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| 27 August 1997 (USA)
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In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).

Reviews
Linbeymusol

Wonderful character development!

NekoHomey

Purely Joyful Movie!

Iseerphia

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

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Keeley Coleman

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Ricardo Garcia Mainou

This French movie starts as a classic mystery. A young police detective watches his friend and chess mentor murdering a strange man. From this moment, this fast paced thriller takes us from France to Germany, from war secrets to deep stolen art trading, from Nazi hunting to the war of the gulf. The movie has a very interesting and provocative (almost seductive) screenplay, written by the director and other colleagues including famous writer Semprun. Consider yourself warned, you should keep paying attention, if you forget this is not a Hollywood film, with every explanation said twice for the sake of the distracted and the popcorn go-getter. If you miss something you will feel utterly lost, but don't worry it is worth the reward. Is a very engaging story and will keep you guessing until the end, thanks to its fast paced editing. The only weakness will be the awful theme song on the end credits. While you listen to it, you will feel like listening an old James Bond Theme sang by a Russian cover party singer. Terrible. But don't worry since it is played over the end credits you can always Fast Forward or mute your TV.

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