Purely Joyful Movie!

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Sort of a mess. There is a lot right about this picture, but it's not enough to make up for a poor plot. The direction was OK, and the photography good. There were excellent acting performances all around. Connie Nielsen was awesome. Mia Kirshner was, too. These were good roles, these actresses got to really chew the scenery. Same goes for Anne Archer in a smaller part. Robert Culp and Frank Langella were sort of slumming, but were still good, as actors of their caliber should be. Even the French guy turned in a good one. But that isn't enough to make up for a terrible plot, depending on stunning coincidences. I found the ending highly anticlimactic, as well. Just can't recommend this one.

This is a smart film. When I watched this film I found myself thoroughly engaged by it on many levels. But it's a very complex film, insofar as it not really about things that happen, so much as it is about what causes people to do the things they do.The two girls, Megan and Dominique, do terrible things in this story, but what is lovely about this film is that it creates an opportunity for us to feel ambiguous about their actions. Are they justified in their actions or should we judge them harshly for their deeds? Society would judge them, the law would judge them - but how do we judge them as human beings, trying to survive the chaos and emotional turmoil of life? Is it rational to judge them? These are all good questions - and in the end, The Innocents becomes more than a simple story. The Innocents is a Greek Tragedy by any other name. Its classic issues are at the core of the fabric of humanity. It's tough material and strong and bold.The protagonist, Gerard, who travels with the girls on this so-called "innocent" journey, is caught in a web from which he cannot extricate himself. Should he try, the girls will pin their deeds on him. It's the perfect platform for a crime. The more the innocent man objects and tries to pull away, the more guilty he will look. In the sense, there is a "Hitchcock" homage at play here, for those who know the genre.On the surface these are very nice girls, but underneath, they are damaged, angry and in fact, given the wrong set of circumstances, very dangerous. This film leads you on an emotional roller-coaster and no matter what anyone may say, this is extremely well-written and most unpredictable. In an era of Hollywood film-making where plots are derivative and endings are known by an audience twenty minutes into the film, The Innocents (called Dark Summer in Europe)breaks the mold. There is nothing predictable about "The Innocents". Not at all.The actors are extraordinary, including Jean-Hugues Anglade, Connie Neilson, Mia Kirshner, Anne Archer, Frank Langella, Keith David and Robert Culp. You don't see cinema like this very often in America (because this may be too intellectually and emotionally demanding)and to that extent I am positive that certain reviewers may not get this film, it's their loss.I saw the European DVD of this movie, as well, and there are many more scenes than are in the U.S. version. It's quite interesting to see the additional scenes and definitely more satisfying.The Innocents is a very smart, cunning, emotionally well-crafted piece of film-making and high regards to those who had the vision to back it. I hope to see many more films from this filmmaker.

Have not had an experience like this since Silence of the Lambs. Then like now you were so completley enthralled with this picture the thought of missing one secound for any reason was un thinkable. Connie Nielson was a steller performance. I have to think that this picture was what led her to getting the roll in Gladdiator. Mia Kirshener was a thriller, could not wait to see what she would do next. Anne archer as always amazing. Wish Keith David had more screen time. Greg Marquette is a wonderfull visual and creative director. I hope we get to see more of his creative inovative material very soon.

My girlfriend and I just watched this picture about this French cello teacher who gets into a car wreck and meets these two crazy sisters and go on a wild ride and meet up with a perverted judge, two crazed gunmen and their alchohalic mother. From the second the movie started I knew it was going to be good when it opens with Keith David as one of the detectives. We were disappointed that there wasn't more of him but there was enough. The film really takes you on a roller coaster ride. The women are portrayed really well in this film. Ann Archer was unbelievable as the girl's alchohalic mother. Her acting alone was worth the viewing. (All the actors are terrific but she really stood out) We actually had to rewind and watch her again there was so much in her performance. The film has some slow moments but the photography was stunning, the cameos although too brief and spotty we found ourselves on the edge of our seats the entire time. Don't watch it alone there are a few scenes that will definitely creep you out!!