One of my all time favorites.

Don't listen to the negative reviews

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

One of the most extraordinary films you will see this year. Take that as you want.

This isn't a film. Rather, it's a collection of rather uninteresting vignettes, all of them focused around an unpleasantly self-centred middle-aged Frenchwoman who happens to be visiting South Korea. Unfortunately, this means we're back in the world of low-budget filmmaker Hong Sang-Soo, whose previous films THE DAY HE ARRIVES and OKI'S MOVIE I've watched. I didn't like either of them, finding them pretentious, but this is even worse.There's no story here whatsoever, just a trio of three short stories that are almost identical stylistically. Isabelle Huppert's protagonist is one of the most uninspiring I've seen in film, a woman who wanders around looking for self-gratification, boozing and smoking all the while. It becomes tiring after about five minutes. The characters she meets are equally self-absorbed, although the twist is that as she's foreign we have to put up with a ton of poorly-spoken English dialogue instead of the usual Korean language. Inevitably the shadows of sex, adultery, and alcoholism raise their head, but it's all so, well, pointless, I can't believe they bothered to make it.

The film, while showing promise and alluding to something more than appears on the surface, was quite monotonous to me. I have to say that the acting and direction seemed at times quite amateur. It left me with a feeling of dissatisfaction. As someone said the director is interested in a minimalistic approach to conveying a story and I imagine that he succeeded. It felt more like a rough sketch than a film. In fact it felt to me like 3 short films. Nevertheless, there was something intangible in the characters, something allusive. Again the minimalism lends itself to an ambiguity. Personally, I like ambiguity to a degree but this film was more like a line drawing than a painting. The opening in fact sets the tone for the film. The music that the director chooses, the credits and the acting all give you that feeling that you are not watching real human beings fleshed out but character studies.

IN ANOTHER COUNTRY (dir. Sang-soo Hong) This is a thoroughly enjoyable low budget, Independent Korean film starring French super-star, Isabelle Huppert. The film is presented as a handful of separate vignettes about a French woman (all played by Huppert) who visits a small Korean seaside vacation village. The film advances the theme that innocent or friendly interactions between foreigners can often be misinterpreted as sexual advances. The film has a strange improvisational and almost surreal tone, yet cleverly manages to convey the feelings of strangeness that a woman alone might experience as a foreigner in another country. If you are a fan of Isabelle Huppert, this is a MUST SEE.

Isabelle Huppert is having a great time making movies, taking on any kind of oddity they push at her. It's a bit rough on her fans, who get stuck with items like this and CACTUS but I suppose you take the rough with the smooth.A Korean girl facing a crisis sets down to write a script in which Huppert appears as "the French Woman." Now you can't complain about mis-casting. Complete with the sound of typing (thank you Twilight Zone) she puts our heroine into three different scenarios set in the so nice timber beach front home, where she encounters the same characters in different arrangements, looking for a light house, losing an umbrella and getting amorously involved with the men. Kind of precious.The material is presented in sharp, subdued colour with minimal editing. It's not worth it's star's time or the viewer's.