century brings to them.Read more at http://bit.ly/2yx7Om2

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poe-48833

SEASON OF THE WITCH/JACK'S WIFE/HUNGRY WIVES/CONJURE WIFE isn't, as many seem to think, a train wreck. There are some good performances (including Ray Laine, more or less reprising his role from THERE'S ALWAYS VANILLA) and Romero's STYLE becomes more recognizable here. As with NIGHT OF THE LIVING DEAD and THERE'S ALWAYS VANILLA (as well as the forthcoming shockers THE CRAZIES and MARTIN), SEASON OF THE WITCH concerns itself with sometimes-twisted Human Relationships: it's THE common Theme running through everything that Romero has done. Like Fritz Leiber's classic novel CONJURE WIFE, SEASON OF THE WITCH touches upon the notion of Witchcraft as a cure-all for what ails us; but, like most of what Romero has done, the Truth is Ephemeral at best: what ails us most is mostly just US...

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Scars_Remain

It's kind of hard to believe that George A. Romero wrote and directed this film because it is very average and annoying at times and almost seems to go no where. I enjoyed the film but I wasn't by any means sitting there in amazement while I watched it. This is definitely the worst Romero film I've seen so far which I guess is a good thing for him because it isn't terrible.The acting is good, especially the lead, Pam White. I didn't think the story was anything to rave about, it was very simple and slow. Don't get me wrong, I loved slow-paced films but this one didn't go anywhere with it's slow pacing. There were a few scenes that I really liked, but it doesn't make the whole movie great as a whole. As I said before, this film is very average.See this movie if you're a fan of Romero but don't buy it unless you see it for under five bucks.

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savvymoon5

This movie was boring, badly produced, the audio was terrible, the acting was amateurish, and the story line was simply ridiculous. It should have been titled; "The Season of the Sexually Frustrated, Bored, 70's Housewife".Any "witchcraft" in the movie was limited to about 10 minutes total-- and was so off the mark, it was ludicrous. Summoning "the Devil" to do a Love spell... Puh-leeez. This is the kind of movie that gives Pagans and Witches a bad rap. Avoid at all costs! You know people, you have to look at a movie as a stand-alone project and forget which "famous" director (etc) had a hand in it. Doesn't matter if they've made masterpieces before or after... when a movie stinks, it stinks! Use a critical and discerning eye!

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