Let's be realistic.

Good start, but then it gets ruined

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Jim is the most unpopular kid around, it's the 80's, his dog has run away, and he's the butt of all the jokes at School. When things seem utterly bleak his fortunes change when a vibrant, handsome, cool American Dean moves into the house next door, but are his offers of making Jim the popular kid well meant?I've become quite a fan of Craig Roberts, a truly talented, understated actor, who oozes charisma in a subtle way. Fair play to him for writing and directing this, what a talent. There are some cracking performances, Roberts apart, I thought Richard Harrington was great as the Headmaster, Emile Hirsch was charismatic as Dean, and I really enjoyed Mark Lewis's Jones performance as Donald.A truly underrated film which seems to belong in so many genres, it's dark, funny, sad, surreal, feel good, grim. I was impressed 8/10

I thought the Tories stopped funding for the arts? Either way, this film is balls. It seems left to the imagination whether the American actually moved into Jim's next door residence, or whether he was simply a figment of his imagination. His parents certainly saw him as real. Regardless, anyone who can relate to the protagonists in this film has serious personal issues. I guess its no less stylistic than a full-on Yank flick like Donnie Darko or other purely stylistic shite. Yeah, I sat back and was vaguely entertained, but seriously, this is hipster fodder/rubbish. Esoteric nonsense. If film making today is supposed to serve the film maker and not the audience, then consider it a job well done.

"I am depressed" from protagonist Jim, especially after the introduction of Emile Hirsch's kitschy cool foil, was probably unnecessary and a bit much. Up to that point, the film uses what it has to build this well balanced psychology: the trauma experienced as a victim of bullying and the subsequent introversion (spoiler free Brother Yee called it from the trailer), which in and of itself can be embraced rather than be seen as a responsive crutch to the act of bullying itself. Roberts never loses sight of this though and rides this one out nicely, even if his character is, at times, overshadowed/muddied by Hirsch's gratuitous performance. Overall, if you're a fan of teenage angst, Gen Y self-conscious, self-depreciative dialogue, and a good eye for shots and rendering, then there's plenty to smile – and laugh with in Just Jim.

This movie is a lot of things.It's an homage (or a rip-off, you choose) of Punch Drunk Love, Mulholland Drive, and Rebel Without A Cause.It's a teen coming of age film that takes every genre trope and exaggerates it to bizarre extremities.It's a comedy and, in certain segments, it's fairly unsettling.It has an extremely pronounced tonal shift around halfway through that totally caught me off guard.The camera-work is quite good, and the film looks great. The soundtrack is fantastic and it ranges from jangling ambiance (Punch Drunk Love) to deep drones (Mulholland Drive).For a movie that copies so much, it all feels very original. Look forward to Craig Robert's next.