Most undeservingly overhyped movie of all time??

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Children movies are what I frequently pick to watch and that is how I ended here. This is somehow a similar kind of movie to 'Dennis the Menace'. Only the character wise, but there are plenty of differences illustrating a boy's nuisance and menace. Yeah, it was about a 9 year old boy and his strange and unexpected bahaviour. Don't think in a serious manner, I was saying kind of cute like the one from 'Le Petit Nicolas'.Leon is not happy for their parents' everyday fights. He thinks he can stop it if some distracting thing happened them around. So decides to try with the dangerous game and make them to blame for it. But everything he attempted goes terribly wrong and one day he also loses his beloved one. Then is main focus turn to bring her back. While preparing for it, he falls in love for a neighbour girl. The mischievous boy with the series of unsuccessful event can turn everything back on track is what explained till the end.''It's better not to lie, but it's worse to lie badly.''This was the movie like I desired for. An interesting and playful character is what we expect most from a kid role in an entertaining movie. The story also conveys parental negligence over kids with unorthodox character. As the story set in the late 60s, the atmosphere was flawless and looked surreal. Everyone played well, father, mother, brother and so the girl. One of the unforgettable children's movies if you are a fan of this genre. I am not going to disclose how the story ends, but I will be happy if a sequel explains a few things, especially the romance. With the existing end and a beautiful dialogue before the credits roll up I don't know why I thought of a follow-up. Maybe I am so excited to see Leon again because he was so awesome.

This is an original film and gets very high marks for the acting. All the child actors are very real and very intriguing. The main actor who plays Leon is actually extraordinary. The story-line is definitely demented and Leon obviously needs lots of therapy – actually he needs to be institutionalized! The interaction between the children is very well done, but this is not a children's movie.There is really no resolution at the end, so Leon will just go on his merry way. This is the only weakness in the story that bothered me. Other than that it's got a lot going for it.Watch this for the acting and the dry humour.

Unless you're a saint, I'm sure you would have lied at one point in time when you're a kid, gotten away with it, and just became reaffirmed that hey, it's not so bad that you're not going to Hell immediately, and one could just come up with stories to spice things up, get others into trouble, or just get things done your way without paying heed to consequences that can be explained away. I never had such luck. Honest.It's Not Me, I Swear! conjures up plenty in its tale of the neighbourhood rascal who terrorizes the residents in a quaint little town in 60s Montreal, and with his striped jersey that we see early on in the film, one cannot help but to associate him with another boy rascal in Dennis the Menace. But this is Leon (Antoine L'Ecuyer), a boy with a vivid imagination and a fearless heart, that when we first see him, he had unwittingly hung himself on a tree swing, needing his brother Jerome (Gabriel Maille) and mom Madeleine (Suzanne Clement) to bail him out of serious trouble.And when all seemed under control, we slowly learn that this boy isn't quite always the helpless chap he is, but a real troublemaker who doesn't hesitate to show others his middle finger, whose impish grin betrays the scheming thoughts he has, to do things he wants to do his way, nevermind if it means stepping onto others complete with unbelievable anti-social behaviour (which adds to the fun of course), and you'd wonder how he manages to get away with it all. Then you realize that it's because of upbringing. Teach a child that lying is bad, but lying badly is worse. Tell a child that when one has to lie, one has to keep the story consistent. Leon's mom coaches him on such mantra, shows the same degree of disdain and disgust for her neighbours, and it's little wonder who his chief influence is. Parents out there, you have been warned.It's the story of this street smart boy whose brain is fast to cook up stories, and whose misplaced courage allows him to fearlessly inflict bodily pain or inconvenience onto himself if the situation or his lies call for it. It's both comical and wince-inducing with situations you can both laugh and cry at the same time, and you'll feel for Leon even more when his family starts to crack and deepens in their dysfunctional behaviour, with the last straw being their mom walking out on the family. Chief influence and protector gone, Leon retreats further into himself (in some ways pining in a manner similarly seen in Danny Boyle's Millions), and his stunts become a lot more daring, until the narrative shifts gear to the other woman in his life, that of his neighbour Lea (Catherine Faucher), a peer whom we are not given much background on, other than a slew of suggestions and clues that she may be an abused kid.Based upon the novel by Bruno Hebert, the film works because Antoine L'Ecuyer successfully carries the entire film on his shoulders, and makes it believable that he's such the rascal that he is, where on one hand he can look angelic to both his mom and his first love Lea, while on the other the devil as he leaves a trail of destruction as he goes about prodding into other's homes armed with a screwdriver, amongst other shenanigans. Curiously though, director Philippe Falardeau allowed Leon to break the fourth wall at least twice to engage the audience directly, and while you may have missed the first instance should you not pay attention, the second one felt like a bit of a cop out to achieve what we see in the finale, in what I felt had taken away the shine from an excellent build up of suspense and danger, which will guarantee that you grip your seat.Winner at last year's Berlin International Film Festival, walking away with the Crystal Bear for Beat Feature Film (General Kplus category) and the Deutsches Kinderhilfswerk Grand Prix, this is one film you should not miss during its limited run at Cinema Europa. Catch it before it goes away, and it waltzes early into my shortlist for one of the better films to be released this year so far. A definite recommendation!

This movie has just won the 'Silver Bear' award at the Berlin Film Festival in the 'Generation' section. The award is well deserved. The charismatic young lead actor who terrorises his neighbours and family carries the film on his slight shoulders. It is cleverly structured with laughter and tears throughout. The dialogue is sharp and witty and the characters well drawn. On a more serious note the film highlights the severe problems disturbed youngsters left to their own devices can have. Another reviewer compared it to 'Home Alone' but it is much deeper and (with a suicide attempt) far darker than the American comedy. Filmed in Canada with French dialogue it deserves to be seen by a much wider audience. Strongly recommended!