Really Surprised!

Excellent but underrated film

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Just Follow Law is a comedy/drama and focuses mainly on two of the characters, one upstairs - Tanya Chew (played by Fann Wong) and one downstairs - Lim Teng Zhui (played by Gurmit Singh aka PCK). Tanya Chew is a business scholar working for WAS and is the manager for the E&P Department whereas Ah Zhui is a technician working under her. Both the scenes that revolves around the main two characters would reveal much of the intention of what producer Jack Neo wants you to know and that is - for some things in life, it is not whether CAN OR NOT but whether you DARE. Tanya Chew is portrayed in this movie as a cold-blooded superior executive boss who loves ordering people around, having a lot of IQ but having nothing when it comes to EQ. Stepping on people's toes, being tactless and implying authoritarian behavior in front of her downstairs, she still do keep a certain good value (although mostly indirect being unable to display her affections), and that is being filial to her mother and having a deep heart for all her downstairs in not wanting them to fail and lose their jobs. But, such affections turned into commotions when it comes just right out from her mouth, making her being the person who least have PR skills. Have I also mentioned that she is hot-headed? Oh well, yeah, she is! =) As for Ah Zhui, being a technician he is, the first few scenes displayed his attitude as being carefree, a rule-bender (and he's really happy with it), a task-avoider and well it all sums up as being lazy. Ironically, he wants the best for his daughter, which can be seen in sending his daughter (only child) to tuitions and piano lessons. As can be seen, when asked to fix the neon lightings for the company, his first response was to 'call the contractor-lar'. Fann Wong was eager and smarty pants enough to retaliate - 'so I pay the contractor your salary?' and his reply was to avoid being the main person to 'kena arrow' by pointing to Bamboo - 'eh your joke lousy lar'... He leads a very simple life, wanting nothing more but eagerly anticipating for the payday to arrive and when it does, spend generously on food and basic necessities. They are not well-off, staying in small lots, but at least they are happy with their ongoing life, wishing for a better tomorrow.A freak accident happen after an argument between Tanya Chew and Ah Zhui when the main blame dawns upon Ah Zhui for using masking tapes to prevent one of the boards (enclosing a heap of mess in the parking lot) from falling after running out of nails. The boards fell (and so did the minister in the heap of mess) during a photography session with the China minister upon his visit to WAS. Ah Zhui's bonuses were withdrawn, but he needs the money to fulfill his promise to his daughter, and that is to buy her a piano for her lessons and practice. Due to this argument alone, and how Tanya looks down upon him, Ah Zhui with relentless effort got himself involved in a car-chase with Tanya and what happens then was an unexplainable tragic incident.They both exchanged souls while in the hospital and then like what they would explain and describe, Ah Zhui's body - I am Tanya Chew, Tanya is not Tanya, Ah Zhui is not Ah Zhui, Tanya is Ah Zhui, and Ah Zhui is Tanya, and I am Tanya Chew, can't you see that? Even I am confused! But speaking of which, with obvious fact, one is upgraded to a luxurious life with plenty of money and vacations to spare and spend while the other gets downgraded to a small simple life in which of obvious fact, a high achieving scholar like Tanya would probably not have experienced before. The consequences was a definite nonadjustable havoc, but watch as you will laugh coz that's where all the fun part is. Both learned about themselves when they are in another person's body and learn to help one another to again save their 'ca-cheng'. Tanya learns the most important lesson of all and that is even though the fact is clear cut about the hierarchy system in almost any companies or job description, you will never know when you will need the person's help and needed it most. Anyone can be your hero for the day or otherwise. As for Ah Zhui, well he learned about himself alright, not being able to pay for her daughter's medical fees, not being able to fulfill his daughter's desires and needs (buying a piano for her to practice, and having to borrow money for her daughter's tuition fees and piano lesson) and not being a good father to his daughter. He began to see all of these and appreciate what he once took for granted. His incapability in carrying out even the simplest of task made him aware of his status, not only towards his daughter, but to his friends and to himself.

Thou it's started like a comedy and social criticize of the famous Singaporean 'No U-turn', Jack Neo's movie turn, itself, quickly in a poor copy of Black Edwards' comedies when Fann Wong and Gurmit Singh exchange their souls to find themselves in each others body. Without this 'deja-vu' effect, Neo would have reach his moral easier and more originally.Neo's direction still looks like a newcomer film student who wants to play with the effects and have more the aspect of a TV film than a cinema feature. Even during a serious scene (Gurmit's daughter hit by a car), the cheap special effect starts laughs among audience instead of fear.This movie should have been be produce for TV with a cheaper budget, maybe this could have let a chance for others, and better, Singaporean filmmakers to produce a higher quality feature.But you know they let him do. It's just because, long time ago, Jack Neo made laughs...

Jack Neo is undoubtedly Singapore's most commercially successful director, having made 10 films (including this one), and almost each time, you'd hear his movies topping the charts and breaking box office records. His films touch the common heartlander chord with his fusion of satire and subtle jabs at topical issues, much akin to his skits during his Comedy Night days, and given a huge fan base built, it's no surprise if local audiences turn up in hordes to lap up his latest offering which set its sights on the civil service.Almost everyone can identify with the frustrations of red tape bureaucracy, that incident of unpleasantness with staff in their less than helpful robotic stick-to-the-rulebook answers, and of course, attempts to shift responsibility and cover their rears. Wait! Doesn't that sound familiar, like what every other company employee will do as well? For the first twenty minutes, it's recounting office politics 101 with spot on accuracy, jazzed up by some special effects, as every tactic in the office politic arsenal get brought out to the table.The story is set in a fictitious government body which is tasked to create jobs and encourage skills upgrading. But the fact is that almost everyone in the department needs a serious upgrade and look at themselves. You can spot the inept CEO, the conniving scheming colleagues, the unskilled miscellaneous workers, the bootlickers, and the elite scholars all having a go at each other. And at times when you laugh at their antics, somehow you're wondering if you're laughing at yourselves, especially when you recall incidents you experienced, or characters whom you see in others.While the idea was there, the delivery was somehow let down. It played out quite childishly, and looked more like mini school skits put together in a very choppy manner. You don't fault the number of ideas the story writers have, but rather at their inability to gel them all together into an engaging narrative from start until end. At times you might think you're watching a tele-movie plagued by too many minor characters, each being a one- dimensional mouth piece for the issues they represent.Casting Fann Wong was a coup, as she's one of the top darlings of Caldecott Hill. And one of the appeal in watching the movie, is to see how she junks her glamorous goody-two-shoes image, for a comedic role requiring her to act like a siao char bor (mad woman). And she pulled it off with aplomb, which is what manages to hold the attention of the audience. She burbs, farts, frequently molests herself by grabbing her boobs, walks like a beng, talks like a beng, swears like a beng too. According to reports, her minders got into fits with her role as Tanya Chew the scholar manager, who got her body swapped with Gurmit Singh's Lim Teng Zui, a lowly employee, as it called for her to act against her image. Well, she sure have thrown caution to the wind and it turned out well, but I thought she could have gone further, instead of having to rely on cheap editing tricks.If Fann Wong acting like a man raised interest, the same couldn't be said for Gurmit's role as a woman, as it sure isn't like Mrs Doubtfire or Tootsie. It's relatively muted, and when the pairs on screen together, there is no doubt as to who is the movie star, with Fann giving the veteran comedian a run for his money. Although they have some chemistry together, I thought the story and dialogue sometimes lapsed into the two characters being their correct selves instead of their swapped ones. The other supporting characters are played by the usual faces from television, and are caricatures requiring As mentioned earlier, scenes are usually made out of mini skits which try to be funny in itself, and then glued together with the lazy fade out transitions for the most parts. While there is a resemblance of a main plot, the subplots display meek attempts at comedy, or stick out like a sore thumb trying to shovel its social message down your throats, at times presenting itself awkwardly in out of place scenes. Being a Jack Neo movie, product placement is never far away, and in his latest offering, there are plenty of opportunities for product placement, which are milked to the max, one of which I thought was a mistake in having Fann seen in an advert. Jack too can't help but to put himself in a cameo, and hammering referential jabs in the script at the government (66.6% for a test out of 84, it doesn't come across any clearer than that).The production values seem mixed though. Despite being budgeted at more than a million dollars, the look and feel at times seem like a million dollars, and at times, just felt cheap. There are a lot of special effects put into the movie, and that probably took a huge chunk from the budget, as did Fann Wong's paycheck. The effects though were rather surreal which brought out some fantastical feelings about the movie, and were also used as substitutes for obvious stunts or backdrops that proved relatively costly to make. For once, I was of the opinion that the songs in the movie weren't necessary as they failed to elicit or enhance the mood of the scene, and was there a recycling attempt at using one of the songs from an earlier film?Just Follow Law will do well, given Fann's against-the-grain role, something audiences would not have seen before, and the fact that it's opening this Lunar New Year period. Fans of Fann, and the usual support base of Jack Neo, will definitely make this movie a hit. A pity that it could have been much better.

It's not everyday that we see a movie so bad that we feel like walking out of the theater barely half an hour into the movie. This movie was one of those bad picks.Why is this so bad? First of all, it's a known fact that Jack Neo gets overtly preachy in his films (semblance of well-thought-out social commentaries). It got really annoying to hear him narrate in the background exactly the point that he was trying to portray in different scenes. It makes one wonder if his script writer is so inept at building these messages into the plot that the director has to summarize the messages for the audience.Secondly, the pacing of the movie was terrible. The movie spent too much time on the goofs after the main characters went through a body swap. The result was a really slow moving, hardly funny, occasionally distasteful half hour that made it hard to any thinking audience to stay watching.Thirdly, you know a movie is bad when it has to resort to creating jokes out of farting, urinating, and hurling swear words in a different dialect. In fact, there were so many expletives that I totally think it deserves an NC-16 rating for coarse language. You know it was a bad movie when the only thing you hear coming out of the theater was a young kid citing the swear words that were repeatedly used by one of the leads.I applaud Jack Neo's intention at highlighting social ills through comedies with mass appeal. But I think he has done it at the expense of art and craftsmanship. The result is a dull and unsophisticated TV drama that happens to be on the big screen.