Such a frustrating disappointment

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Close shines in drama with strong language, adult themes.

L'ATLANTIDE (aka JOURNEY BENEATH THE DESERT, 1961) certainly held promise -Hollywood director Frank Borzage may have started it but European émigré Edgar G. Ulmer finished up and it's his influence that's most apparent. Green, yellow, and blue lighting gave Atlantis an eerie look despite obvious budget restraints and the movie as a whole was well done of its kind but, unfortunately, it bore very little relation to Pierre Benoit's SHE-like source novel, "Queen Of Atlantis". The adult subject matter (filmed at least three times before) became kiddie matinée fodder with an extremely simplistic storyline: a couple of mining engineers get lost in a Saharan sandstorm and discover the lost city of Atlantis where they have to convince its queen that an A-bomb testing site is directly above and her underground empire will be vaporized in 24 hours. The queen falls in love with one of them and that's all she cares about. That's it.Even though she isn't especially attractive, there's something about Israeli beauty queen Haya Harareet but I can't say the same for her Antinea who's neither immortal nor evil in this re-telling. Her only crime was falling in love in a NY minute and as if that wasn't silly enough, the yards and yards of chiffon she had on made her look like a burlesque queen. Jean-Louis Trintignant and Gian-Maria Volonte didn't have much to do in this Saturday morning time-waster.

This is eminently debatable! Pabst 's version was perhaps not his best or among his best but it retained a certain pristine charm,some magic,even an unexpected twist.Brigitte Helm, Fritz Lang's Maria in "Metropolis" only appeared about fifteen minutes but she had mystery and hieratic qualities going for her.Haya Harareet -who was a good Esther in "Ben Hur "- portrays a two-bit queen ,who seems to be in one of these cheap Peplums with muscle men whereas the Legionnaires from Pierre Benoit's novel have become civilians ,scientists to be precise .And -the writer would turn in his grave for when he wrote his book,this dreadful weapon (happy times ) did not exist -these men know that Atlantis is part of a no-go area cause an atomic bomb is going to explode any day now.It was a good idea to "update" a rather old-fashioned book -few people still read Benoit now in France whereas he was a best seller half a century ago and before -Doing so by mixing Peplum with sci-fi does not do the writer any justice.The screenplay is silly,as an user wrote ,and Jean -Louis Trintignant looks stupefied ,as if the story did not concern him.Gian Maria Volonte has a small supporting part of a villain.There are so many plot holes the story is sometimes difficult to catch up with:for instance ,John (Georges Rivière) disappears very early ,probably because he was looking forward to collecting his fee and leaving this incredibly stupid tale .

I had hoped for much more, especially with the talents involved, but with a silly story about the lost city of Atlantis beneath the Shara desert, I clearly expected too much? It's about a helicopter crashing near the opening to the lost city. There, a king and queen rule over the city of slaves.There are dozens of holes in the story, much too many to go into here, but here's a couple: Spoiler alert........................The pilot of the helicopter is caught trying to escape (to where?...how?....why?). He is killed (how?). He just turns up dead in some kind of wooden contraption.The cold-hearted queen is so teed off by the rejection of her young stud Robert that she drugs Pierre and has him kill his best friend (how?). The killing is never shown, just talked about.It's all so silly and poorly written and directed. Truly, it is a waste of time....and talent. The cast does a fine job, for the most part. They simply don't have anything to work with here.Note: I never realized how short Jean-Louis Trintignant is, but he is certainly a handsome man. Also wasted in this film are Georges Riviere, Rad Fulton, Gabriele Tinti, and several others. Shame.We tend to forget all countries have their clunkers. This is one of France's....cheap, poorly made...and downright silly.Unless you are a completest wanting all the films made by one or more of the cast, be aware that this is one you can live without.

The best version that I've seen of the story of a group of men who find Atlantis under the Sahara. Here the time is "now" and the men are flying in a helicopter across the desert when they are rerouted around an atomic test site. The copter is forced down by a terrible storm and they take refuge in the caves of some rocks. Eventually the end up in Atlantis where they get mixed up in court and romantic intrigue.There are a bunch of versions of this story. I've seen a few of them and they are either hampered by bad dubbing into English or by really bad acting (the 1940's version has a Queen who just awful). Here the acting and the dubbing are fine. The story, which can be very soapy is handled nicely and you get a nice balance with the adventurous aspects of the tale. The look and the feel of the film is clearly similar to the sword and sandal films that were running rampant on the screens of the world at the time and it really works here, it gives Atlantis a nice feel.Definitely worth a look see if you run across it, especially if you're a fan of the European adventure films of late 50's and early 60's.