I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The best films of this genre always show a path and provide a takeaway for being a better person.

This is a very human film, where a number of different stories all meet. In a way, it is a film where the Swedish condition overpowers the human one; Swedes are well-known for not wanting to seem "out of the ordinary", so much that everything "normal" is perverted by the will to stay inside the box and not make any noise; the very first scene in the film is a kind of metaphor for that, and the rest of the film also.At the same time, I see this film as a kind of way to show that the obscure and involuntary can be normalised as well, which is displayed beautifully; the cinematography rarely - if ever - involves a moving camera, which has plagued much of modern Swedish cinema.Some of the acting is sublime and just torturously good, as with the two main young girls, the teacher and "the macho guys". The scripts complements all of this, wonderfully.This is a film that, when at its best, touches on the sublime. At its worst, it's wavering, but that's really beyond the point. This is a mostly beautiful film on the selections we tend to make today. I recommend it.

A teacher who witnesses a colleague strike a pupil gets ostracized by the other teachers. The elderly host at a posh party is injured but refuses to have medical attention. A stout bus driver refuses to go on driving unless the one who vandalized his bus steps forward. Two young teen girls go on a drunken, out of control-spree with friends. An all-male party weekend in the country has unexpected sexual repercussions... Five very different Swedish stories with one big common denominator: peer pressure and the situations it puts people in.Sad, on-target and all-too credible snapshots of social awkwardness & spinelessness, male pride and an equally sad alcohol culture. Major asset is the refreshing, semi-documentary-style ensemble acting, which makes me ask: why can't all Swedish movies have such seamless, perfectly and naturally performed dialog all the time? Too bad it's yet another case of finely written (and carefully photographed - often Roy Andersson-static - leaving details out of shot) little stories that don't get the development or resolution they deserve - we never get to know some characters enough to care (like the old man who gets a piece of fireworks in his eye), which proves that this movie easily could've been even stronger with 20 more minutes or so! 6 out of 10 from Ozjeppe

Young Swedish director Ruben Östlund made a strong debut with "Gitarrmongot". It was a very personal way of narration. In "De ofrivilliga" he gives even more promises.Five episodes, involving five very different kinds of Swedish people. But they get one thing in common and that is a very destructive group pressure in very different ways. The acting is really superb, although you hardly have seen any of these people on the screen before, with the exception of Maria Lundquist.Östlund works with very special camera angles. Sometimes you don't see the heads of those who are talking. Sometimes you will have to look around for a couple of seconds to find the main character, who is somewhere else than you're used too. This is a challenging movie in many ways, which makes you think and feel. And there are truly strong thoughts and feelings.

Brilliant film by Ruben Östlund and the cast! This is sheer perfection from the first frame to the last one, and the battle for next year's Best Swedish Film Award seems to be decided. Here is the best Swedish picture in years. It displays in five parallel stories how people reject from speaking up when they have the opportunity, due to more or less rational fears, and once the right moment has slipped away it becomes multiply difficult later.Most of the parts are played by actors unknown to me, and they are all fantastic. In every scene the dialogue is performed the way people actually speaks in real life (And I'm Swedish, I know what it should sound like.), it's believable and absorbing. Nowhere to be heard is the theatrical and stiff line delivery that so often haunts Swedish cinema. The images are often still in unorthodox angles, while people pass in and out. It is highly innovative and it works out extraordinarily well.The film is filled with hilarious lines, but it is serious all the way, and the humour is of the kind that makes me shiver with embarrassment. It is downright painful to watch these awkward situations and know that I could so easily be a part of something similar in real life. Not least, the problems with partying and binging is displayed in a refreshingly non-romantic manner. It is all, simply, brilliant!