Purely Joyful Movie!

Amazing worth wacthing. So good. Biased but well made with many good points.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

A clunky actioner with a handful of cool moments.

This the second of the "Jack" movies and was an improvement from the first "Jack Says" with more detailed skyline shots of London and better camera angles maybe the increased budget was helpful. The Acting from Simon Phillips just gets better and better and is a fast rising star who will one day be a household name, I just hope he doesn't get stuck in an Eastenders character as he has a lot to offer. OK, he's notably put on a little weight in this movie compared to the first "Jack" movie but fortunately it doesn't spoil his character so that doesn't matter. There are lots of twist's and turns but you find your way as it goes and I got hooked and can't wait to see the third "Jack Falls" as there is unfinished business that I and Jack need to know. It's a unfortunate Mike Reid and Rula Lenska weren't here or unable to be there as they were so good in the first movie but this movie does hold up on it's own without the big guns although Danny Dyer does a superb job working with Simon. This is a raw gritty London movie relatively very low budget class movie compared to Hollywood films but is the sort of film production that is a great change from the usual gloss. This movie has it's own style with it's dark "Noir" mixed with some dark colour, harsh language, blood and guns quite a violent series well worth a visit for some great escapism ….I loved it.

Watched this film last night and just didn't get it, it just didn't do it for me at all, was truly disappointed from start to end with the story which in my opinion just didn't flow even some of the actors didn't seem at ease in their character roles, notable actors in the cast likes of Danny dyer and David o'hare, the film was cast in a noir genre which was not believable, and the flash back scenes just didn't work how the should it really made uncomfortable viewing and my partner couldn't watch the film to the end, i believe they may be filming sequels to Jack said ? but should be renamed Jack didn't. i don't normally moan about the films i watch because i choose to watch them but come on please, thumbs down unfortunately.

I am so so disappointed in this film. This had unbelievably bad acting (much of this blame must go to the director, who, after watching the dailies, must have seen what i saw? I say this because the actors (some of whom i've seen in other films - Terry Stone was quite good in Rise Of The Footsoldier) are not bad but the acting was. The lead character is too porky to be a convincing lead man in this type of role and the female gangster's 'I'm from Lahndon, me' accent was atrocious. The continuity errors were pretty outstanding too with photos being put into one pocket, only to miraculously appear in another, minutes after receiving it. I have sadly had to give this a one star rating as it's a case of been there seen that, but executed in a much much better way.

I saw this last night at the cinema and I'm glad it's out on DVD soon as I'm going to get it and watch it again. I thought for an independent low-budget feature, this was a considerably impressive effort. It may not have the money of Sin City – which is clearly an influence for the graphic novels and the films – but they have worked with whatever they had to achieve great production values.The opening is a massive nod to its graphic novel roots before bringing us into a slightly more recognisable setting but still retaining its noir elements. Scot Simon Phillips is perfectly cast as the everyman-leading man. It's a nice touch that the "name" in the film, Danny Dyer, supports here rather than leads and the predominantly un-famous cast means that we're seeing characters rather than actors laying characters. That said, the two big names, Dyer and David O'Hara, put in often scene-stealing appearances.Larger that-life in some parts, the characters are clearly based on the graphic novel approach where everything can be in your face, and it works. Ashlie Walker impresses as the sexy psycho seeking to usurp Daddy and Terry Stone is a combination of menacing and funny as the Guv'nor's second in command, 'The Fixer'. It's also impressive that we've finally seen a British gangster film with very strong female characters. Rebecca Keatley and Rita Ramnani provide the "good" to Walkers "bad" and achieve convincingly naturalistic performances.There are certainly elements of other gangster and noir films. References to the Big Combo, Reservoir Dogs, Sin City, Pulp Fiction and Get Carter abound, but nothing seems lifted, more occasionally treading were others have already tread (thought this isn't always a bad thing). The plot's MacGuffin – a box with mysterious and never-explained contents – is a film staple seen in Ronin and Pulp Fiction, but this is merely a device to propel events forward. The voice-over is of course classic noir – but it's refreshing to hear it as we see London streets rather than American ones.I can't think of another British film that has even attempted noir in recent years, let alone adapting elements from a graphic novel, and this is a very worthy effort.