This movie is the proof that the world is becoming a sick and dumb place

Better Late Then Never

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Life in the ghettos of Poland … we can't see it enough … the lessons are that important! Lives condemned to Purgatory … stripped of their possessions … relocated … waiting for the trains … waiting for "resettlement" … waiting to see if the unthinkable was more than rumor.The feeling of hopelessness would be overwhelming … yet the feeling of hope would also be present as that is human nature … and that is perfectly captured in this remarkable East German film! It is a cleaver script that makes a clever statement. The acting in the film by all principals was superb, as was the location and sets. It just looked and felt so accurate. More so the ending was an incredibly well done! Who would think that such a great film could come out of E Germany in 1975! And talk about aging well!!! Highly recommended!!! PS: Agree with the review that stated that "the English captioning for this film is pretty poor." I don't speak German but could easily tell it was off. 8/10

As you can see in, the film, different kinds of aesthetics were used to create this kind of environment that the director wants us to experience. By using close-up shots, we could see and feel the character's feelings and emotions first hand, as if we are right in front of them, every detail of it, and we can really relate to that kind of scene, and that makes the film more personal and up-close to the viewers. Another thing is the claustrophobic environment which depicts the kind of life in the polish ghetto and makes us feel and experience that we are also in that environment. Another interesting shots in these film is the long shot used in the somewhat castle like structure and the clouds in the end part. You could not usually see that in a Frank Beyer film specially that most of his films shows close-up and mid-ranged shots. Another intriguing fact here, that's the first ever German Film that I had watched in colored and so does Frank Beyer's first time to use modern technology to enhance his film. The blending of colors as I may say is good and it really enhances the scenes and the character's emotion. You could see that much livelier and lighter colors appears when Jacob and his niece were in a dream sequence, so does when people gets hope from the news Jacob brings, their faces light-up and so does the surrounding. When it come to the storyline and background of the film, you could easily see that the film really focuses on people's reactions, emotions and their life as a whole in the ghetto rather than really opposing and getting into the antifascist theme that Beyer usually does in his films. Natzis here portrays a different side of the story as they are somewhat humanized or rather has shown the soft side of the Natzis as rationale beings and considerable ones if I may add. I have also seen the remake of this film, the one starred by Robin Williams. I really never thought that this film is much better than the remake. Nothing beats the original.To sum it all up, I think it's really one of the best movies Frank Beyer has ever done.

This is an interesting film. However, I must say that I was very disappointed at the end. I expected something totally different. First, I thought it would be a comedy. But soon I found out that this was not the case. The film is about Jacob, an old Jewish man. He lies throughout the movie that he has a Radio, just to keep the hopes up of the people around him. Everyday he tells the people around him that the Russians are moving closer and that soon they will be free from the Nazis. As the movie goes on things get more complicated and at the end he decides to tell the truth, but no one believes him. Even though he had good intentions, Jacob did not achieve his objective. All he did is cause more problems in the ghetto.

This was the first and only East German film ever to be nominated for the Best Foreign Language film Oscar. It won many other awards, and features three actors, who are still very much active today. It has been re released in video throughout the world. I saw it after ordering it recently from Amazon.com. For all the accolades the film received, I must say that I enjoyed the recent American remake, directed by a Hungarian Holocaust Survivor, much more. I know the critics panned this version, but curiously the same things critics hated about the remake are taken right out of this, the original. In any case, the original is also good, though disappointing if you enjoyed the recent JACOB... The film does offer us the opportunity to see the famous Czech actor, V. Brodsky, still very active in Czech film and TV. We also see a young (late 30s) Armin Mueller-Stahl, prior to his defection from Communist East Germany. Interestingly, he also starred in the recent remake as the sixtyish doctor in the film. The young romantic (played by L. Schreiber in the remake) is played by the still active Henry Hubchen, recently featured in the German hit SONNENALLEE. In my opinion, the film is mostly worthwhile for these hindsight curiosity values. However, many will feel it is indeed a landmark film, on its own. Watch it and decide what you think.