Wonderful character development!

To me, this movie is perfection.

Charming and brutal

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The country is somewhat of a mix between Iran and North Korea. It's like in many Muslim countries but in reverse. Men have to wear veils and stay at home while women go to work and run everything... Men's freedoms are very limited, even thought the state claims to be a democracy, and they are the ones being objectified and preyed on. Jacky, being a handsome young man, is admired by many women in his village. However he only likes the Colonelle and dreams that she selects him to become his rider( it's because the country worships horses so some jokes are about riding). The movie is pretty much a Cinderella story but in reverse and with a twist. It was fun to watch so 10/10 from me.

After Les Beaux gosses in 2009, everybody placed high hopes on Riad Sattouf's and was expecting his second movie to live up to his debut one but Jacky au royaume des filles turns out to be a complete disappointment. The scenario, to his credit, relies on an original and quirky background with lots of well thought out details but the plot could be summed up in one line and therefore runs out of steam very quickly. If the comic could compensate for the weakness of the script... but the few, contrived gags barely crack the viewer a smile. You finish this sloppy and endless (despite lasting only 1h30) movie in freewheel mode.

Riad Sattouf is a tough guy to second-guess. At the very moment - 2014 - when IS has proudly inherited and rejoices in flaunting the mantle of Ghenghis Khan, Attila The Hun, Vlad The Impaler, Josef Stalin and Adolf Hitler, Sattouf has chosen to launch his movie Jacky In The Kingdom Of Women on an indifferent world. It's difficult-to-impossible for a klutz like me to interpret the film as a satire of, an attack on, or an endorsement of IS as seen through the eyes of a pantomime character. To nutshell it we are in a mythical kingdom where women call the shots and men wear the burka and walk six paces behind. The head honcho, Anenome, is in failing health and, with shades of King Lear, desires to hand over to her daughter, Charlotte Gainsbourg, but first, Gainsbourg needs to be married. The solution is to hold a ball for would-be suitors, where Ginsbourg will select. Jacky has had eyes for Gainsbourg forever but his family attempt to prevent him staking his claim. That's it. For my money it's a crock of you know what but then what do I know.

A wonderfully inventive and hilarious farce that offers an original take on the familiar Cinderella fairy tale, this French comedy also plays around with the usual gender roles. Imagine an Islamic like fundamentalist state in which the women hold the reins of power - they run the government and form the military - while the men are subjugated and have to wear clothing that covers them from head to toe. That's what's on offer in Bubunne, the fictional kingdom created by former graphic artist turned writer/director Riad Sattouf (the delightful coming of age tale The French Kissers, etc). The elderly general who rules the kingdom with an iron fist is ailing, and her eldest daughter, known as the Colonelle (played by Charlotte Gainsbourgh, recently seen in Nymphomaniac, etc), is set to take over the throne. But first she has to find a husband. A grand ball is planned, and all the men will attend in the hope that they will be picked. Jacky (played by Vincent Lacoste, from The French Kissers) is infatuated with the colonel, and has long dreamed of becoming her husband. But his cruel uncles and obnoxious cousins prevent him from attending the ball, until some unexpected help comes along. Sattouf keeps things moving along at a fast pace, with plenty of visual and verbal humour, and he has even created his own strange language for the kingdom. There is a nice surprise twist at the end, which will bemuse some. Lacoste brings plenty of energy to his role as the desperate, naive and virginal Jacky. Gainsborough seems drawn towards these offbeat, daring roles, and she is brave and game. The cast also includes Michel Hazanavicius, the Oscar winning director of The Artist, in a key role as a revolutionary, who becomes Jacky's unofficial "fairy godmother". Sattouf throws a lot of ideas at the screen and most of them work. This offbeat and satirical take on gender roles and politics is enjoyable and has the potential to be a real crowd pleaser.