Very very predictable, including the post credit scene !!!

What a waste of my time!!!

In truth, there is barely enough story here to make a film.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

******spoilers?****** I really liked this film; I thought there was a lot of raw emotion and I felt a connection to the characters. I enjoyed watching Anya grow throughout the movie, accepting her new role as a caretaker and then finally allowing herself to be cared for as well. The movie begins with her as a more naïve, young girl, looking for love in places where she knows deep down it does not exist. As the movie progresses, she learns to love herself and other people, and learns what it means to be loved in return. She learns to have sympathy for those around her, something that many of the people in her life lacked. Ultimately, she travels a great journey in the name of love, and is able to find love at the end of that journey as well. All in all, I thought it was a good film and really embodied what it means to grow up and understand empathy and love.

The other CINEFEST 2014 film I wish to discuss here is called "I won't come back" (original Russian title "Я Не Вернюсь") a fantastic little masterpiece in the form of a road movie, but that's not what it's really about. What this fantastic film from Estonian helmer Ilmar Raag (46) is actually about is How Deadly it is in this cruel World to have Nobody who Loves you ~~ Lack of love can kill! -- and when it's too Late to repent ... It's just too damn late!The first thing about this film is that although co-produced by Estonia Finland Kazakhstan and Byeloruss, and directed by an Estonian, there is nothing particularly Estonian about it except perhaps the overall sensitivity. The language is Russian and the setting is a large city, unidentified, possibly Minsk, and later the roads to Kazakhstan. The central drama is the relationship between two young female runaways, Anja, a university grad student (Polina Pushkaruk, 23, beautiful and perfect in the role) and feisty 13 year old orphan, Kristina, played by pudgy Vika Lubacheva in an amazing, unforgettable, juvenile performance so real it doesn't look like acting at all. The direction and the acting of the two girls -- their nasty conflicts and growing affection -- is exquisitely realized in an exciting road movie that turns into a tear jerker in the best sense of that term -- in other words a tragedy of classic Grecian proportions with a cathartic conclusion that left me stunned in my seat for ten minutes after the projection was over wiping away a flood of unexpected tears. The title of the film comes from Anja's final realization that the married professor she was having sex with and is so hung up on only sees her as a plaything -- partly at least because of the real love emanating from desperately unloved orphan Kristina -- and sends him a text message with the words "Ya Ne Vernus".(Awkward transliteration of the original Russian title)This is a great film which I hope will be Seen everywhere. It came to Miskolc from Tribeca in New York and should be an entry in the next Oscar foreign Language category if they can figure out what country it should be entered under. (Byeloruss, Russian, Kazakhstan??) -- My feeling is that If it makes it to the Oscars "Ya Ne Vernus" will be a surprise winner. It is already atop my own Best Ten List for 2014. The question now is, will the Cinefest jury here also give it the recognition it deserves, or pass it up in favor of some highly questionable entry as was the case last when a total Turkey from Germany was declared Best film. (It lost out to another excellent film, "Class Enemy", but class is class, and both films were equally classy and equally deserving)

Saw this at the Helsinki International Film Festival. I try to catch Russian movies with subtitles every time I can and that's basically only possible during festivals. While this is a multi-national production with an Estonian director, the movie is essentially Russian.Since there's quite a little info on this one so far, I'll open up the story a little. The movie is about Anya, a young woman who grew up in an orphanage, but has now got herself a job as an assistant to a professor at the university, with whom she also has an affair with. Then an old boyfriend from the orphanage shows up and gets Anya in trouble with the law. This leads to a runaway situation and Anya unwillingly hooks up with a younger girl Kristina - also orphan - who wants to travel to Kazakhstan to find her grandmother. The girls then start a long journey through Russia by hitchhiking.The movie is essentially a road movie, but the focus is more on the girls rather than the people they meet on the road. Some people help, some people have other agendas. Anya also struggles with figuring out whether she should help young Kristina or concentrate on herself. These girls have never had a family and their capability of loving someone - themselves included - is put to test.Both of the actresses are good, especially the one who plays young Kristina. It's amazing how she does certain scenes. The director was present at the screening and he told a few stories from the set and I got the impression he was just as awestruck by the level of acting the young actress could pull off, definitely some of the best acting from a child actress I've seen. Watch out for the scene at the cemetery, it's heart wrenching.The movie is a small modern classic in my opinion. It's a simple and beautiful story which has qualities often found on classics that are filmed time and time again, but this is an original story as far as I know. The director said it was based on a play, but I couldn't find info whether the play was an old classic or a newly written one.The movie is multi-dimensional, if you want it to be. I think the director said that he felt it is a modern fairy tale and that's exactly what it is. While the autumnal and wintery scenes of both urban and rural Russia look as realistic as they can, there are elements that may make you think if everything you see on screen is actually happening. This is a handled quite well and at one point near the end you will be able to make your own mind. In my personal opinion, there was one scene too much, I would've liked the movie to end before that, but it doesn't really make it considerably worse, just different.The possible "fairy tale" element also makes it easier to overlook a few flaws in the script, if you want to see them as flaws. It seems as if the story starts in the autumn, but ends in the spring, which would mean the story spans for months. Unless the seasons differ so much between locations, but I doubt that. There's also the small detail that Anya has a fully working cell phone during the trip, which is a bit debatable.The cinematography is really beautiful. The "rusty" urban scenes, rainy roadside views and the peaceful rural landscapes are all a pleasure to watch. Even if you didn't like the movie itself, the pictures on the screen are well worth the time spent watching.Be prepared to get emotional. There were quite a few sobs in the audience. I think the director was expecting this as he was clearly looking at our faces and reactions when he walked in during the credits.I'd wish this movie got proper attention and distribution, it's a small classic. Even tho it's a Russian movie, the story is universal and portrays Russia in a way that at least Finns really do not see in the media.

I saw this in the Cannes market two weeks ago and it has lingered in my mind as one of the better offerings at the festival as a whole. It appears at first to be a gritty piece of social realism in the manner of Ken Loach but gradually evolves, adding touches of humour and wistful fantasy as the protagonists break out of their urban environment and settle into a road-movie routine. A late plot development introduces a blast of harsh reality and paves the way to a bitter-sweet conclusion. Polina Pushkaruk is excellent as Anya, the young woman determined to put her past behind her, and Vika Lobacheva utterly charming as the 13-year-old who plays on her heart-strings. This is accomplished filmmaking, and Ilmar Raag is clearly not a newcomer on the scene. He does not appear to have established himself as a name in the West, but hopefully I Won't Come Back is a first step towards changing that.